Ozzy Osbourne is “That Thing at the Door”

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“There’s this thing at the door asking for you?” the brother of Terence Michael Joseph “Geezer” Butler informed him.  

“What do you mean this thing?” Geezer asked. 

“You’ll see.”  

Geezer didn’t get the joke, until he answered the door, and he saw a rain-drenched man with no hair on his head standing on his family’s doorstop. The man at the door had no shoes or socks on his feet, and he was wearing a gown that Geezer assumed was a pair of overalls that the man’s dad probably wore at a factory job. The man also had a chimney brush over his shoulder and a single sneaker on a dog leash. “I’m Ozzy,” the man at the door said. Geezer would later say he thought the man “was not the full shilling. (AKA off his rocker/crazy)” Yet he invited him in anyway — and changed rock history forever.

We can only guess how this interaction proceeded from there, as the two men tried to feel each other out, but Geezer was intrigued enough to invite this disheveled man into his rock band Rare Breed. The thing standing at Geezer’s door posted an ad in the Birmingham musical instruments store that read “Ozzy Zig Needs a Gig.” Geezer saw the ad, went to Ozzy’s house, Ozzy wasn’t home, so Geezer left his home address — and John “Ozzy Zig” Osbourne, or as we now know him Ozzy Osbourne, showed up later as that thing at Geezer’s door. 

Geezer, like Ozzy, grew up in a low income, working class neighborhood, and they both had six siblings, but the Butlers did not experience the level of poverty the Osbourne’s had. Those of us who grew up in similar neighborhoods know that we don’t meet many who are lower on the socioeconomic totem pole, and when we did, we looked down on them. Geezer and the Butlers were poor, but Ozzy grew up without basic comforts like indoor plumbing, and he and his siblings often used coats for bedding. As Geezer’s brother alluded, the Butlers probably viewed Ozzy as a lower life form. His appearance suggested he couldn’t even afford a decent pair of shoes.

When Geezer met Ozzy, he had a predicament. He had always been an avid reader with a strong background in English literature, especially Shakespeare, so writing song lyrics came easily for him, but he was not a strong, confident singer. He needed someone to deliver his lyrics to an audience. He had a message, in other words, but he needed a messenger to sell it properly. When Geezer imagined his messenger, he probably dreamt up a Robert Plant, Rod Stewart rock-god type who could seduce listeners into falling in love with Geezer’s lyrics. Every songwriter who can’t sing, dreams up bullet points for the singer of their songs, and we have to imagine that an overwhelming majority of them would’ve rejected “that thing at the door” on appearance alone. Is that what intrigued Geezer? As we now know, Geezer was not what we call a conventional songwriter, so Geezer may have thought that this thing at the door might have been able to attract an audience in the manner the lobster boy and the bearded lady attract an audience to the county fair? 

We could say that Geezer was desperate, but by historical accounts, Geezer only had one other lead singer prior to Ozzy, and that man quit Rare Breed once he heard how bad the band was. So, Geezer didn’t exactly exhaust all possibilities before meeting Ozzy. Geezer dresses this decision up by saying he was blown away by Ozzy’s audition, and that might be a fact, but it’s more likely that Geezer didn’t think he’d find a better lead singer in Birmingham, and his aspirations likely didn’t extend beyond the city at the time. He probably enjoyed seeing Ozzy’s unfiltered confidence and he suspected that Ozzy’s economic limitations and resultant gratitude meant that Ozzy would show up and help Geezer build and grow, regardless how bad the rest of the band was. Geezer’s suggestion that he could see Ozzy’s talent from the very beginning not only compliments his lifelong friend, but it suggests Geezer was gifted at spotting talent. My guess is Geezer wasn’t lying, but he’s rewritten this memory in his mind so thoroughly that this is how he genuinely remembers it. We can speculate further, but at the end of that debate we’d be forced to acknowledge that Geezer obviously made the right choice, as the two of them joined forces to create something no one else tried before, and it worked so well that we still talk about them almost sixty years later. 

