Dear George Carlin,


George Carlin’s latest and last book: A Modern Man: The Best of George Carlin, includes a section of short takes called Short Takes. He almost wrote it as a letter to future readers, and it inspired me so much that I decided to write back. 

“Most people aren’t particularly good at anything,” George Carlin wrote. “We’re all amateurs. It’s just that some of us are more professional about it than others.” 

Most of the truly impressive people I’ve met, over the years, didn’t impress me at hello. My impressions of them involved a slow build that could take days, sometimes weeks to process, until it ends coming out on a little, yellow piece of paper, similar to those that came out of computers in old sci-fi shows. The primary reason most truly impressive types fail to blow us away in the intro is that they’re not trying to impress us. There are others, of course, and they usually greet us with a little something like this: 

“Please, don’t call me Mr. Duggin,” those who’ve attained levels of authority often say in a handshake, “Call me Henry.” 

“I understand that you’re trying to impress me with your humility,” we should say to Henry, “but could you wait until we’ve felt each other out here a little bit?” I could be wrong, of course, but I think they consider the ‘Call me Henry’ hello a shortcut to impressions through humility. They’re basically saying, ‘Hey, I’m not as impressive as you think. I’m just another peon, like you.’

‘All right, well, I didn’t consider you particularly extraordinary until you said that. Now, I’m just like wow, your humility is so impressive, but if you are truly humble, why do you need to impress it upon me? What are you hoping to accomplish here?’

Is Henry as impressive as he wants us to believe, or is so uncomfortable that he hasn’t adapted to the societal norm we all use to address someone we don’t know with a prefix followed by their surname? He has, of course, but Henry Duggin is hoping to short-circuit these dynamics, so we consider him more humble, more professional, and more impressive. Henry wants us to consider the idea that only an all-that-and-a-bag-of-chips guy would demand informalities. 

When I had a “Please, call me Henry” as a boss, I tried to think of a time when I arrived at a familial link with a boss who allowed me to call him Henry in the privacy of a corporate boardroom. I know others enjoy this. I’ve seen that warm glow and those blushing smiles of euphoria on their faces when the boss dropped that invitation on them. They appreciate the gesture of a boss reaching down to touch them on a familial link, as God did in Michelangelo’s The Creation of Adam, but I see it as Henry’s method of reinforcing his leadership mystique.  

“Why do you keep calling him Mr. Duggin?” they ask me. “He wants us to call him Henry.” 

“Because that’s the way I was raised,” I lie. “I was taught to address a boss as Mr. or Ms. Duggin. It isn’t intended as a compliment or an insult that I refuse to call him Henry. It’s just the way I was raised.” In truth, I feel queasy calling him Henry, because I feel like I’m feeding into his narcissistic humility.  

***

“Nothing rhymes with nostril.” –George Carlin

Thanks to the modern convenience of the search engine that George Carlin obviously didn’t use often enough, I found some words, austral, claustral, and rostral that rhyme with nostril. Sorry George! Now that we’ve established that, the next question is why haven’t any of the millions of lyricists (poets and/or songwriters), since Shakespeare, invented a more romantic, or utilitarian, word that rhymes with nostril? The Oxford English Dictionary claims that William Shakespeare invented 1,700 words, and other lyricists invented innumerable words to serve their cause, but none of them rhyme with nostril. If necessity is the mother of invention, why didn’t Mr. Shakespeare (“Please call me Willy”), or any lyricists since, invent a word to rhyme with nostril? 

How many words have lyricists devoted to the eyes and the lips? Their beauty is so self-sustained that some artists have painted nothing but eyes and lips. Lyricists have written songs and poems about nothing more than a woman’s eyes, and we could probably create a War and Peace-length compendium to the space created for lips. Artists also focus effort on high cheek bones, or a high or low forehead, but they don’t put any effort, beyond necessity, to the size and shape of nostrils.  

Some nostrils are thin, others wide, and some take on a more oval shape. There are even some that appear to take on an unusual pear-shape that almost achieves a point. We might think these variations would excite artists to invent words to capture the perfect nostril, but they haven’t, because the nostril(s) is never strikingly beautiful or ugly. They’re just there. They might be more attractive than the other orifices, but they’re never so stimulating that we would rank a persons’ degrees of attraction based on the size or shape of their nostril. To my mind there aren’t any subconscious visual stimuli regarding their sizes and shapes either. Maybe there are, and I just don’t know it.  

