You Could Be the Entertainment. You Might Be the Genius 


“A genius is the one most like himself.” —Thelonius Monk.  

We’ve all heard jokes about you being original. “You think you’re original? I wonder what percentage of the nearly 8 billion in the world consider themselves original? What percentage of the billions who lived before us thought they were original?”

What is original? Is it even possible to be original? Was Homer, author of the Odyssey original? What about Leonardo da Vinci, Dostoyevsky, or The Beatles? Most music critics stopped using the word ‘o’ from their reviews, because anytime they drop the word, the snipers come out to talk about all the influences they hear. If it’s impossible to be original, is it possible to create something uniquely personal? Is it possible to take all of your influences, artistic and otherwise, and do your thing so often that you find you? Will it be without influence? What is? No work of art is free of influence, and no influence is free from personal interpretation. Should you even try to be original if it’s impossible? With nearly 8 billion in the world and billions who have preceded us in history, the chances of you being somewhat redundant or derivative are pretty high?

If you can get passed the lengthy confusing originality-is-not-possible algorithm, you could do something that is so you that you might feel naked when it’s over. You might want to consider deleting the vulnerabilities that incriminate you, or you might not. If you leave it all in, it’s possible that some long-dead artist, who many consider one of the most original artists to walk to planet, might’ve considered you ingenious.    

Everyone started out wanting to be somebody else. We don’t start out all pure and raw. We lacked knowledge, skills, and the sense of security necessary to expose ourselves completely. We felt icky about ourselves when we started. We were insecure, we feared we had no talent, and we thought we were boring, or at least we’re not as entertaining as that guy.

Look at him, he’s got it all figured out. Every woman I know wants to sit with him and chat, he’s got a wad of dough, and everybody likes him. And funny, ohmigosh, if I could be just a little bit like him for one minute of one day, people might want to be around me, they might like me, and they might read me. We add a pinch of ourselves along the way. The other guy over there, he’s all calm, cool, and collected. He’s radiating self-possession. If I could wrap his aura around my neck for just one night, it could all be different. We add a dash of ourselves to it. At some point, in the painfully gradual process, we shed their skin and become more like ourselves, and if we become more like ourselves than anyone else can, it might be ingenious. Monk’s quote might be my new favorite quote.  

2) “We might as well be ourselves,” Oscar Wilde said, “everybody else is taken.”  

“I wish I could be more like Jarod,” Todd said. “He doesn’t care if anyone likes him.”  

Most of us don’t say such things aloud. We might think it. We might think Jarod has something ingenious going on, but we don’t talk to him to find out what he has. It’s understood. We develop a construction from afar, and we try to become it.

I talked to one of my constructed images once. As much as I tried to avoid it, I couldn’t help but convey how much I thought of him. I didn’t say anything along those lines, but I was so obvious about it that I could see it on his face. We were walking away from football practice, and he started dropping a slew of swear words on me. He wasn’t cursing at me. He was swearing in the smoothest manner he could find. I picked up a strange vibe. He appeared to be trying to live up to whatever image he thought I had of him. The idea that he tried so hard confused me, because he was the guy everyone wanted to be, and I was the anonymous nerd who faded into the background of whatever room I was in. I needed to develop skills to stand out. This guy accomplished it by just being him, or so I thought. In our brief exchange, I realized that I didn’t want to be him anymore than I wanted to be me. I realized that if I was going to continue to try to live up to the constructed images I had of people, the pursuit was probably better than the prize. I also realized that if I was going to project images upon guys like him, I probably shouldn’t talk to them.  

“You’re the entertainment,” I told Todd after he wrapped up his gripes about Jarod. “You’re the entertainment in the room, and you don’t even know it.” 

