How The Brady Bunch Damaged Him


“The thing about being human is,” Bob Peters said to initiate a conversation with my friend Arnold Glass.

“No, I am human,” Arnold said. “I’m standing right before you, two arms, and two legs just like you.” 

That was funny, I thought, examining Arnold’s face for a break that would reveal the joke. It wasn’t award-winning funny, or even knee-slapping funny, but I considered it a fairly decent trap to set for Bob Peters for future jokes. Depending on where he took it from there, I thought he laid some pretty decent groundwork. The three of us were co-workers at a company, on break, shooting the stuff. I didn’t know Bob Peters. He was kind of a floater, who moved from person to person, group to group, but I thought I knew Arnold. We were co-workers who spent so much time around each other that I suppose I could’ve call him a best friend at work, but that just seems like such a grade school/high school designation. It just feels odd to call a grown man that I didn’t know before we started working at the same company a best friend, but we did a lot together over the years. Arnold could be funny occasion, but he was more knock-knock joke funny. This level of dada comedy, or what I thought might be intentionally irrational comedy without a base or direction was so out of character for him that I thought he might follow it up with, ‘Sorry, that just sounded like something to say. It didn’t work as well as I thought it would.’ Not only did Arnold not say something like that or give any cues that he was joking, he was all bowed up. I was almost positive that he wasn’t looking to throw down, during a 15-minute break on company grounds, over something as odd as this, but he looked so defensive. What an odd thing to say, I thought, and what a weird thing to get defensive about.

Bob Peters obviously dismissed Arnold’s comment as nothing more than an obnoxious attempt to interrupt him before continuing, “As I was saying-”

“No,” Arnold interrupted, growing uncharacteristically confrontational. “You called me out here. I’m a human being with all the same hopes and dreams as you. I’m going to need you to acknowledge that before you continue.”

“Fine, I acknowledge that you are a living, breathing human being with all the same hopes and dreams as the rest of us,” Bob Peters said. “Now, can I continue?”

***

“What was all that about?” I asked after Arnold and I finished our conversations with Bob Peters, and he walked back to the office.

“Cripes, I forgot to apologize to Bob for all that didn’t I,” Arnold Glass said. “He just happened to step on one of my land mines, but he didn’t mean anything by it did he?”

“No,” I said. “I don’t think so. I think he just thought it was a clever intro … but what do you think he meant by it?”

“I don’t know. It’s that name thing,” Arnold said. “I thought Bob was trying to be funny, but now that I think about it, I’m not sure Bob even knows my last name. I know I don’t know his. We’re not on a last name basis.”

“Peters,” I said. “Bob Peters.”

“Okay, Peters. Well, God bless him for having such a normal last name.”

“Glass? What’s wrong with Glass?” 

“We’ve never talked about this?” Arnold asked me with some fatigue. “You obviously didn’t grow up watching The Brady Bunch, did you?” I said I had, and the name George Glass immediately came to mind, but I feigned ignorance. “There was an episode where Jan Brady made up an imaginary boyfriend. When she was pressed for his name, she said, “George,” and then she looked around and saw a glass of water. “George Glass,” she said.”

“Okay, yeah, I remember that.” 

“I’ve had nightmares about that scene.”

“You’ve got to be joking?” I asked with suspicious but confused laughter. 

“I’m not. I’m really not,” Arnold said with a most serious face. “We were all too young to know the episode when it first came out, but, you know, reruns. I might’ve been in 2nd grade when Mary Beth Driscoll said, “Are you even real?” I didn’t get it, because I never saw the episode, so she explained it. I didn’t think it was funny, but everyone else did. Everyone else did, and they joined in on the joke. It hurt a little, but mainly because I didn’t understand it. Then, every time they reran that episode, I’d get some semblance of that joke, and I probably took way too personal, but I was young, real young, and I didn’t know how to deal with it. ‘We’re just joking, for gosh sakes Arnie’ they’d say, and that never made it any better. Things like that are stupid, insignificant, and irrelevant, until they start to gather moss. Every time you meet a friend’s mom, they ask if you’re real, or they say it’s nice to finally meet you. We thought you were fake. It sort of petered out after a while. The harmless and stupid jokes never ended, but I didn’t hear them as often for quite a while there, until the 1996 movie A Very Brady Sequel came out, and then the internet picked that whole joke up as a meme for imaginary boyfriends, girlfriends, and imaginary friends, and it started all over again.” 