Picasso believed beauty arrived in angles and symmetry, but if the nostril achieves either of these, the artistic credit goes to the nose. The point is, no artist I know of has expended artistic energy, beyond necessity, to the nostril. If they did, they might’ve invented a word that rhymes with it we all know by heart by heart, or they would’ve used some artistic license to use austral, but how does even the gifted lyricist, create beautiful rhyming sentences around a “southern” nostril, or a nostril from the south? If they attempted to soundboard a rhyme with claustral, what artistic benefit could they achieve with a nostril that is “secluded”. “I felt claustral in her nostril,” or “his nostril left me claustral.” The artist’s interpretation of such lyrics could lay in the affect of feeling lonely in her presence, which would be a beautiful sentiment worthy of exploration. If the lyricist was in a band, however, my guess is that his bandmates would suggest they know where the lyricist was headed, but they might caution him that the general public might misinterpret the lyrics to mean that his beloved is booger-free, except for him, dangling on a precipice. To declare that the poet’s lover was such a beauty that her nostril appeared rostral, or “a scale in reptiles on the median plate of the tip of the snout that borders the mouth opening”, just doesn’t achieve a level of artistic appeal most artists seek when they’re trying to impress upon others their talent for expression. So, we can’t fault George for not knowing that there are words that rhyme with nostril, because no lyricist has ever sought to capitalize on what could’ve been an artistic first for someone.   

***

“Everything is still the same. It’s just a little different now.” —George Carlin

In the not-so-distant future, future earthlings will have not-so-distant emotions, if we believe George Carlin. If we believe time travel movies, however, we will all have exaggerated emotions. The characters therein are either overwhelmingly happy, in a creepy, surreal way that suggests they don’t question anything anymore, or they’re incredibly unhappy, because of that whole Armageddon thing. Some of these movies were made in the 50’s and 60’s, and in the 50’s and 60’s, we apparently thought that 2000 man would have all these exaggerated emotions. No one predicted that not much would change in the ways of human nature and human emotions. If we 2000 men and women could send a message back, we might write, “Everything is still the same. It’s just a little different now.”

With that in mind, how do we view 2100 man? We don’t, because to our figurative schemes of thought, if there is an Earth, it will be uninhabitable. Interpersonal relationships will evolve to intrapersonal relationships, or on the inside, or within. If we smile, it will be strained, and we will no longer feel the need to leave the house. In truth, the future will probably evolve to everything being the same, just a little different. 

2100 man will also, apparently, lose any and all skills at problem resolutions, and they apparently won’t feel the need to survive either, if current time travel movies are to be believed. We won’t be happy or sad. We will enter an era of acceptance. We’ll just accept things the way they are, and the fact that life is rotten and death is close at hand. If these characters have water or food shortages, they just learn to live with it. Geniuses, who fix things, are apparently nowhere to be found in the future, and the only thing 2100 man will do is accept life the way it is and learn to accept the fact that they’re just going to die soon as a result. I would submit that these writers know as little about humanity as we do the future.  

***

“Not only do I not know what’s going on, I wouldn’t know what to do about it if I did.” “The nicest thing about anything is not knowing what it is.” “When I hear a person talking about political solutions, I know I’m not listening to a serious person.” —George Carlin

Anytime someone proposes solving a problem with political solutions, the yang to that yin should be, “What then?” What happens when “we” attempt to resolve a problem from the outside in? Every effect involves a countereffect, and some unforeseen consequence that we forgot to imagine. “We just wanted to fix the problem?” the political solutions proponent says. Their intentions were more important to them, and hopefully to you, than their attention to detail. Political solutions involve the invisible hand putting a thumb on the scale, but most of us don’t know what’s going on, so we try to find someone who does. We turn to someone who has great hair, with a side part, 3-4 inches on top, and about an inch on the sides and back. He has a suave, confident hairstyle that matches what we associate with knowledge and power, and she has a chin that harmonizes with the face, and is well balanced. It’s not too small, too wide, or retracted. It’s also well-rounded, and she has beautiful arms. So, when our preferreds say something to us, it sticks, because in some way we haven’t fully explored, we want to be them. If we sound like them, because they sound like they know what they’re talking about in a way we find inspirational, we hope that we might be sound as inspirational as they do when we repeat it. We still won’t know what’s going on, and we wouldn’t know what to do about if we did, and now we know that they didn’t either. Their proposed solution now is to fix all of the problems their initial political solution created, with another political solution, but they sound like they know what they’re talking about now. Their presentations are so artful, no ums or uhs, and isn’t that somewhat, sort of, important enough? The “What then?” guys are often nerdy guys who wear some kind of gel (ick), and they wear some kind of clip-on to keep their ties straight.  