3) “You are who you are when nobody’s watching.” ― Stephen Fry

My goal in life is to control situations as often as I can. If I encounter a situation fraught with failure, I take over, because I would rather blame myself for failure than someone else. I see parents put their kids in awkward situations, and when these kids fail, the parents are shocked. They evaluate their kid’s failure by their own standards. I might over correct at times, and I might be what they call a helicopter parent, but I either try to frame failure according to age, or I try to prevent failure by taking control of the situation.

When my boy went to the refreshment stand in a restaurant to refill his cup, every instinct told me to just take the cup from him and do it myself, but I knew he had to learn, and I wanted to see who he was when he didn’t know anyone was watching. I stood back where he couldn’t see me, and I watched him. As he refilled his cup, I took a step back. It was painful to stand back and watch, but I couldn’t stop looking. After he spilled, I stepped back further. I wanted to see if he would clean it up himself. I wanted to see if he would look around after the spill. I didn’t realize until I smelled it, but I accidentally backed into the sphere of influence of an elderly woman. My first thought, when she expelled gas on me, was this might be her defense mechanism, warning me that I was too close. I thought of the octopus expelling an ink cloud to thwart the approach of predators. She couldn’t know if I was a predator, because she didn’t know me, so she probably considered it better safe than sorry when she let it go. I abided by her silent admonition by giving her distance. My boy cleaned up his mess without looking around, and he double checked his work to make sure his mess was all cleaned up. I made the right move by allowing him to make his own mistakes, and he unknowingly defined his character for me, but I paid a price for it. 

4) “Be it a song or a casual conversation. To hold my tongue speaks of quiet reservations. Your words, once heard, they can place you in a faction. My words may disturb, but at least there’s a reaction.” Slash, Dave Lank, and Axl Rose. 

Back when I talked to my constructed image of the star football player, I considered offensive vulgarity the more honest approach. No matter how confusing I considered his effort, I thought he was being real with me. He fit the prototype teenager, but we don’t see that when we’re teens. We were influenced by movies, TV, and music. We had lists of which movies used swear words, and how many times they swore in such movies. If we were movie critics, we would’ve awarded stars accordingly. We also loved music, and while we all appreciated great pop songs, a song without at least a little vulgarity or innuendo, too safe. We wanted to hear dangerous, risky music, and we craved that in all artistic venues. We demanded the same of ourselves. The more vulgar and crude the more honest. We wanted to hand the holy grail up to the person who didn’t care if we considered them offensive. The truth is offensive, we thought. “I speak truth, and what does it say about you that you can’t deal with it.” What does it say about you that you said it? “I gotta be me!” So, you’re an offensive person? It took us a while, but we realized that a cup is handed down to the artist, filled with their offense.  

Due to the fact that the material nature of Rilaly.com is relative and subjective, we cannot guarantee our readers will be entertained or enlightened. We are introducing our new insurance policy that a reader can purchase if they don’t know if they want to take a risk by reading it. If you are not entertained, or enlightened, we will refund any amount the reader paid to us to read this, minus the cost of the non-refundable insurance.  

Yellow Stripes


The Organic Sandwich  

“I’m burping peanut butter,” she said. 

“That’s funny, because I’m farting jelly. Now, if we could just get that guy over there in the corner, with a yellow-striped shirt on, to somehow make us some bread, we could have one hell of a sandwich.” 

“Who is he?” she asked. 

“No idea, but look at him. If anyone can make bread, my bet is it’s someone who looks like him.”  

You Should’ve Seen What I, More or Less, Saw  

Arnold knew what life had to offer when I met him. He’d been-there-done-that. He knew there was nothing more to life while on the never-ending quest for something more. “This isn’t something more,” he said anytime we shared an experience. “This is something less than what I’ve experienced already. You schlubs, who think this is something more, just haven’t lived the life I have.”  

Arnold lives his life pitying those who enjoy experiences. He’s already had them. A vacation is not as great as the one he had, a night out with a wild and crazy guy is not as fun as the one he had with a lunatic who knew how to have some fun. A weather anomaly is not as bad as the one he experienced in a different town, in a different year. “You think this is bad, you should’ve seen what I saw back when I was (whatever).” You Think This is Bad… will be the title of his biopic, if anyone has the excess cash necessary to fund such a project.  