Within two years of meeting the “thing at the door”, Geezer and Ozzy would be joined by two members of a band called Mythology, a guitarist missing the tips of his middle and ring fingers, named Tony Iommi, and an anatomically complete and relatively well groomed drummer named Bill Ward. They would change the band name from Rare Breed to Polka Tulk Blues Band, Polka Tulk, then Earth, and then Black Sabbath.  

In case you don’t know the four of them would go on to sell roughly 60–68 million albums (including pure sales, streams, etc.) when they were all in Black Sabbath together. The music of Black Sabbath would also influence the creation of heavy metal and later the heavy, sludge side of the Seattle sound sometimes called grunge. They’ve also been called one of the influential rock bands of all time, and it all started with Geezer meeting “this thing” at the door. 

***  

“So, this Geezer Butler fella got lucky,” you might say. “He had one of the most influential front men in rock music history just show up at his door one day. That’s luck.” It’s true, undeniably true, that luck and/or chance played a role, but how often do these chance meetings happen in music? We could also say that it wasn’t exactly a chance meeting, as Ozzy posted an ad, and they both met before as fanatical fans of The Beatles. Still, it can be frustrating to learn that luck, and right place/right time elements play a role in defining history, but it happens. The counterpoint to this argument is that we have to be good to get lucky.

They, Ozzy and Geezer, also got lucky that their band, Rare Breed, broke up when it did, because another band named Mythology broke up at around the same time. The guitarist and the drummer, of that band, Tony Iommi and Bill Ward, were looking for another band to join at the same time that Ozzy and Geezer were looking for a guitarist and a drummer. (Geezer switched to bass when he saw how talented Iommi was.) Ozzy and Geezer just happened to find a guitarist who is now considered a master of riff‑craft, creating heavy, memorable guitar lines that became the blueprint for metal, and they happened to land a drummer who was a jazz‑trained, gig‑tested drummer whose unique style became a core part of the band’s identity. 

For all of the talent that existed in Black Sabbath, Geezer Butler was the conceptual architect and the primary lyricist behind the dark themes that defined early heavy metal. His style was heavy and melodic at the same time, and he was considered unusually expressive for the era. His bass lines often acted as a second lead instrument, weaving around Tony Iommi’s riffs rather than simply following them. Geezer also developed a rhythmic partnership with drummer Bill Ward to create the distinctive “swing” that underpinned many of the early Sabbath classics.

As Geezer described the relationship that would develop between he and Ozzy, Ozzy created vocal melodies during the band’s jam‑based writing sessions, and Geezer would write the lyrics to those vocal melodies. So, they used their talents, gifts, and creative energy to land in the right place and right time of music history.

If we examine Black Sabbath on an historical timeline, we could also say they got lucky to land in a right time/right place hole in time where no one had ever tried to make gloomy and depressing, as opposed to sad, music before. Yet, when we read the quotes from the members, they didn’t seek out a different form of music to carve out their own niche in the industry, and they didn’t plan on being pioneers, it was just who they were, where they came from, and what they knew. (All of the members of Black Sabbath grew up in the aftermath of WWII, and the war-torn, devastation influenced the gloomy themes of their sound and music that just happened to appeal to a large contingent in war-torn Brits of that era.)

In the era of upbeat harmonies, sunny melodies, and that breezy optimism sunshine pop, sunny melodies, and harmony‑rich 60s pop of The Beach Boys, The Monkees, and The Mamas & The Papas, Black Sabbath was viewed as a dumb idea by the fourteen labels who rejected them. The market is so stratified that we usually accept the idea that there’s no such thing as a dumb idea, but those labels all agreed that the gloomy, bleak, slow, and depressing music of Black Sabbath was a stretch too far. The basic sales pitch behind Geezer Butler’s presentation was that in a world that wants to listen to music that makes them smile, we have created a form of music that is so depressing we might lose a percentage of our fanbase to manic depression. In a world of feel-good music, we’ve created feel-bad. So, whaddya think?