Short Stops


And Now for Something Completely Different was the title of Monty Python’s 1971 movie. With so many different people out there, how can anyone still be different? “Be yourself, everyone else is already taken,” is attributed to Oscar Wilde, but some refute he said it. Thelonius Monk said, “A genius is the one most like himself.” What if I’m like everyone else? How do I strive to be different and avoid being different for the sole purpose of being different? Different, becomes more different when it escapes the same cocoon.

***

When I watch Jeopardy! I probably get 7 out of 10 questions, but when I stop to talk to a neighbor I’ve lived near for four years, and I talk to him an average of two times a week, I struggle to remember his name.

***

I have no ability to fix my own car. Three of the four automobiles I’ve owned have been lemons. My truck started almost every day for 22-years. After 22-years, the looks of a car begin to subside, no matter how much you general maintenance you apply, it’s not going to look new forever. Even though driving a sun-bleached truck damaged my image a little I held on tight, because it always started. I try to inform my son to gain knowledge, so you’re at the mercy of another as rarely as possible, I have nothing to teach him. My car starting almost seems like a miracle to me. I know it’s not on one level, but I close my eyes and turn the ignition, as if the sounds of an engine turning is magic. I wish I gained basic automotive knowledge, but if you want it bad enough, you go get it. I obviously never wanted it bad enough, so when it doesn’t start I have to financially plead with others to make it happen and trust that they know what they’re doing.

***  

The “I was so drunk one night that I …” stories were some of my favorites at one point in my life. Other people still enjoy those stories, from the past. If we’re still drinking heavily, “I’m drunk right now!” (Cue the laugh track), it’s not as funny. I will write something most won’t about their drinking years, I enjoyed them, and I had a lot of fun. We spent years talking, drinking, followed by more talking and more drinking, but for the life of me I can’t remember what we were always going on about. 

Luke was loaded the night he met Laura. Laura was beautiful, so beautiful that she was normally out of Luke’s reach, but she was drunk too. She was so drunk she was into Luke’s jokes. Luke, it should be noted, was a very funny person, a naturally funny man, but his humor rarely translated to women. 

I don’t know the difference between a good-looking guy and the average to below average, but as funny as Luke was, women didn’t gravitate to him the way they would’ve if he was as funny and gorgeous. Why does the caged bird sing, because he’s not as gorgeous as the high school quarterback who can sling.  

When Laura didn’t move away from him after his first few jokes, Luke moved in. He spent the rest of the night closing. Luke knew Laura had a few drinks in her, but he had no idea how loaded she was, until vomited on him. She didn’t get any on him, but the effect was the same. Luke was a real trooper though, he kept kissing on her. He said he didn’t remember much from that night, except that her vomit tasted like peppermint schnapps. Is that romantic or erotic?

***

When I was young and drunk, party hosts used to try to prevent me from leaving their party. They said things like, “If you leave, what will we talk about?” They stopped short of calling me the life of the party, but their attempts to get me to stay always boosted my self-esteem. Flash forward a couple years, and hosts were a lot more understanding when I told them I was preparing to leave. My most recent examples of this progression involved hosts saying, “All right then, see ya later” when I informed them I was preparing to leave, and they were looking over my shoulder before they hit the word then.

***

“Hey Gary,” Chad said. Chad was waving at me, in a parking lot, from his one-ton truck, as if we were two long lost friends. It confused me, because we were never friends, but we did have a long since lost relationship of sorts.

“Hey Chad,” I said. “How are you doing?”

“I just got gastric bypass,” Chad said leaning out the window. He lifted his shirt to show me his scars. The smile on his face was one normally associated with showing off a child’s baseball trophy. 

“Next time just wave,” I said.

He said, “Huh?”

“Next time you see someone you know, just wave.”

Joey at the Bat


“Joey! C’mon, it’s just a game,” Regina shouted out, as Joey Dunning took a bat to a Gatorade water cooler. It obviously wasn’t to Joey. To Joey, it was an existential crisis to strike out three times in a company sponsored slow-pitch softball game. Companies organize these company functions, so we stupid people can have fun, and we were having fun until Joey took a bat to one of those insulated Gatorade coolers with a beverage dispenser. If Joey hits it once or twice, it’s a thing that draws attention. If he hits it as hard as he can, eight to nine times, it’s a human being imploding, and we watch with our mouths open, like this,” Barry said mimicking the expression. “We pretty much know life isn’t going the way Joey planned, and that this might be one of the worst days of Joey’s otherwise miserable life. What do we do? Do we laugh ourselves to tears? Not at the time. At the time, it’s shocking, kind of sad, and a little pathetic. We’re in tears later, replaying every second of it, every swear word he used, and replaying our reactions to it. One of my buddies actually took a picture of the Gatorade cooler after the it was all over, and he saved it. He didn’t know why he saved it, but the next time something bad happened to me, he texted that picture to me with a caption, “It could be worse.”