I could’ve, and probably should’ve, expressed some sort of sympathy, but I couldn’t help but find it so harmless that it was cute and cute-funny. The general idea of a man being mentally badgered about anything calls for a sympathetic response, but to hear someone say that a Brady Bunch joke was the source of his pain was so unprecedented that I couldn’t help but find humor in it. I managed to keep a straight face, a solemn, sympathetic face, until he said:

“I’ve even considered changing my name more than once. I’m serious. Totally serious,” he added when I ‘C’mon’ed him’. “If my dad didn’t talk me off that ledge, talking about breaking the long, storied history of the Glasses, and their proud British heritage, I would’ve gone through with it.”

“I’m sorry,” I said when I laughed. “It’s just the words breaking the Glass got to me,” I confessed. Those words weren’t funny, but it didn’t take much to tip me into laughter, and I considered it a decent excuse for laughing.

“It’s really not funny, and it’s not a joke,” Arnold said defensively. “When I was in my teens, and I’d meet my girlfriends’ families, their sisters would jab me in the shoulder with their finger and say things like, “I just wanted to make sure you were real.” Another person, a mom, a nice, sweet maternal mom said, “We thought it was like that time Jan Brady made up a boyfriend, and she said his name was George Glass. We thought Julie did that with you. Sorry, but we thought she made you up.”

“My guess is that’s probably happened a million times,” I said after I achieved some level of control. “Nerdy girls and boys have made up boyfriends and girlfriends since, probably since the cavemen.”

“I get that,” Arnold said, “and if it happened once or twice, I’d say it’s only happened once or twice, and that’s normal, as you say, but it’s happened so often that … that you can’t help but question your identity and your existence.”

“Your existence?”

“Well, I never thought I wasn’t real, if that’s what you’re asking,” Arnold Glass said, “but these things, these little tiny, and seemingly insignificant things, can have a cumulative effect that can, regrettably, end up all over someone like Bob. Remind me to apologize to him when I see him.”   

“Example?”

“Example, let’s see,” Arnold said. “Well, there’s nothing wrong with your nose. Let me make that clear, because I’d hate to put you through what I’ve been through. I mean it’s not too long, too big, or crooked. You have a very normal nose on your face, but imagine if someone joked that there was something wrong with it. Imagine if it was nothing more than a dumb, insignificant and untrue comment on your nose. You’d tell them to shut up, or some variation thereof that allows you to swat their comment away, like a pesky mosquito. Now imagine that someone else, someone who had no relation to that first person, says the same exact thing. You might start to think there’s something to it. You might be a little paranoid about your nose, right? Maybe? Now imagine that this silly, stupid thing is the same thing your grade school peers hit you with when you were young, very young, too young to know how to deal with it properly. It has a way of chasing you into adulthood, until you’re impulsively launching on someone like Bob. Do you think it could lead to a cumulative effect equivalent to wanting to change your name, like getting a nose job or something? And the whole time, you know you have a perfectly normal nose, because everyone says there’s nothing wrong with your nose, like I had a perfectly normal name, until some writer on some stupid show decided your last name would be the perfect name for an imaginary person.

“See, what you saw was a one-time, seemingly insignificant incident,” Arnold continued. “But you didn’t see the buildup, the accumulation, and you probably just think it was bizarre, and all that, but it was the result of a cumulative effect. Have you ever heard of the Chinese Water Torture effect? They strapped a guy into a chair so tight, he couldn’t move, under a slowly dripping water faucet. Now, we can drop anywhere from one droplet of water to a million drops of water on a person’s forehead, and it won’t cause any physical damage to that forehead, but psychologically? Psychologically, it’s been documented as one of the most cruel, brutal, and inhumane forms of torture ever invented. Why? It is the accumulation of seeing the next drop of water, knowing it’s going to hit your head, and it finally hitting. It’s the same thing here, but my slow drip has occurred over the years, the decades, and it can manifest in ways you saw today with Bob Peters. Some say it can be stressful to the point of panic-inducing attacks. That’s never happened to me, those final stages, but it could. Some say it could.” 