For all of the luck, the right time/right place elements, and everything else that defined them, Black Sabbath shouldn’t have worked, not to the degree that some relatively anonymous writer would be writing about them nearly sixty years later. Even a qualified, quality writer would have trouble properly capturing how unlikely their success was. These were four kids who grew up in various levels of poverty who believed that the pinnacle of success would involve them playing in local pubs that would hopefully pay them enough for them to be able to afford a decent meal and a couple of beers to follow. These guys had no formal musical training, absolutely no industry connections, and they decided to play a style of music that didn’t exist yet — slow, heavy, ominous, and socially bleak and depressing.

We can imagine that their immediate success shocked the 14 major labels who rejected Black Sabbath before their first album was recorded and everyone else who worked with Sabbath before their first album was completed, but no one more surprised than the four members of the group. They knew they worked well together, and they gelled to create the type of sound they were seeking, but the idea that it clicked and/or appealed to listeners to the point that it reached #8 on 13 on the UK Albums Chart and #23 on the US Billboard Top LPs shortly after its US release stunned the four fellas. They didn’t really have to “pay their dues” in a relative sense. They compiled a selection of five songs for their first album Black Sabbath, recorded them in one 12-hour session, and they released it. They were just happy that a label signed them, and they were actually able to record an album. That, to that point, was beyond their expectations. The idea that it would chart with no radio play, combined with the critics dismissing it as a crude, simplistic, or derivative effort was beyond their comprehension. Another source notes that Black Sabbath remained on the charts for over a year and sold one million copies in its first run (US + UK combined).

All four members have said, in various ways, that they couldn’t believe it when some people initially started treating them like a real band, then when their album charted it scared them a little, because they didn’t know what to do with that. When they were asked to tour the United States of America, it wasn’t mild surprise, as none of them knew enough to know logical progressions of this sort. They were genuinely stunned. Ozzy described his genuine reaction to this insanity by saying he was constantly waiting for someone to tap him on the shoulder and say “There’s been a mistake, a huge mistake.” Tony Iommi said, “We never thought it would go anywhere. Our goal was to avoid factory work, and we thought we could do so with a few gigs here and there.” Ozzy said that their goal was to eventually get in pubs, so that the pubs would pay them enough to drink their beer. “We never thought we’d get out of Birmingham,” Ozzy added. Bill Ward said, “We didn’t know what we were doing — and suddenly it worked.” Geezer said, “We were just four poor kids. We didn’t think it would last.” All four members were from lower class to absolute poverty, as Geezer said, and that probably led to the level of desperation necessary to make whatever they did work.

Anyone who has ever read anything about the recording industry of this era, knows how this chapter of the Black Sabbath saga ends. As poor and uneducated as the four fellas who comprised this band were, in general, they probably knew less about the recording industry, recording industry contracts, and the manner in which their management team should be handling their financial matters. They wanted to focus on creating the music and let management take care of the financial matters, and their creations 4.9 million copies of the first album, and the second album, Paranoid, sold between 10-12 million copies, by global sales estimates, they were almost as broke as they were before they recorded their first album. They signed a horrible contract, because they were so elated that someone wanted them to sign them that they probably thought if they haggled over the details of the contract, the management team might not sign them.

“We were one of the biggest bands in the world,” Geezer said, “and we were penniless.” One example cited stated that Black Sabbath were paid $250,000 to play at a 1974 California Jam festival, and each member ended up receiving $1,000. As stated, management teams and recording labels ripped off most of the artists of the era, including the Rolling Stones and The Beatles, but music historians suggest that Black Sabbath’s management disputes were some of the ugliest and most damaging in rock history. When the fog cleared, the members discovered that not only were they almost as broke as they were when they started, but their cars, homes, and other personal possessions weren’t theirs. In the most crushing blow, they then discovered that their music, that which they worked their tails off to create, hone, and perfect wasn’t even theirs. After years of litigation and lawsuits, it is suspected that the four members may have recovered 10-20% of the money their manager stole.