“Nothing excites the coward more than seeing a hero fall,” Dave Chapelle once said, “because it justifies their cowardly existence.” That doesn’t quite nail this scenario, because Joey wasn’t anyone’s hero. He was a good-looking guy, though, and a body-builder, who had none of the problems we did attracting women. So, did we kind of relish seeing the worst moment of such a man’s life? We did. All of us did.

The Germans have a term for laughing at another person’s pain. Schadenfreude. Leave it to the Germans to develop a term for laughing at the destruction of another person. And for any offended Germans out there, I’m part German, so I can say that. We laugh when someone trips and falls in the hall and leaves makeup on that carpeted wall. It’s funny, and we all know it. Even when we fall, we know it’s funny, no matter how painful and tragic it is. We know someone, somewhere will develop some material about it that they will share with their friends for years.

I laugh at other people’s pain, and I expect them to laugh at mine. Without knowing the exact definition of yin and yang, we all understand how nature balances itself out through opposite but interconnected forces. As long as it doesn’t involve something debilitating, we all enjoy seeing someone else fall. The bigger the better, and the level of emotional and physical pain one incurs corresponds to the comedic value of the situation. Some say it’s karma, and as a person who laughs at other people’s pain, I know I’m going to get mine, and you know you’re going to get yours. We know karma is going to reach around and bite us in some very tender areas.

We’ve all experienced some levels of karma, but something tells us that ain’t it. That’s just the tip. We’ve done a whole lot of laughing at others, and we know that there’s more to come. We know we’ll get ours. We know there will come a day when we’re old and decrepit, hooked up to some machine that sustains life, and some intern will come into our room, see us gasping for air, and he’ll find it hilarious.

We might expect a little sympathy from a hospital employee, but all institutions have good employees and poor ones. As death creeps up on us, the emotional hysteria will probably lead us to yell something like, “What are you laughing at? I’m dying here, for Cripes sakes!” When we cool down and recognize that we don’t have the strength to fight death anymore, we’ll either acknowledge that we deserve it for laughing so hard at so many others on the worst days of their life, or we might see the humor in it too. Seriously, are you so sick that you’ll probably be laughing with the orderly who’s laughing at your death mask?

“You should’ve seen your face,” that orderly will say, “You were all like …” Barry mimicked the orderly’s imitation of his desperate gasp for breath. 

‘I know,’ we say, chuckling, ‘but you gotta remember I am dying here. No, I’m not saying it’s not funny. I’m just saying that when you’re taking your last breath, it’s probably going to hurt, and if you’re wondering if it is your last breath, you’re probably going to make some embarrassing faces too.’

When that day comes, we might regret laughing so hard at a grown man beating a Gatorade cooler with such intense frustration, or we might not, depending on sadistic we are.

I don’t know how women would handle this situation, but when a guy strikes out three times at a slow-pitch company outing, in front of everyone he works with every day, forty hours a week, it’s our version of a Promethean hell. The story of Prometheus is that the gods wanted to find a creative way to punish him for introducing humans to fire. The gods decided to bind him to a rock and have an eagle eat the liver out of his body for the rest of eternity. Have you ever seen a bird eat? It’s not clean. Even a large eagle has a relatively small mouth, and they don’t have teeth. So, if they’re going to eat your liver out, they have to stick a talon in you to balance you, while they rip it out bit by tiny bit. Yeah, the gods knew how to bring the pain. As the tale of Prometheus tale goes, once this eagle is finally done carrying out that torturous punishment, Prometheus’ liver grows back the next day, and the eagle rips it out again, and again, for the rest of eternity. 

As horrific as that punishment is to picture, I’m willing to bet that most men in the audience here tonight would prefer that torturous afterlife, for the rest of eternity, to striking out three times in slow-pitch softball, in front of all of your friends and drinking buddies. Why, well, as with the repetitive torture Prometheus experienced, we will relive that moment over and over for the next thirty years. You might think it’s over, and you might finally reach a point where you’re no longer staring up at the ceiling at three in the morning, reliving it over and over, seeing all of the faces, hearing the silence that followed, and remembering that little kid giggling when you went Al Capone on the Gatorade cooler. If you have mean, sadistic friends like I do, you know they’re going to bring it up, and force you to go through your own version of Promethean hell.

