“For the First Time in my Life, I’m Glad I’m Handicapped.”


“I never thought I’d say this,” my uncle John whispered to his friend, “but for the first time in my life I’m glad I’m handicapped.” The joke was the conclusion of a “frustrating moment,” John’s experienced on his trip to Florida to see Simon & Garfunkel. 

As funny as the conclusion to John’s story was, I had a hard time laughing. I knew too many sad details of his life to just turn it off and laugh at some insensitive joke John made about condition. Even though John was laughing harder than the three of us, and his lifelong friend Jim Rhodus had tears in his eyes from laughter, I couldn’t just turn it all off, because I knew how much he suffered in life.

With his guidance, I learned not to feel sorry for him, because he said that often did him more harm than good, but when he told me that the first signs of his muscular degenerative disease appeared in high school I couldn’t help but feel bad for him. 

“It affected you in high school?” I asked.

“Kind of,” he said. “I fell a lot. When I ran, I fell. We thought I was just a big old klutz.”  

“That was what we called him, a klutz,” his older brother told me later. “He’d fall for no reason at all. He was the star guard on an undefeated, champion high school football team, and some of the times he’d just fall, in the open field, with no one else was around. It was so embarrassing that we just laughed about it. We developed jokes, like kids do, to avoid wondering if there might be a greater explanation of it. You don’t search for an explanation when you’re a kid. You just laugh and joke about it. We had no idea that his eyes bounced when he ran, and we had no idea that his clumsiness was an early warning sign of a muscular degenerative disease. You have no idea about stuff like that when you’re young. We didn’t even think about greater things. We just thought he was a klutz.”     

Over the course of the next forty years, this disease would gradually rob John of his muscular strength. He lost some of the functionality of his legs before he was thirty, and before he was forty, he began losing use of his arms and hands. Doctors guessed that if John hadn’t spent so much time in the gym, in high school and college, the degeneration could’ve been more rapid. The gradual degeneration was such that before he was sixty, he began to lose his throat muscles. It was difficult for him to speak, and even more difficult for us to hear him. When he inhaled and drew the full force of his lungs, he could muster something equivalent to a loud whisper.

One of the most difficult aspects of his handicap, he once told me, was kids. “Kids don’t understand. They’re scared, and when a kid sees me in the mall, or church, or somewhere they turn to their parents for an explanation. ‘What is wrong with him mommy?’ I’ve heard more than one kid whisper that to their mom. The parents don’t answer, not in front of me. They give me an apologetic look, and I want to scream ‘just tell them I’m handicapped’. Most adults don’t know this, or they don’t think about it at the time, but we handicapped people feel like more of a freak when you don’t answer. Refusing to answer in the moment only leads the child to being more confused, and that confusion can lead to greater confusion and fear. Whatever is going on inside the kid’s mind, the parents make it very difficult for me to talk to the child. It can be so frustrating that I some of the times I wonder if it’s all worth it.”  

It wasn’t the first time I heard him talk about death in a round about way. He talked about it often enough that by the time he did finally pass on, I considered him a soul at peace, and I never saw it that way before no matter how many times I’ve heard it. 

On another occasion, I told him of a family member who wished for death, so he could be with his wife again. “I told him that even if there is a heaven, my bet is we will all look down and think about how much life we wasted on Earth. We do not know if there’s an afterlife, but we know life has a beginning and an end, and that life is short.” 

“It’s true,” John said, “It’s all true, but some of the times it seems to take forever.”  

“What does?”

“Life.”

He did not say that in a profound manner, as if to wrap up his views on life as a handicapped person. He said it as he might the details of the St. Louis Cardinals game from the night before. He shut the game of solitaire game he was playing on the computer down after he said that, and we spoke of the plans we had for the evening. He didn’t intend that to be a room silencing, thought-provoking line, in other words, it was just something he said before saying something else.

It didn’t strike me how illustrative such a line was to him being a handicapped man, until he relayed the Simon & Garfunkel story to me. 

John asked me to accompany him on this trip to see Simon & Garfunkel in concert, but I just couldn’t see traveling halfway across the country to see two men sing. For John, it was a matter of life and death. He spent a lifetime listening to those two old men sing, and he feared he might die before he could ever see them again, or they would, or they would simply stop touring as a duo.

“If you can’t find anyone else to take you, I’ll go, but I want you to drain the swamp of possibilities before asking me again. That’s how badly I don’t want to go.”