Black Sabbath worked for a whole host of reasons, of course, but they were dumb enough and desperate enough to make it work on a certain level. They had a Beatles-obsessed lead singer, who learned the art of melody from his beloved mop tops, a Shakespeare-obsessed lyricist, a guitarist who was missing the most important finger tips required to play guitar, and a jazz drummer who helped develop a new form of musical expression. Their eventual success suggest that some ideas are such a load of crap that if it’s gathered together, it could be used as fertilizer. The four members didn’t know enough about the system to know how to succeed in it, and they got lucky. The fact that they got so lucky that they’re unicorns, should not be discounted here. Most of us should spend most of our young life trying to figure out the system works to see how we can succeed in it, but some of us weren’t built like that, and some of the ideas we have might appear like “that thing at the door” to others, but the question that we should ask ourselves, is a question I’m sure Geezer Butler asked himself on the day he met Ozzy Osbourne, ‘what would happen if I invited this man in?’ What would happen if we invited that weird, strange, and just plain different idea in and explored the possibilities? If we drop an adamant no to all of that, we’ll never know. The story of Black Sabbath teaches us that some of the times it’s better to say no, unless...

“Never had a Drink. NEVER Will!”

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“I don’t drink,” non-drinkers say proudly. “Never have. NEVER will!” They add that they’ve never experimented with drugs, taken a drag off a cigarette, and they don’t even drink coffee or soda now. Then, just when you think they’re done, they add, “AND I won’t put anything with high fructose corn syrup in my body either!” This is all important to them, but they’ll punctuate their rant with, “I’ve never taken a drink of alcohol.”

My guess is that their message starts out as a noble, humble “If I can do this anyone can” gesture that they hope inspires us to think it’s not necessary to drink to have a good time. They also want to send the message that alcohol does not fill the voids, salve the wounds, or anything else we might attach to alcohol, and they want us to view them as a shining beacon of that message.

The idea that anyone can graduate from college without ever taking a drink astounds some of us, and we’re generous with our praise. We do this because sobriety is a laudable goal, but we know we couldn’t have done it. The message of the sober-for-life crowd is that they were strong enough to avoid the temptation, and that is large part of the equation, but for those of us who caved to peer pressure, it was also about that Fear of Missing Out (FOMO) element.

Sobriety is, was, and always will be a laudable goal, don’t get me wrong, but some of the sober-for-life crowd repeat their message so often that rest of us view the messenger as obnoxious, smug, and so repetitive that the message gets lost in the perceived pursuits of the messenger. My guess is that those who chose sobriety for life have put up with so much over the years/decades that now that many are turning their backs on alcohol, this is their time to shine. I also think they enjoy the praise and the shock so much that they repeat their message as often as they can.

I’m not one of those who say, “C’mon, you know you have. How about at church? did you drink the wine?” I’m not one of those who hunts for hypocrisy or calls people out in any way I can. I accept their testimonial at face value, applaud it, and move on. They can’t. They cannot help but go so over the top that we get sick of hearing about it. They cannot talk about a vacation they took with a group of people, without saying, “Of course, I don’t drink. Never have. NEVER will! But they didn’t know that.” I might admire them, if they could say that without appearing smug, obnoxious, and superior, and I might be in awe of them if they could talk about their lifelong sobriety responsibly.  

The awe I express is a result of me picturing them in my high school, my college years, and my early years in the workforce. “How did you escape high school and college without drinking one alcoholic drink? How did you make friends?” I realize that writing that reveals something about the people I hung around and me, but I consider defeating peer pressure by maintaining sobriety during those years so implausible as to be impossible. We even frowned on responsible drinking when I was a teen. “Responsible drinking? Isn’t that for people in their sixties?” We thought that was such a great line, so hilarious and all that, because we thought it was true. Some were strong, they accepted the requisite beer, and they milked it for hours. It was admirable, but they still broke down. No one I know was forceful enough to defeat the dark side.