“Stick with the Beatles,” he says when we express adoration for some new musician who attempts to create music. It’s always interesting to me when music snobs (of which I am an avowed member) suggest that because group B is not as great as group A, we shouldn’t listen to B, or any of the other letters in the alphabet. “Are you saying they’re better than the Beatles? All right then.” Case closed. Nothing to see here. Matter resolved. Now enjoy your life of listening to nothing but the Beatles, you’ll thank me later. For some of us, music is life. A new release by some otherwise unknown artist fuels us in ways that are tough to explain to someone who has already heard the best. We have an appetite for something different, not better, not just as good, different. Arnold doesn’t have that gene. Music is background noise to him.    

“It’s the Sun,” he says when we attempt to describe a Sunrise. “The Sun rises every day, and the average human being will see about 28,000 of them in their life on Earth.” All right, but how many do we look at, and how many do we see? “It’s the Sun.” For those who’ve experienced a Sunrise, appreciation suggests a level of cute and laughable naivete. 

Arnold is not a crotchety, old man, but he will be one day, and I suspect he will refuse to appreciate anything on his death bed. He might even try to been-there-done-that death, “You think this is bad, you should’ve seen my life.” Death will mean nothing to him, because he will look forward to something more. “What if this is it?” we’ve asked him. Arnold won’t hear it. He’s locked in on the idea that nothing can top what he’s already done while being unimpressed with it in the moment and looking for something more. “What if there isn’t anything more?” We’re not attempting to open a can of worms. We’re not suggesting that there isn’t always something more. We’re suggesting that he might want to stop comparing life to what was, what could be, and maybe train a little more focus on what is, because we will all, eventually, find out if there is anything more soon enough.

I love to watch things on TV.  

“Who do you think is going to win?” I asked Vito. Vito and I were watching two people get ready to play a game of pool from a neighboring table. We were so bored that I felt boring. We were absently watching a college football game between two boring teams. My question was so random that if Vito declared that he didn’t care who won at pool, and his ambivalence was convincing, I would’ve moved on without giving the matter a second thought. Vito didn’t do that, however, he tried to sidestep the question. 

“I don’t know,” Vito said. “I really don’t. I haven’t watched them, and I cannot gauge their abilities.”  

“I know you don’t know who’s going to win,” I said. “Either do I. That’s the fun of randomly picking a guy. We do that. Guys do that when we’re in a bar together. We randomly do things to have random fun. We could cheer these guys on in a way that makes them so uncomfortable that they ask us what’s going on. Then, we could tell them-”  

“I’m not in the game of making predictions,” he said, interrupting me. Yet, he was into making predictions. He did it all the time, but he only picked overwhelming favorites, so he could be right. We all enjoy being right, and Vito was no different, except by the matter of degree he cared. He cared so much that when the two combatants were somewhat evenly matched, he refused to put his reputation on the line for what amounted to a guess. He dropped that “I’m not in the game of making predictions” into those occasions so often that I considered it his character-defining line. If someone with enough excess cash on them to make a biopic on his life approached me for ideas on a title, I thought this would be an excellent one.    

“Let’s put a friendly wager on it?” I pressed. Vito squirmed. “Pick either one, and the loser buys the next pitcher.” Even though the pool balls were racked, these pool players took their time. They drank their beer slowly and chatted with another table near them. They stood astride their pool sticks, like warriors preparing for battle, while they chatted. I didn’t understand why these guys took their time. They paid by the hour for the table. Either they had too much money, or they liked being players more than they like playing.  