What’s worse, physical pain or mentally reliving your worst day at-bat for the rest of your life. Now, if you’re a regular softball player, like I was, you’re going to mess up a lot. You’re going to make horrendous, humiliating errors, but you can try to erase it next week by making some good plays. Joey, to my knowledge, never played softball, or any other sports, after this game. My bet is that he remembers that moment from 10pm until 1AM, staring at the ceiling, listening to his wife snore, for the rest of his life, and then when he mercifully finds sleep, it invades his nightmares.

Joey was a big body builder type. Most of us go to the gym about two times a week. I’m betting Joey was a five-to-six-day-a-weeker, so we naturally thought the man was built for athletic domination. We could tell that Joey thought that too. He was on my team, and I was behind him in the batting order. I wanted him to do well, of course, because I wanted our team to win, but I didn’t want him to do so well that my little blooper singles would be an afterthought. The ropey muscles on this guy’s forearms made me think I was in trouble. The outfielders backed up for him. We all thought Joey was going to put on a clinic. He had brand new batting gloves that it looked like he purchased just for this company outing. He even had wrist bands. Who wears wrist bands to a company outing? Between pitches, he adjusted the fit of his gloves and fiddled with his wrist bands, just like Major Leaguers. It was so shocking to see him strike out on three pitches that first time that when the other team even ribbed him a little, in a good-natured way, we all kind of giggled. It was all polite and fun.

So, what’s the best resolution we might develop for the inability to hit a huge softball coming at you incredibly slow? Whenever we substitute a good solution with the best, most perfect solution, we often end up choosing the worst. Joey’s solution was to swing faster and harder? In his second at-bat, Joey swung so hard he fell down. Yikes! We could almost hear the nails going into the intangible walls of his nightmares, building a permanent fixture in there.

Seeing as how we were at a company function, and the sense of competition between our teams was fun more than anything else, the pitcher lofted the last two pitches up of Joey’s second at-bat, with the greatest of ease,” Barry said mimicking the soft toss. “The way we might pitch to a five-year-old who is having trouble hitting the ball, and in a scene that will probably play in Joey’s nightmares for the rest of his life, he missed both of them. Would you laugh at this man self-destructing right in front of you?” Barry paused for all the laughing yesses in the audience. “You would? While witnessing the worst moment in someone’s life?”

We all say yes at a comedy club, three to four drinks in, but when it’s someone you know, someone you see at work every day, forty hours a week?” Barry paused to survey the crowd. “We all would. We all do, because we have grievances, petty personal and impersonal grievances. We have grievances against mother nature, God, and the world and everyone in it. If you don’t find failure funny, let me add this. After Joey’s second strikeout, there were groans all over the field on our team and the opposing one. Even the men who envied how easily Joey picked up women, dropped that grievance and began rooting for him. We were all cheering for him. Even though he fell on his ass after the third strike of his second at-bat, someone yelled out, “That’s all-right Joey! Get ‘em next time!” The other team was even saying stuff to cheer him on, being good sports and all. 

Now with the third and final strikeout, let me ask you what do you think would be the worst possible reaction you can think of following a third strikeout in slow-pitch softball? Try to put yourself in Joey’s shoes, and think what reaction might haunt you for the rest of your life?” Barry asked the audience. A few people shouted some reactions out. “More teasing? Laughter? Wrong. How about silence? If you asked me, prior to this display, I probably would’ve said more teasing and more laughter too, but that day taught me that silence, claustrophobic silence is the worst possible reaction you can give to someone striking out in slow-pitch softball. Why? Every other reaction gives us some direction for our anger. If Billy laughs, we can say, “How dare you laugh at me Billy, I was trying so hard, and that was so embarrassing, and you laugh? What is wrong with you? You cold-heartless bastard?” If someone tries to soften the blow, by encouraging us in some way, we can say, “Aw, shut it!” to their condescending sympathy, but silence? Silence causes you to eat the moment whole without lubricants or anything to aid in the digestion process, and it festers in some black hole in our innards for the rest of eternity, and the only outlet we can find is an inanimate object that can be used to retain the temperature of drink products.