I might be wrong, but I think it’s easier to avoid drinking now than it was in my youth. Sobriety is just more acceptable now, and I think the current generation has our generation to thank for that, because they didn’t have to grow up in bars, they weren’t subjected to their dad’s drunken behavior, and they didn’t grow up thinking you had to have a drink in your hand to have a good time. I’m sure young people still have some peer pressure to drink, smoke, and consume high fructose corn syrup, but when I hear someone my age managed to maintain a life of sobriety, I’m doubly impressed, because I know what I went through. If we didn’t have a drink in hand in those years, not only would the party’s host view it as an insult, but we’d get that look from our peers. “C’mon, I thought you were all about fun?”

***

“I feel sorry for people who don’t drink, because when they wake up in the morning, that’s as good as they’re going to feel all day.” –Frank Sinatra.  

“I don’t drink,” a friend of mine said. “Never have. NEVER will!”   

“That’s great,” we say, “but I was just asking you if you’ve ever been to a Piggly Wiggly. It’s a supermarket.” 

“I don’t drink.” 

“It has nothing to do with drinking,” we say. “I just thought it was an unusual name for a supermarket, and I wondered if you’ve ever been to one.” 

We could be talking about cracks in the sidewalk, and this guy would find a way to slip a note into the conversation about his lifelong sobriety. Again, “Bravo!” and all that, but after so many repeated reminders, it does start to lose its luster. If you’ve ever met this guy, you know you’ll walk away without knowing his last name, his politics, his religion, or his ethnic heritage, but you’ll know he doesn’t drink, and he NEVER will! They say it so often that on those occasions when they don’t bring it up, it feels odd and creates a void that you’re waiting for them to fill. 

“It’s all about my mama,” he said. “I know how ashamed she would be if I showed up to her home loaded or recovering from a hangover.” He says that on Monday, but on Tuesday, it’s all about brain cells. “I’ll bet I could hold my own against anyone, one-on-one in a debate, because you’ve all killed so many brain cells over the years that I just have a natural advantage over you.”  

If he was a former alcoholic (I know, no one is a former alcoholic), we could understand him bragging about his sobriety all the time. Sobriety is an achievement for someone who was so addicted that alcohol wrecked their life for a chunk of time. We also know that most alcoholics don’t drink to excess because they like the taste. It satisfies some inner need, it fills a void, it defeats an internal demon, and it keeps the forces narrowing in on them at bay. They’re losing those fights so badly that the only, temporary relief they find comes from the contents of a bottle. If, however, you claim that you’ve “Never drank, and they NEVER will!” I guess we could claim that you won by not succumbing to the idea that alcohol is an answer, but you didn’t defeat the temptation of alcohol, because you never really played.

So, if you are a former alcoholic, I’ll sing your praises, applaud, or do whatever I can to encourage your fight. If I’m your party host, and you claim that you’ve never had it, NEVER will, I’ll just say, “Okay, what would you prefer to drink then?” Who cares, in other words. You’re not fighting demons or anything else. You’ve made a laudable lifelong decision and bravo for doing it. At some point, however, it just becomes a preference. If you’re still in your teens-to-twenties and in what I consider the heat of the battle, I might applaud you, because I know the peer pressure to maintain sobriety is intense. If you’ve never had a drink your entire life, and you’re 40+ years in, it’s just kind of who you are at this point, why do you still feel the need to talk about it so often?  

If you’ve never had chocolate and never will, it’s a preference, but I’ve never met someone who brags about never eating chocolate. If you’ve never had pie your whole life, you don’t bring it up at parties, in casual conversations, or in other social situations. You just don’t like pie. If you’ve never worn a T-shirt in public, “Never have. NEVER will!” most people don’t trumpet that. It just is, but people who have never had a drink of alcohol and brag about it so often make me think they are either on the verge of taking a sip, or they use it to feel superior to the rest of us who do drink.