When Vito said, ‘I haven’t gauged their abilities’ he meant it. He thought his abilities to gauge talent was his talent. If we bet on two girls playing hopscotch, Vito might take out a slide rule to measure the muscle mass in their thighs. He might want to talk to the players before making an assessment, and he might ask them to do a couple of run-throughs before reaching an assessment worthy of a Vito declaration. Even in a pool hall, on a boring and random Friday night, he hesitated, thinking I might bring my victorious bet back to the office and thereby ruin his reputation 

“C’mon,” I said. “It’s one pitcher of beer.” 

“I’m not a gambler,” Vito said. 

“I’m not either,” I said, “but this might make this otherwise boring night a little fun. 

“Sorry,” he said.  

At this point in our article, the reader might think that the importance of Vito’s vaunted prediction record was all in his head. It wasn’t. To my dismay, I heard someone else say, “Vito predicted that” the morning after an overwhelming favorite demolished an underdog. “So, did I,” I said to interrupt the conversation this guy was having with a third party. “Everyone did. Everyone knew they would win,” I said to proverbially bite the head off the poor chap.  

That was the only time anyone validated Vito’s prediction record, but it got under my skin when he would say, “Team A will beat team B, you heard it here first folks.” I couldn’t hide my disdain, and I always said something. I couldn’t abide by this violation of the bro code silently.   

The primary driver of Vito’s need to establish a vaunted prediction record was that he wasn’t much of a sports fan. When he would predict a victory of the overwhelming favorite, I think he believed it gained him some entrée into our world.  

“What does this do for you?” I asked him without offering my opinion. “What does this prediction game do for you?”   

He said nothing.  

“I have bad news for you. No one cares. Now, if you picked an overwhelming favorite and gave the underdog twenty points, or something, we might care, maybe, but you won’t do that, because you’re not a gambler. Have you ever predicted an upset?”  

He said nothing. He just pulled his beer up to his mouth with a half-smile in a way that suggested he knew something I didn’t. That was it, I decided. That was his game, his mystique. His affectation in life was to suggest he knew something we didn’t.  

“I’ll pick. The guy with yellow stripes,” I said. “Always bet on yellow stripes.”   

“I’m not in the game of making predictions,” he said as if he never said it before.  

“You watch too much TV,” we said. “Professional prognosticators, who use that line, get paid for analysis. They also get paid for being right and fired for being wrong. No one is going to pay you wooden nickel for your predictions, and no one is going to care if you’re wrong. You watch too much TV.” 

For the record, yellow stripes won and Vito said, “I knew it,” after the match was over. I still don’t know if he meant it, or if he was being sarcastic, but that line has been a comedic mainstay in my repertoire ever since. I’ve used that line to sarcastically note that I made an impossible prediction after the fact. It’s also an ode to a scene in The Simpsons (S3, E21 The Frying Game) in which Carmen Electra dressed up as recently murdered Myrna Bellamy, and when Electra removed her costume to reveal it was Carmen Electra, Homer said, “I knew it.”

Platypus People Need to Watch TV


When my best friend’s mother pushed her husband down the stairs that wasn’t the only strange event I saw over the course of the years I spent in their household, but it was the exclamation point I needed to develop a new species to describe them. I called them Platypus People. They weren’t just weird, strange, and just plain different people. To my mind, they defied scientific categorization in the same manner the duck-billed, amphibious Australian mammal does. They were a housefire of strange, and I was the fireman, running into what everyone else fled. Yet, as with any veteran fireman who has run into so many fires that they become commonplace, I didn’t see their aberrant behavior for what it was back then.

When Ellis Reddick entered the room wearing his wife’s tattered, old wig and a pair of vampire teeth, I didn’t understand why it was so important to him to terrify us. He would walk slow, real slow to punctuate the terror. As a likely result, my favorite horror movies involve slow, subtle psychological terror that allows the viewer to fill in the blanks. 