Most from John’s generation grew up loving either The Beatles or The Rolling Stones. Some loved Elvis Presley with equal levels of passion, and I’ve met more than a few who pledged allegiance to Johnny Cash, but for my uncle it was all about Simon & Garfunkel. He owned every single album they made together, and he owned most of their solo albums. He also traveled the country to see them sing in concert any time he could. He preferred to stay close to home, of course, but he always had that fatalistic belief that this particular tour might be his last opportunity to see them live, even though he already saw them perform live over a dozen times before. When he sorted through their list of tour dates of that year, he found that the closest they would appear on this particular tour was Florida, an eight-hour flight.  

Why anyone would love the quiet, calm stylings of Simon & Garfunkel this much was beyond me. I have nothing against Simon & Garfunkel. They wrote meaningful songs that my high school administrators used to inspire us during high school spirituals, and I’ve also heard them at a number of weddings and funerals. That’s where I heard Simon & Garfunkel most often growing up, so my associations with them probably hindered my ability to appreciate their craftsmanship. I honestly didn’t care about them one way or another, but my uncle adored their music.

As we age, we learn that there’s no use trying to explain why one person loves a certain type of music over another. The one thing I did needed him to explain was why he needed to see these particular men sing calm, contemplative songs live. What’s the point of watching calm and quiet artists take the stage to play quiet, calm music? I’ve never seen them live, but I can’t imagine they put on much of a show. If they do something that is can’t-miss, how does one show differ from another, and what’s the difference between seeing them live and listening to them on the stereo, or watching their live show on TV? They probably walk onto the stage with little fanfare, carrying a guitar and a bottle of water. 

My frame of reference for concerts is admittedly tainted. I was a teen in the 80’s when heavy metal acts put on shows that we now call arena acts. I’ve never been to a calm, quiet concert before, but I suspect that someone like Paul Simon doesn’t body surf over the audience while singing Bridge Over Troubled Water, and I suspect that their choreographers don’t employ KISS-style pyrotechnics during Here’s to You Mrs. Robinson. My guess is the two of them walk out from behind a curtain and sit in comfortable chairs to sing and play guitar for an hour or so. If they stand, is it more engaging? If they sit, is it more comforting? Do they engage in colorful banter between songs? They probably do, to give us our money’s worth. Garfunkel probably drops a humorous anecdote about Simon that everyone in the audience knows about, and Simon probably hits back with some comment about Garfunkel’s afro, and everyone laughs as they lead into The Boxer. If my Uncle John successfully convinced me to take him to this show, I’d probably miss that rapport, because I’d be asleep.

My guess is a Simon & Garfunkel tour is as low-cost as it gets. How many employees do they have to pay? Does their show require roadies? If they do, my guess is they could use a Volkswagen to transport their equipment from city to city.  

John didn’t care about any of that. In fact, he enjoyed spending hundreds of dollars for the flight, the hotel nights, the ticket price, and everything in between, and traveling for about sixteen hours to and fro to watch a couple of gown men sing calm, quiet songs to him for a couple hours. Even though he said he didn’t consider it a hassle, the idea of what he went through to see that particular Simon & Garfunkel show was at the forefront of his mind when a feller in the audience, near him, began singing along with Simon & Garfunkel. 

“That’s kind of the price you pay when you go to a live concert,” I told my uncle. 

“This guy was singing every song, word for word, and he was singing them at the top of his lungs,” my uncle replied. “Those of us who were near him could barely hear Simon & Garfunkel over him.”

“It’s true. The guy was all but screaming the lyrics,” Jim Rhodus said. Jim was John’s lifelong friend, and the one who eventually accompanied John to Florida. He was also in the room, enjoying John’s retelling. “We could all understand the guy getting swept up in the excitement of the first few songs, but it started to get a little obnoxious after a while.”  

“Yeah, when he continued doing this, what was it, four or five songs in? It was pretty obvious that this guy was going to continue to do it throughout the concert,” my uncle continued. “I just spent eight hours flying, ten total when you account for TSA and other delays, to see these two sing, and this guy was ruining everything for me and everyone around him. So, I finally just had it, and I yelled out, “Would you just shut up!” I was so frustrated that I think I dropped an ill-advised word in there somewhere.”