“I don’t drink,” non-drinkers say proudly. “Never have. NEVER will!” Some say this in a manner that suggests they are on offense, and that my reflexive reaction should be a defensive one. It creates an odd magnetic repulsive force (similar to the force of the other side of the magnet) between us that I end by saying, “Well good for you,” I say, which defuses the tension and creates a different, weird tension of deflated expectations. I think they expect me to mount some sort of defense of alcohol, but I don’t know anyone who would defend alcohol, unless they said, “I don’t see anything wrong with drinking responsibly.”

I’m sure former, (lapsed, or however they identify themselves) alcoholics would say I used to be an alcoholic, if they read my story. I would say, at worst, I used to be a binge-alcoholic. I could go an entire week, even a month, without drinking, but when those high school, college, or co-worker, Friday night parties arrived, I got slaughtered. I don’t view that as a brag, or anything admirable, but I never craved alcohol. I didn’t like the taste of beer, wine, or anything harder. After years of sobriety, I tried craft beer and discovered that beer could actually tasted good, but at most I drank maybe two of them a night. In my younger years, alcohol was a social lubricant, and it was a way to drop my social inhibitions. Some said I was more fun and funnier when I had a few beers in me, and I thought I was too, but I admittedly did not know the limits social advocates talk about when they define responsible drinking. I’m quite sure a psychiatrist or psychologist could find a whole host of ghosts and demons that were chasing after me back then, but I didn’t see it. I thought I was drinking to excess for excessive fun. Now that it’s all over, and I don’t drink to get a buzz, drunk, or slaughtered anymore, I still don’t see the any harm in what I did back then. I now down the occasional craft beer, and while the newsfeed articles talk about “What drinking just one glass of alcohol does to your body,” I don’t see the need to stop. 

Getting Older, Older, Old!

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“Now that you’ve seen the whole package,” standup comedian Eddie Pepitone said shortly after walking on stage, “I want to answer the question that you’re all thinking, and the answer is yes, I have had a lot of work done. I’ve had my hair removed and my belly let out, because I was too pretty.” –Eddie Pepitone.  

“Age is a relative concept,” is a phrase we’ve all heard, but what’s the difference between old and old. Ruth was seventy-eight years young, and I don’t describe her age that way to sound culturally sensitive. Ruth was happy, and she loved being alive every day in every way. Most seventy-eight-year-olds, like Jack, don’t. Jack was just tired by the time he reached seventy-eight. I don’t know what he was like before, but the guy I knew would’ve been much happier if he died sooner. Ruth had an infectious smile, and watching her work her way through her day could leave one feeling exhausted. Jack lingered long after he stopped mattering, or caring about matters. Age is a relative concept.

***

We don’t know where we’ll be at age seventy-eight, but we experience indicators along the way. We don’t think about age now, but Jack might say that’s because we’re not seventy-eight, broken down, and just tired. I’ve never tried to act or look younger than I am, and I’ve never lied about my age. I just am who I am, a little older and wiser, but I never really thought about age, until my long-time friend walked into the bar and grille wearing a pair of Crocs. 

Tony Mancuso was all about girls when he was young. He loved them big, tall, short, and small. He was so girl crazy that everything he did in life was to get more girls looking at him. We all did that to some degree, but Tony went further than anyone I knew at the time. Another girl crazy friend, an Aaron, started Tony down this road when he said, “You have it all, great hair, a great personality, and a decent fashion sense. The only thing holding you back,” Aaron said, “is your skin.”  

“What’s a fella supposed to do about their skin?” I asked. “We can grow our hair out, cut it short, buy new clothes, all that, but we can’t do anything about our skin.” I said that with empathy, because I, like Tony, had bad skin. We both had acne pockmarks and scars, holdovers from the severe case we had as teens. 