His daughter, someone who knew him as well as anyone, was terrified too. If he did this on occasion, say on Halloween or something, that might make it funny, but he did this to us almost every weekend. When we grew too old to be terrified, he turned the show on my brother. We knew my brother was terrified, because he didn’t know what was going on, and that made it funny somehow, sort of, and in a roundabout way. We knew Ellis better than my brother did, but for reasons endemic to Ellis’ character, we were still a little scared. I don’t know what was going on in his daughter’s mind, but I always wondered how close he was to hurting us all. We would laugh when this was directed at my brother, as I said, but there were moments between the giggles when my mouth would freeze in a worried smile. I would look over at his daughter, with this look on my face, and she would have the same concern on her otherwise laughing face. We would take everything we knew about Ellis Reddick and put those facts and concerns in a hypothetical puzzle, and we would wonder how much truth there was in the in the otherwise comical horror we were witnessing. The pièce de résistance occurred soon after his daughter and I found his hiding place for the wig and the vampire teeth, and we tried to use them to scare my brother. He was so disappointed that he was angry. He chastised both of us, because he knew, kids being kids, we would overdo it and ruin the joy he experienced terrifying  us every weekend. 

The Carnelias were another strange brew. I met low-lifes before the Carnelias, but I never knew anyone who whole-hogged it. The philosophy of most of the low-lifes I knew was equivalent to that of cryptozoologists and conspiracy theorists. They believe some of what they say, but they form most of their ideology around the idea that the other guy is wrong. They define their rightful place in the mainstream by exposing their peers to try to push them outside the fringe. The Carnelias didn’t waste their time with individuals, they were out to get the world. I also met angry, bitter, and resentful people before, but I never met anyone who enjoyed pain so much. Painful mistakes exposed the fraudulent nature, and they delighted in it like no people I’ve met before. The Germans invented the word schadenfreude to describe the act of enjoying another’s pain but the Carnelias personified it. Most of us know about the fuzzy line between comedy and tragedy, but there was never a fuzzy line for the Carnelias. They considered all tragedy comedic. I never saw them happier than when someone else was falling, temporarily confused, stupid, and in pain. It was their reason for living, or as the French would say, their joie de vivre. 

“Your family is just plain weird my friend,” I told Matt after he apologized for an incident I witnessed in his home the day before.

“Oh, and your dad is normal,” Matt said. He was defensive. Why wouldn’t he be? I was insulting his family, and in some ways him, because some part of him knew that the peculiarities of his family would one day become his. The struggle to avoid familial institutions was best captured by the Alice in Chains lyric, “All this time I swore I’d never be like my old man, but what the hey it’s time to face, exactly what I am.”

“At least my dad knows he’s weird,” I said, “and he’s been fighting it his whole life. Your family doesn’t even see it.”

It was a harsh condemnation, and it was true. Matt’s family institutionalized their peculiarities in an inclusive manner that Matt would never be able to see without comparative analysis. Institutionalized peculiarities are as difficult for an insider to see as an accent for a native speaker.

“Everyone has an accent down here,” my very young brother innocently commented when we took a trip to see extended family members in Tennessee.

“Son, down here, you’re the one with the accent,” our cousin said.

Everyone laughed uproariously, until I innocently added, “No, you still have the accent. Don’t you watch TV? Everyone talks like us.” I don’t know what I expected them to say, but I wanted pushback. I didn’t mean it as an insult. I sincerely wanted someone to say, “Oh, and you think you speak without an accent? Just because you were born and raised in a certain locale, where everyone sounds alike, doesn’t mean you don’t an accent?” I wanted one of them to explain to me how they could think we have an accent.

They didn’t say anything.

An internet rambler said, “Middle Americans always try to say they have no accent, but …” After that but, they provided some anecdotal evidence that proved otherwise. It’s a natural inclination of ours to counter a generalized statement with extremes. If I say I don’t have an accent, you naturally point out some words or sounds to suggest I do in some cases. That’s fine and all, but I don’t think the argument is do Middle Americans speak without accents, but do they have the least? Is their language the most neutral, the most homogenous, and perhaps the most boring? An article I found, some years back, stated that actors who strive to appear in American movies and on American TV shows are taught to speak as Middle Americans, from a section of the country that stretches across Eastern Nebraska, Iowa, and Western Illinois. Most producers and directors want as little accent as possible in their productions to try to achieve mass appeal, so this is the most neutral form of speech they’ve found.