“And he heard you?” I asked without mentioning how surprising it was that anyone could hear my uncle, due to his condition, and the idea that he was so loud that anyone could hear him over the music was shocking, no matter how quiet and calm the music is. 

Oh, he heard him,” Jim Rhodus said, starting in on his laughter, as John passed the three-quarter mark of the story.

“I guess I was so frustrated that I mustered more strength than I ever have,” John said, “but yeah, everyone between me and him heard me. This guy bolts out of his seat, as if he received an electric jolt, and he begins scanning the crowd in my general direction. As he stood, he just kept going and going. He had to be, at least, six-foot-five, but in my nightmares, he’s a seven-footer, and he was broad too. I couldn’t see much in the limited light in the audience, but his shadow made him appear 250 pounds of lean muscle. It was like the scene from a 1980’s comedy. So, this Ndamukong Suh-looking fella stands up and looks around for who said that, and he’s ticked off.”   

“Did he look at you?” 

“Not at first,” John said, “but everyone could see his intentions when he stood, and everyone between us gave me up pretty quick. They all turned around and looked at me, and this guy spots me, and the lighting was such that he was mostly in shadow, but I swear I could see flared nostrils. He continues to look at me silently for about five seconds, and then he sits down without saying a word. After I calmed down, which took a little while, I turned to Jim and said, “What did I say exactly?”

“You said,” Jim said. “I never thought I’d say this, but for the first time in my life I’m glad I’m handicapped.”     

Yellow Stripes


The Organic Sandwich  

“I’m burping peanut butter,” she said. 

“That’s funny, because I’m farting jelly. Now, if we could just get that guy over there in the corner, with a yellow-striped shirt on, to somehow make us some bread, we could have one hell of a sandwich.” 

“Who is he?” she asked. 

“No idea, but look at him. If anyone can make bread, my bet is it’s someone who looks like him.”  

You Should’ve Seen What I, More or Less, Saw  

Arnold knew what life had to offer when I met him. He’d been-there-done-that. He knew there was nothing more to life while on the never-ending quest for something more. “This isn’t something more,” he said anytime we shared an experience. “This is something less than what I’ve experienced already. You schlubs, who think this is something more, just haven’t lived the life I have.”  

Arnold lives his life pitying those who enjoy experiences. He’s already had them. A vacation is not as great as the one he had, a night out with a wild and crazy guy is not as fun as the one he had with a lunatic who knew how to have some fun. A weather anomaly is not as bad as the one he experienced in a different town, in a different year. “You think this is bad, you should’ve seen what I saw back when I was (whatever).” You Think This is Bad… will be the title of his biopic, if anyone has the excess cash necessary to fund such a project.  

“Stick with the Beatles,” he says when we express adoration for some new musician who attempts to create music. It’s always interesting to me when music snobs (of which I am an avowed member) suggest that because group B is not as great as group A, we shouldn’t listen to B, or any of the other letters in the alphabet. “Are you saying they’re better than the Beatles? All right then.” Case closed. Nothing to see here. Matter resolved. Now enjoy your life of listening to nothing but the Beatles, you’ll thank me later. For some of us, music is life. A new release by some otherwise unknown artist fuels us in ways that are tough to explain to someone who has already heard the best. We have an appetite for something different, not better, not just as good, different. Arnold doesn’t have that gene. Music is background noise to him.    

“It’s the Sun,” he says when we attempt to describe a Sunrise. “The Sun rises every day, and the average human being will see about 28,000 of them in their life on Earth.” All right, but how many do we look at, and how many do we see? “It’s the Sun.” For those who’ve experienced a Sunrise, appreciation suggests a level of cute and laughable naivete. 

Arnold is not a crotchety, old man, but he will be one day, and I suspect he will refuse to appreciate anything on his death bed. He might even try to been-there-done-that death, “You think this is bad, you should’ve seen my life.” Death will mean nothing to him, because he will look forward to something more. “What if this is it?” we’ve asked him. Arnold won’t hear it. He’s locked in on the idea that nothing can top what he’s already done while being unimpressed with it in the moment and looking for something more. “What if there isn’t anything more?” We’re not attempting to open a can of worms. We’re not suggesting that there isn’t always something more. We’re suggesting that he might want to stop comparing life to what was, what could be, and maybe train a little more focus on what is, because we will all, eventually, find out if there is anything more soon enough.

I love to watch things on TV.  