“Some of the times a fella needs to hear what he needs to hear,” Tony replied.  

“That’s true,” I said, “but what can you do about it?” He shrugged, I shrugged, and the matter sort of devolved into nothingness.  

About a week later, Aaron and Tony found an answer to what I considered an unnecessarily harsh insult, and Tony was willing to sacrifice his good standing in our ultra-male community by applying a little bit of Aaron’s Max Factor Pan-Cake foundation makeup to help cover those unsightly pockmarks and scars. Then, when a little dab didn’t do him, he overdid it. He had a line under his chin he didn’t blend, because he didn’t know he was supposed to blend, so his little sister had to teach him. It didn’t embarrass Tony, because he thought it would all be worth it in the end. Aaron and Tony then began turning their collars up, they stopped wearing hats, and Tony began shaving more often and brushing his teeth on a daily basis, because he knew girls liked that. He was all about marketability and increasing his market share in our teenage dating market. Tony eventually escaped the raging insecurities that drove him to do such things, but seeing him again, after years of separation, in a pair of Crocs, led me to the inescapable notion that we were both old now.

We have an idealized image of ourselves that we see when we’re talking to others, and mirrors don’t reveal the incremental progressions from those delusions. We’re in front of a mirror every day, so we don’t see the aging process, how much weight we’re putting on, or how much hair we’re losing in them. Pictures used to tell those tales, as we could compare them to pictures of us from our past. When we started using our cell phones to take selfies every day, they failed to tell the tale of monthly and yearly progressions. In the age of technological advances, we can live in total denial, until we run into big, glaring signposts that reveal irrefutable facts to us. 

Tony didn’t show up for our reunion dressed in one of those Hawaiian shirts that appear to be issued at the Florida state border, and he wasn’t wearing khaki shorts. No, the man who almost appeared to have a fashion consultant in our previous life together, rocked my whole world by walking up to the table of the bar and grill in a pair of Crocs. 

“Are those Crocs?” I asked him with a level of disdain that I didn’t conceal very well. 

“They’re comfortable,” Tony said.  

‘Holy Crud, we’re old!’ I thought when I realized Tony Mancuso was now choosing comfort over fashion. It had been probably ten years since I last saw him, maybe more, and the transformation between the man I basically grew up around and the man standing before me now were nearly 180 degrees different. If I wore something for comfort, back in the day, he would’ve said, “That’s fine, but you look like an idiot.” If we saw a grown man in a pair of sandals, he would’ve dropped his pat response on the man, “The last man to look cool in a pair of sandals was Jesus of Nazareth.” Now, that man, was basically wearing a pair of them.  

When we’re happily married for as long as Tony and I were, the idea of dating someone else is as far from our purview as free-solo rock climbing. When we’re happily married, we usually hang around other happily married people who haven’t talked about dating for over a decade, and when we don’t talk about such matters, we don’t see those windows closing. We know it in the larger sense, but it feels like those windows are closing, in the present tense, as opposed to closed or slammed shut forevermore. 

When we’re happily married, the idea that our waitress, barista, or whatever service industry employee stands behind the counter, is cute, beautiful, or incredibly attractive, catches our eye. “That never leaves a fella,” my eightysomething uncle once told me. “I don’t care how old you are, or how married you are, it never leaves.” Yet, there is a huge difference between someone catching our eye and rocking our world.  

I now choose to think that the act of admiring a beautiful young woman as equivalent to admiring an artistic masterpiece, the only difference is God and/or mother nature is her Creator and/or creator. My examination of her features is an appreciation of the result of features that have emerged from thousands of genetic variants interacting with each other and the environment. If I walk through an art gallery, and I see a beautiful work of art, I’m going to stop and look, and I might admire it for a spell, but that doesn’t mean I’m going to make any commitments to buying it.  