“You go around saying that everyone else is weird, but I could probably come up with about 100 people who think you’re weird.” Again, I wouldn’t say I’m not weird, but between the two of us, I would say I’m less weird. If you’re from areas of the country, such as Boston, Fargo, and Nashville, you might think you don’t have an accent, because everyone you know and love speaks the same way. There’s a certain inclusivity that prevents comparative analysis. As the old analogy suggests, they can’t see the forest for the trees. My innocent and naïve question asked our cousins if Tennesseans truly fail to recognize that they’re the ones with the accent? If they do fail in this regard, have they ever watched TV? I had a similar, unspoken query for the weird families I spent so much time around in my youth regarding their peculiarities.

I spent so much time around the Finnegans, the Reddicks, and the Carnelias that I recognized their familial peculiarities. They were some weird people. I can write that now, because I have decades of comparative analysis to back up that statement. At the time, however, I grew so close to them that I absorbed their peculiarities and developed my own lack of objectivity, until that conversation with Matt. When he pushed back with, “Oh, and your dad is normal.” I probably should’ve introduced him to the elusive baseline.

How do we compare one individual to another to derive a relative definition of weird. How do we compare A to B? Who’s the weirder of the two, and who’s closer to normal. We might take our question out to a third party, who establishes themselves as an agreed upon, baseline level of normal or relatively normal, on a day-to-day basis. Every region of the United States has some accent in their speech, indigenous to the area and the most common nationality of the settlers of the area, and everyone has quirks, but what person, or group of people, have the fewest quirks in the group we know, so we can establish an agreed upon baseline? We might say that B is definitely closer to C’s definition of normal than A is, and the best third-party, baseline barometer we have is TV.

I could see how someone might adopt a certain way of thinking, if that’s the way their parents and everyone else they knew thought, but at some point, they should’ve developed their own baseline and said, “Our whole way of thinking just isn’t right. I’ve seen the truth, and this ain’t it.”

These three families were weird, and they often failed to note anything unusual about their thought process, such that it leads to a philosophy, or their way of life. They couldn’t see it for what it is, because they were too close, and because their thought patterns were so institutionalized in their families they were  ancestral. I saw their weird, strange, and just plain different behavior at the time, so often I compartmentalized it and incorporated their reality into who they were. The Finnegans just did things like that, because they were the Finnegans. It’s just what they did, same with Carnelias, Reddicks, and my family. We all did what we did, and our actions and philosophies were reinforced by cousins, uncles, aunts, and our grandparents. I threw our big, old world soup recipes into a pot and arrived at what I thought explained the world.

My broken home was just as dysfunctional as theirs, but we had a big asterisk in our favor: my dad. Though he never said such things, and he abhorred analysis of any form, it was obvious to those of us who knew him intimately that he knew he was something of an oddball. If we sat him down and asked him piercing psychological questions about his mental DNA, we wouldn’t find it, because he would tell us everything we wanted to say and what he wanted us to hear. His oddball philosophies and psychology could only be found when he thought no one else was looking, and in the effort he made to appear normal.  

I went to receive Holy Communion one time, and my dad dressed me down psychologically for appearing in that line without a coat on, “Everyone else had their coats on, why didn’t you put a coat on?” That’s but a snapshot that I found quite humorous.

What difference does that make?

“You stood out like an oddball,” he said.

That’s but a humorous snapshot that provides some insight into the daily travails of my dad trying to fit in and be normal. I laughed about it then, and I laugh about it now, but I find myself examining the apparel of my peers before going out now. “All this time I swore I’d never be like my old man, but what the hey it’s time to face, exactly what I am.”