“Who do you think is going to win?” I asked Vito. Vito and I were watching two people get ready to play a game of pool from a neighboring table. We were so bored that I felt boring. We were absently watching a college football game between two boring teams. My question was so random that if Vito declared that he didn’t care who won at pool, and his ambivalence was convincing, I would’ve moved on without giving the matter a second thought. Vito didn’t do that, however, he tried to sidestep the question. 

“I don’t know,” Vito said. “I really don’t. I haven’t watched them, and I cannot gauge their abilities.”  

“I know you don’t know who’s going to win,” I said. “Either do I. That’s the fun of randomly picking a guy. We do that. Guys do that when we’re in a bar together. We randomly do things to have random fun. We could cheer these guys on in a way that makes them so uncomfortable that they ask us what’s going on. Then, we could tell them-”  

“I’m not in the game of making predictions,” he said, interrupting me. Yet, he was into making predictions. He did it all the time, but he only picked overwhelming favorites, so he could be right. We all enjoy being right, and Vito was no different, except by the matter of degree he cared. He cared so much that when the two combatants were somewhat evenly matched, he refused to put his reputation on the line for what amounted to a guess. He dropped that “I’m not in the game of making predictions” into those occasions so often that I considered it his character-defining line. If someone with enough excess cash on them to make a biopic on his life approached me for ideas on a title, I thought this would be an excellent one.    

“Let’s put a friendly wager on it?” I pressed. Vito squirmed. “Pick either one, and the loser buys the next pitcher.” Even though the pool balls were racked, these pool players took their time. They drank their beer slowly and chatted with another table near them. They stood astride their pool sticks, like warriors preparing for battle, while they chatted. I didn’t understand why these guys took their time. They paid by the hour for the table. Either they had too much money, or they liked being players more than they like playing.  

When Vito said, ‘I haven’t gauged their abilities’ he meant it. He thought his abilities to gauge talent was his talent. If we bet on two girls playing hopscotch, Vito might take out a slide rule to measure the muscle mass in their thighs. He might want to talk to the players before making an assessment, and he might ask them to do a couple of run-throughs before reaching an assessment worthy of a Vito declaration. Even in a pool hall, on a boring and random Friday night, he hesitated, thinking I might bring my victorious bet back to the office and thereby ruin his reputation 

“C’mon,” I said. “It’s one pitcher of beer.” 

“I’m not a gambler,” Vito said. 

“I’m not either,” I said, “but this might make this otherwise boring night a little fun. 

“Sorry,” he said.  

At this point in our article, the reader might think that the importance of Vito’s vaunted prediction record was all in his head. It wasn’t. To my dismay, I heard someone else say, “Vito predicted that” the morning after an overwhelming favorite demolished an underdog. “So, did I,” I said to interrupt the conversation this guy was having with a third party. “Everyone did. Everyone knew they would win,” I said to proverbially bite the head off the poor chap.  

That was the only time anyone validated Vito’s prediction record, but it got under my skin when he would say, “Team A will beat team B, you heard it here first folks.” I couldn’t hide my disdain, and I always said something. I couldn’t abide by this violation of the bro code silently.   

The primary driver of Vito’s need to establish a vaunted prediction record was that he wasn’t much of a sports fan. When he would predict a victory of the overwhelming favorite, I think he believed it gained him some entrée into our world.  

“What does this do for you?” I asked him without offering my opinion. “What does this prediction game do for you?”   

He said nothing.  

“I have bad news for you. No one cares. Now, if you picked an overwhelming favorite and gave the underdog twenty points, or something, we might care, maybe, but you won’t do that, because you’re not a gambler. Have you ever predicted an upset?”  

He said nothing. He just pulled his beer up to his mouth with a half-smile in a way that suggested he knew something I didn’t. That was it, I decided. That was his game, his mystique. His affectation in life was to suggest he knew something we didn’t.  

“I’ll pick. The guy with yellow stripes,” I said. “Always bet on yellow stripes.”   

“I’m not in the game of making predictions,” he said as if he never said it before.  

“You watch too much TV,” we said. “Professional prognosticators, who use that line, get paid for analysis. They also get paid for being right and fired for being wrong. No one is going to pay you wooden nickel for your predictions, and no one is going to care if you’re wrong. You watch too much TV.” 