As cold and sadistic as we are, we’re not even close to as cold and sadistic as children can be, because they don’t understand how to apply sympathy, and they haven’t experienced enough failure in life to be empathetic. They just think a guy going ballistic on a water cooler is hysterical. “Is he joking dad?” No, now look away.

We try to cover their eyes, but they fight it. This isn’t something they see every day, so they fight to watch it. “Why is he so mad, dad?” they ask far too loud. “Was he mad because he struck out?”

Yes, now for God’s sakes quit staring and join the rest of us, pretending this isn’t happening. The other parents in the audience don’t even laugh at our boy’s innocent, loud questions. They maintain the silence.

Kid won’t let stuff like this go either. “Why did Joey do that?” they ask on the car ride home.

“Joey had no idea he was common. He thought he was special. He thought he’d be a contender, a somebody, some kind of prodigy. Some part of him thought he might be Major League baseball material. He thought that when he was your age, we all did, but he doesn’t play recreational sports the way some of us do, so he never learned that he wasn’t special. He had no idea that by the time he was thirty, the only thing anyone would pay him for was data entry. Missing those slow-pitch softballs, told him that he’s no better than the rest of us, and that was quite shocking to him. 

“Some of us played sports when we were kids, and we played softball in recreational leagues when we aged out of most sports, and we all made horrible errors everyone enjoyed. Sweet little, old ladies laughed at us, “Idiot!” they’d say. Joey, obviously, never went through all that. We made errors that were so awful they were met with silence, and trust me nothing is worse than silence. They don’t even try to cheer us up after a while, because we’re so awful. They allow us to go back to the dugout in silent shame. After that, we realize that we aren’t half as good as we thought we were. Everyone who plays any sport goes through that, but Joey never did. Joey preferred sitting in the stands, laughing at us losers, thinking about his potential for greatness. That company softball game was his big chance, the moment he thought he’d realize all his hopes and dreams of being a prodigy that no one ever heard of before. Joey believed the mythology of Joey that Joey built, and he thought he had potential to be great at something, anything, but he didn’t really do anything about it. He believed something would come along, something would happen, and when it didn’t, when he realized that he was no better than those of us he laughed at for working so hard at stuff that came naturally to him, he took it out on a Gatorade cooler.”

It was a meaningless slow-pitch softball game, at a company outing, and I’m sure that the twenty-something people who were there that day don’t even remember the day, the game, or the fact that we even had an outing. The joke here is that Joey remembers, or that he’ll never be able to forget it. The joke is that in some small way, this meaningless game ruined his life in some meaningful way. I’m almost positive it didn’t. I didn’t talk to Joey before this company outing, and I didn’t after it, so I don’t know the if, when, or how he worked through it. I don’t even know if Joey had to work through it, or if he’s the type to obsesses over such matters. Joey might have moved on as if nothing happened that day, but if he’s anything like me he dreads quiet moments, because they remind him of the silence, he heard that day after the third strike of his third at-bat. If he’s anything like me, those intermittent quiet moments have a tendency of popping up at the oddest times, and I’m sure Joey doesn’t even know why he now has a preference for some kind of noise, music, TV, or anything that makes noise in his background, because of what happened after that third and final strikeout at that company function. You’ve no doubt heard the cliché deafening silence. Yeah, that’s the type of silence that puts an exclamation point on top of one of the top ten worst moments of his life. It’s the type of silence that almost allows you to hear the facial muscles of the players, on both sides, twitch into a cringe.

It strains credulity to me to think that Joey doesn’t remember this day. If I ever asked him about it, and he said, “Huh, I don’t remember that we even had a company outing.” I’d immediately think he was lying. How could he forget falling on his keister the way he did, the way that pitcher lofted him pitches the way we would a five-year-old, the deafening silence that followed his third strikeout, and, of course, destroying a water cooler in frustration? (Even though he hit it eight, nine times, Joey didn’t damage the container, which either speaks to Gatorade’s sound construction of it, or Joey’s ineptitude as a batter, but Joey did offer the owner compensation for the cooler if there was any damage to it. The owner said it worked fine, and no compensation was necessary). If Joey is able to forget all that, because he is blessed with such a short-term memory that he only thinks about today and tomorrow, then all the power to him. It was such a meaningless game, as I wrote, that I don’t doubt that most of the players, and the people watching, have long forgotten about it.  If Joey was able to forget the specifics of his failure that day, or the day in general, it probably speaks to the sound construction of the brain, and its ability to just forget that which could, even in small, insignificant ways, plague us and diminish our quality of life.