How many of us are able to objectively examine our way of thinking only to realize that we’re a bit off the track? How many of us can examine the way we’ve thought our whole lives and realize that we have some weird, strange, or just plain different ideas about the world? Due to the fact that just plain different people fascinate me, I’ve known more than my share in an intimate manner, and I can tell you that it’s rare for anyone to have substantive objectivity on these ideas and philosophies, because they’re often familial institutions. It often takes a number of people, a number so overwhelming that it becomes impossible to deny, from people we respect, to realize our thoughts are just plain different. By the time I was old enough to examine my dad with some perspective, it was obvious so many people told him “That ain’t what people think” that he knew he was an oddball. 

I didn’t think my dad had perspective when I was growing up, but I knew that term just crushed him. I don’t know if so many people he loved and respected called him an oddball, but we were raised to believe it was one of the the worst things we could call someone else. Most of us say, “You’re such an oddball” with a cringy smile, but my dad said it with the meanest face he could find. He also said, “That ain’t the way,” whenever I approached him with a relatively original thought. “That ain’t what people think.” He developed an unwavering trust of experts, and he repeated their lines word for word. By doing so, he probably hoped to mirror their baseline normalcy.

Original thoughts were outside his gameplan. He didn’t trust them, and he didn’t want to have them. Again, this reaction might have resulted from the pain he experienced whenever he tried one out and others told him that was oddball thinking. My guess is he lost those battles so often that he feared there was no hope for him, but he didn’t want his sons to have to go through what he did. He never said why it was so important to him that we fit in, and be normal, but he might have thought if his sons could turn out relatively normal, perhaps he could enjoy a legacy of normalcy posthumously. It’s possible, even probable, that his fears of others considering his sons oddballs altered the trajectory of his lineage.

The Finnegans, the Carnelias or the Reddicks obviously never had such fears, for they not only continued their institutionalized, familiar philosophies, they propagated them as the way, the truth, and the light. 

I had so many stories of these families lost to history, because I didn’t consider them noteworthy at the time. “Do you remember the time when the Reddicks did this?” I asked my brother decades later. He was there for much of it, as the Reddicks babysat us on weekends, and he remembered the stories. He spent time around the Carnelias too, and we both forgot more than we remembered about these people, but we both criticized each other for accepting their ways as commonplace.    

I didn’t tell the stories of the Finnegans, the Carnelias or the Reddicks the way I do now, because I didn’t see them the way I do now. Decades helped me remove myself from the limited perspective of seeing it so often that it felt somewhat normal to do them.

“I’m sorry you had to see that,” my friends would say the next day, following an eventful evening in which his family exhibited exaggerations of their weird, strange, and strange behavior.

“See what?” I would ask. They would explain what they meant. “Oh yeah, that’s fine. So … what are we going to do tonight?”

Kids accept, adapt, and absorb most realities they’re forced to endure, and as my brother and I learned, they can easily forget most drama and trauma. I don’t know how my friends, the children who were forced to accept these realities on a daily basis, turned out. We’ve only had brief get-togethers since, but my guess is they were unable to correct the weird, strange, and just plain different course their parents put them on. My guess is that they didn’t see the odd thought patterns, strange philosophies, and just plain different ways of viewing the world, because their parents didn’t see it when their parents taught it to them, until it became institutionalized in the family tree. I could see how children born in ancient eras, Biblical eras, or even the William McKinley-era might fall prey to believing they don’t have an accent, or act in institutionalized, familial ways, as most of them didn’t travel more than thirty minutes from their home, but we have easily-accessed modes of transportation now, mass communication, and TV and movies to provide a baseline normalcy and comparative analysis for our family’s ways of thinking. I understand that parents provide the greatest influence on a kid, and how extended family members might reinforce that influence, but how can you still try to maintain that your family is normal? Don’t you watch TV?