For the record, yellow stripes won and Vito said, “I knew it,” after the match was over. I still don’t know if he meant it, or if he was being sarcastic, but that line has been a comedic mainstay in my repertoire ever since. I’ve used that line to sarcastically note that I made an impossible prediction after the fact. It’s also an ode to a scene in The Simpsons (S3, E21 The Frying Game) in which Carmen Electra dressed up as recently murdered Myrna Bellamy, and when Electra removed her costume to reveal it was Carmen Electra, Homer said, “I knew it.”

Platypus People Need to Watch TV


When my best friend’s mother pushed her husband down the stairs that wasn’t the only strange event I saw over the course of the years I spent in their household, but it was the exclamation point I needed to develop a new species to describe them. I called them Platypus People. They weren’t just weird, strange, and just plain different people. To my mind, they defied scientific categorization in the same manner the duck-billed, amphibious Australian mammal does. They were a housefire of strange, and I was the fireman, running into what everyone else fled. Yet, as with any veteran fireman who has run into so many fires that they become commonplace, I didn’t see their aberrant behavior for what it was back then.

When Ellis Reddick entered the room wearing his wife’s tattered, old wig and a pair of vampire teeth, I didn’t understand why it was so important to him to terrify us. He would walk slow, real slow to punctuate the terror. As a likely result, my favorite horror movies involve slow, subtle psychological terror that allows the viewer to fill in the blanks. 

His daughter, someone who knew him as well as anyone, was terrified too. If he did this on occasion, say on Halloween or something, that might make it funny, but he did this to us almost every weekend. When we grew too old to be terrified, he turned the show on my brother. We knew my brother was terrified, because he didn’t know what was going on, and that made it funny somehow, sort of, and in a roundabout way. We knew Ellis better than my brother did, but for reasons endemic to Ellis’ character, we were still a little scared. I don’t know what was going on in his daughter’s mind, but I always wondered how close he was to hurting us all. We would laugh when this was directed at my brother, as I said, but there were moments between the giggles when my mouth would freeze in a worried smile. I would look over at his daughter, with this look on my face, and she would have the same concern on her otherwise laughing face. We would take everything we knew about Ellis Reddick and put those facts and concerns in a hypothetical puzzle, and we would wonder how much truth there was in the in the otherwise comical horror we were witnessing. The pièce de résistance occurred soon after his daughter and I found his hiding place for the wig and the vampire teeth, and we tried to use them to scare my brother. He was so disappointed that he was angry. He chastised both of us, because he knew, kids being kids, we would overdo it and ruin the joy he experienced terrifying  us every weekend. 

The Carnelias were another strange brew. I met low-lifes before the Carnelias, but I never knew anyone who whole-hogged it. The philosophy of most of the low-lifes I knew was equivalent to that of cryptozoologists and conspiracy theorists. They believe some of what they say, but they form most of their ideology around the idea that the other guy is wrong. They define their rightful place in the mainstream by exposing their peers to try to push them outside the fringe. The Carnelias didn’t waste their time with individuals, they were out to get the world. I also met angry, bitter, and resentful people before, but I never met anyone who enjoyed pain so much. Painful mistakes exposed the fraudulent nature, and they delighted in it like no people I’ve met before. The Germans invented the word schadenfreude to describe the act of enjoying another’s pain but the Carnelias personified it. Most of us know about the fuzzy line between comedy and tragedy, but there was never a fuzzy line for the Carnelias. They considered all tragedy comedic. I never saw them happier than when someone else was falling, temporarily confused, stupid, and in pain. It was their reason for living, or as the French would say, their joie de vivre. 

“Your family is just plain weird my friend,” I told Matt after he apologized for an incident I witnessed in his home the day before.

“Oh, and your dad is normal,” Matt said. He was defensive. Why wouldn’t he be? I was insulting his family, and in some ways him, because some part of him knew that the peculiarities of his family would one day become his. The struggle to avoid familial institutions was best captured by the Alice in Chains lyric, “All this time I swore I’d never be like my old man, but what the hey it’s time to face, exactly what I am.”

“At least my dad knows he’s weird,” I said, “and he’s been fighting it his whole life. Your family doesn’t even see it.”

It was a harsh condemnation, and it was true. Matt’s family institutionalized their peculiarities in an inclusive manner that Matt would never be able to see without comparative analysis. Institutionalized peculiarities are as difficult for an insider to see as an accent for a native speaker.

“Everyone has an accent down here,” my very young brother innocently commented when we took a trip to see extended family members in Tennessee.