I don’t know if the waitress who stepped up to take our drink orders that day was that artistic masterpiece, or if I had the effects of Tony’s Crocs swimming around in my head, coupled with the idea that those shoes meant our dating lives were “so over” that the whole situation enhanced her beauty to me. Whatever the case was, I accidentally, incidentally, or situationally leered at her.  

And she didn’t care. She didn’t appear the least bit complimented or disgusted by my faux pas. She appeared so unmoved by it that I felt smaller and more insignificant than I would have if she called me out on it. This has led me to advise beautiful, young women that if you can effectively ignore a leer, as effectively as this waitress did to me, you might make this guy feel so irrelevant that he never leers at another woman again.  

Yet, that leer wasn’t the desperate cry from a lonely well it was when I was younger. When this young, beautiful, and muscularly athletic woman whose features emerged from thousands of genetic variants interacting with each other and the environment generated an almost automatic hedonic and motivational response in me, I think I just wanted to drown out the whispers I was hearing from Tony’s Crocs.   

When we left the bar and grille that night, Tony stood, key in hand, near a 2019 Ford Fiesta, while we talked. He almost acted as if he was going to get in the Fiesta, and I grew distracted by the joke I saw coming as he stood there. The joke involved him nearing the car, as we spoke of other matters, and at the last second, just before we parted, he would pull that key back and say “Gotcha!” He’d then walk over to his 1970 Plymouth Hemi ‘Cuda. I still had that expectant smile on my face when he said, “All right, I gotta get going,” and he fobbed his Fiesta.   

“Is that yours?” I asked. He said it was. “Is it a rental?” I wondered, thinking maybe he got into a car accident or something.  

“No, it’s mine,” he said. Again, Tony’s whole life, or the life I knew him in, was all about ‘what will the ladies think?’ Now, he’s pitching a car to me based on the idea that “It gets excellent gas mileage” and “The 2019 Ford Fiesta was deemed one of the most reliable and durable cars of the year, with excellent points in terms of drivability.” I didn’t question his research, because my yeah-buts were all about how a man who used to drive late 70s gas hogs that fired up and appeared to run on testosterone and sensitive androgen receptors could now be driving a sensible sedan that all but puttered when he turned the key in the ignition. 

***

Seeing pictures of myself told me some undeniable truths, playing sports against teenagers told me something else, but that day at the bar and grill was so illustrative that I found it slightly and temporarily depressing. Tony Mancuso was my fella for so many years that he felt like my brother from another mother, and seeing him age gracefully and accept the facts of the aging process was so shocking that I didn’t want to talk about it. I expected to suffix his age with years young, as opposed to years old. I expected him to dress like a man on the make, even though he was a happily married man who no longer needed to appear attractive. Seeing that this man who is six months younger than me, either give up entirely or display how comfortable and happy he was in life, caused me a couple sleepless nights.  

‘Nobody is looking at us anymore,’ was my takeaway, ‘and Tony realized this before I did.’ When we were teens, Tony would ask me if his hair looked right, and “What do you think of this shirt?” My pat response to him was to tell him that fewer people were looking than he imagined. Seeing him in a pair of Crocs while driving off in a Ford Fiesta led me to the depressing conclusion that he finally accepted the fact that I was right.   

I never expected to write anything about age insecurity, because I’m more at peace with myself than I’ve ever been. I answer that age old question, “Would you like to go back and do it all over again?” with an asterisk, “If I could go back with my current mindset and everything else as is, I’d love to go back and edit and totally rewrite elements of my life, but I wouldn’t want to go through everything that accompanies youth again. I wouldn’t want to undo all of the psychological and philosophical progress I’ve made just to physically relive my past.  

I’ve also found most of the elements of aging quite pleasing. We’re all insecure to some degree, but insecurities were such an insurmountable obstacle when I was younger that I’m glad most of that is over. I love being a husband, father, and family man so much that I rarely, if ever, think about other things, until they smack me in the face like a signpost.