“Son, down here, you’re the one with the accent,” our cousin said.

Everyone laughed uproariously, until I innocently added, “No, you still have the accent. Don’t you watch TV? Everyone talks like us.” I don’t know what I expected them to say, but I wanted pushback. I didn’t mean it as an insult. I sincerely wanted someone to say, “Oh, and you think you speak without an accent? Just because you were born and raised in a certain locale, where everyone sounds alike, doesn’t mean you don’t an accent?” I wanted one of them to explain to me how they could think we have an accent.

They didn’t say anything.

An internet rambler said, “Middle Americans always try to say they have no accent, but …” After that but, they provided some anecdotal evidence that proved otherwise. It’s a natural inclination of ours to counter a generalized statement with extremes. If I say I don’t have an accent, you naturally point out some words or sounds to suggest I do in some cases. That’s fine and all, but I don’t think the argument is do Middle Americans speak without accents, but do they have the least? Is their language the most neutral, the most homogenous, and perhaps the most boring? An article I found, some years back, stated that actors who strive to appear in American movies and on American TV shows are taught to speak as Middle Americans, from a section of the country that stretches across Eastern Nebraska, Iowa, and Western Illinois. Most producers and directors want as little accent as possible in their productions to try to achieve mass appeal, so this is the most neutral form of speech they’ve found.

“You go around saying that everyone else is weird, but I could probably come up with about 100 people who think you’re weird.” Again, I wouldn’t say I’m not weird, but between the two of us, I would say I’m less weird. If you’re from areas of the country, such as Boston, Fargo, and Nashville, you might think you don’t have an accent, because everyone you know and love speaks the same way. There’s a certain inclusivity that prevents comparative analysis. As the old analogy suggests, they can’t see the forest for the trees. My innocent and naïve question asked our cousins if Tennesseans truly fail to recognize that they’re the ones with the accent? If they do fail in this regard, have they ever watched TV? I had a similar, unspoken query for the weird families I spent so much time around in my youth regarding their peculiarities.

I spent so much time around the Finnegans, the Reddicks, and the Carnelias that I recognized their familial peculiarities. They were some weird people. I can write that now, because I have decades of comparative analysis to back up that statement. At the time, however, I grew so close to them that I absorbed their peculiarities and developed my own lack of objectivity, until that conversation with Matt. When he pushed back with, “Oh, and your dad is normal.” I probably should’ve introduced him to the elusive baseline.

How do we compare one individual to another to derive a relative definition of weird. How do we compare A to B? Who’s the weirder of the two, and who’s closer to normal. We might take our question out to a third party, who establishes themselves as an agreed upon, baseline level of normal or relatively normal, on a day-to-day basis. Every region of the United States has some accent in their speech, indigenous to the area and the most common nationality of the settlers of the area, and everyone has quirks, but what person, or group of people, have the fewest quirks in the group we know, so we can establish an agreed upon baseline? We might say that B is definitely closer to C’s definition of normal than A is, and the best third-party, baseline barometer we have is TV.

I could see how someone might adopt a certain way of thinking, if that’s the way their parents and everyone else they knew thought, but at some point, they should’ve developed their own baseline and said, “Our whole way of thinking just isn’t right. I’ve seen the truth, and this ain’t it.”

These three families were weird, and they often failed to note anything unusual about their thought process, such that it leads to a philosophy, or their way of life. They couldn’t see it for what it is, because they were too close, and because their thought patterns were so institutionalized in their families they were  ancestral. I saw their weird, strange, and just plain different behavior at the time, so often I compartmentalized it and incorporated their reality into who they were. The Finnegans just did things like that, because they were the Finnegans. It’s just what they did, same with Carnelias, Reddicks, and my family. We all did what we did, and our actions and philosophies were reinforced by cousins, uncles, aunts, and our grandparents. I threw our big, old world soup recipes into a pot and arrived at what I thought explained the world.

My broken home was just as dysfunctional as theirs, but we had a big asterisk in our favor: my dad. Though he never said such things, and he abhorred analysis of any form, it was obvious to those of us who knew him intimately that he knew he was something of an oddball. If we sat him down and asked him piercing psychological questions about his mental DNA, we wouldn’t find it, because he would tell us everything we wanted to say and what he wanted us to hear. His oddball philosophies and psychology could only be found when he thought no one else was looking, and in the effort he made to appear normal.  

I went to receive Holy Communion one time, and my dad dressed me down psychologically for appearing in that line without a coat on, “Everyone else had their coats on, why didn’t you put a coat on?” That’s but a snapshot that I found quite humorous.

What difference does that make?

“You stood out like an oddball,” he said.

Thats but a humorous snapshot that provides some insight into the daily travails of my dad trying to fit in and be normal. I laughed about it then, and I laugh about it now, but I find myself examining the apparel of my peers before going out now. “All this time I swore I’d never be like my old man, but what the hey it’s time to face, exactly what I am.”

How many of us are able to objectively examine our way of thinking only to realize that we’re a bit off the track? How many of us can examine the way we’ve thought our whole lives and realize that we have some weird, strange, or just plain different ideas about the world? Due to the fact that just plain different people fascinate me, I’ve known more than my share in an intimate manner, and I can tell you that it’s rare for anyone to have substantive objectivity on these ideas and philosophies, because they’re often familial institutions. It often takes a number of people, a number so overwhelming that it becomes impossible to deny, from people we respect, to realize our thoughts are just plain different. By the time I was old enough to examine my dad with some perspective, it was obvious so many people told him “That ain’t what people think” that he knew he was an oddball. 

I didn’t think my dad had perspective when I was growing up, but I knew that term just crushed him. I don’t know if so many people he loved and respected called him an oddball, but we were raised to believe it was one of the the worst things we could call someone else. Most of us say, “You’re such an oddball” with a cringy smile, but my dad said it with the meanest face he could find. He also said, “That ain’t the way,” whenever I approached him with a relatively original thought. “That ain’t what people think.” He developed an unwavering trust of experts, and he repeated their lines word for word. By doing so, he probably hoped to mirror their baseline normalcy.

Original thoughts were outside his gameplan. He didn’t trust them, and he didn’t want to have them. Again, this reaction might have resulted from the pain he experienced whenever he tried one out and others told him that was oddball thinking. My guess is he lost those battles so often that he feared there was no hope for him, but he didn’t want his sons to have to go through what he did. He never said why it was so important to him that we fit in, and be normal, but he might have thought if his sons could turn out relatively normal, perhaps he could enjoy a legacy of normalcy posthumously. It’s possible, even probable, that his fears of others considering his sons oddballs altered the trajectory of his lineage.

The Finnegans, the Carnelias or the Reddicks obviously never had such fears, for they not only continued their institutionalized, familiar philosophies, they propagated them as the way, the truth, and the light. 

I had so many stories of these families lost to history, because I didn’t consider them noteworthy at the time. “Do you remember the time when the Reddicks did this?” I asked my brother decades later. He was there for much of it, as the Reddicks babysat us on weekends, and he remembered the stories. He spent time around the Carnelias too, and we both forgot more than we remembered about these people, but we both criticized each other for accepting their ways as commonplace.    

I didn’t tell the stories of the Finnegans, the Carnelias or the Reddicks the way I do now, because I didn’t see them the way I do now. Decades helped me remove myself from the limited perspective of seeing it so often that it felt somewhat normal to do them.

“I’m sorry you had to see that,” my friends would say the next day, following an eventful evening in which his family exhibited exaggerations of their weird, strange, and strange behavior.

“See what?” I would ask. They would explain what they meant. “Oh yeah, that’s fine. So … what are we going to do tonight?”

Kids accept, adapt, and absorb most realities they’re forced to endure, and as my brother and I learned, they can easily forget most drama and trauma. I don’t know how my friends, the children who were forced to accept these realities on a daily basis, turned out. We’ve only had brief get-togethers since, but my guess is they were unable to correct the weird, strange, and just plain different course their parents put them on. My guess is that they didn’t see the odd thought patterns, strange philosophies, and just plain different ways of viewing the world, because their parents didn’t see it when their parents taught it to them, until it became institutionalized in the family tree. I could see how children born in ancient eras, Biblical eras, or even the William McKinley-era might fall prey to believing they don’t have an accent, or act in institutionalized, familial ways, as most of them didn’t travel more than thirty minutes from their home, but we have easily-accessed modes of transportation now, mass communication, and TV and movies to provide a baseline normalcy and comparative analysis for our family’s ways of thinking. I understand that parents provide the greatest influence on a kid, and how extended family members might reinforce that influence, but how can you still try to maintain that your family is normal? Don’t you watch TV?