I still couldn’t see it, and in many ways I still can’t. The whole idea of it obviously still fascinates me, but no matter how well Arnold researched what happened to him that led him to his unusual outburst, and how persuasive he was in the moment, I still couldn’t wrap my arms around the idea of what he described as a cumulative effect, even under the umbrella of Chinese Water Torture effect. It was hard to see through the bizarre, silliness of the idea, and it’s still difficult for me to wrap my mind around the idea that a person could be so damaged by a Brady Bunch joke that he’s reflexively lashing out at anyone who even hints that he might not be real, imaginary, or in this case not human. The only thing I can come up with is it’s the difference between sympathy and empathy. Sympathy is something we feel for someone experiencing something foreign to our experience. Empathy is almost a shared sentiment we have for someone who is experiencing something for which we experienced ourselves to such a degree our knowledge of it can be intimate, and the only people who can understand The Brady Bunch Glass effect are those who have experienced themselves. 

Rilalities XII


Story, Harrowing Story

“Our son overdosed on Tylenol,” a mom and dad said entering a hospital’s emergency department. When they were directed to a room, they informed the nurse that the family experienced a dispute in their home. Their teenage son didn’t deal with it well. “He overdosed to teach us a lesson,” the parents informed the nurse. The argument, it turned out, was based on a huge misunderstanding. After emotions subsided, the three put the missing puzzle pieces back in place and realized what happened. (The author doesn’t know the particulars.) The parents and their son concluded their Q&A with the nurse by telling her they were in the emergency room that day to get their son’s stomach pumped.

“Okay,” the nurse said after the parents explained what happened in their home. “When did he take the Tylenol, and how much?”

“It’s been a couple days,” the mother said, “and he took almost an entire bottle.” She had the near empty bottle with her, and she informed the nurse that it was full before the incident. The mother finished that explanation with a compassionate smile directed at her son, and she mouthed, ‘It’s okay,’ to him.

The nurse made a mental note that she later shared with the doctor “that the three appeared almost happy, or maybe relieved in some odd way.”

The doctor agreed, and he said, “I think they were relieved that the heated argument was over, and they were just happy to have their son back.” 

 

“The treatment for an acetaminophen overdose is a drug called acetylcysteine,” the doctor informed them when he sat in the emergency room, about a half an hour after the nurse left, “but it only shows maximum effectiveness within an eight hour window of the overdose. We will use acetylcysteine, and we will also perform a gastric lavage or nasogastric tube suction, or what you call a stomach pump, but there are similar time constraints on the maximum effectiveness of those procedures too. The problem with ingesting so much acetaminophen and leaving it in the system for so long, is that it has been absorbed by the liver.”

“So, so, what does that mean?” the family asked.

“Our medical team is going to do everything at our disposal today,” the doctor said, “but my job is to make sure you are well aware of the facts of the situation here.”

“And the facts are?” the mother asked.

The doctor had sympathy for the patient and his parents inability to grasp the severity of the matter, and he tried to describe the ramifications as delicately and with as much sympathy as he could. He chose his words carefully while repeating everything he said about the effectiveness of acetylcysteine and stomach pumps after a couple of days, and he repeated what he said about the medical team at that hospital doing everything they could do to help their son, “But if your son took as much Tylenol as you’ve described here today, this is going to be as difficult a situation as you can imagine.”

We can only imagine how difficult this was for the doctor, and we can imagine that the parents put the doctor through it over and over in excruciating detail, asking questions we might regard as obtuse, but what was, in fact, a couple of parents and a son having a difficult time digesting the grim reality of the situation. We have to imagine that they interrogated the doctor, until he finally broke down and said, “In cases such as these, the normal life expectancy is around two-three-days.”

After the initial hysteria broke down, we can also imagine that the parents and their child enjoyed their final moments together. The reports suggest that this is a painful way to die, but if the son was able to manage the pain to a certain degree, we can imagine that the three of them did everything they could to celebrate his last days on earth. 

The team of medical professionals tried acetylcysteine, they performed the stomach pump, and anything and everything at their disposal. The teenage boy died two days later. 

I heard this story decades ago, and it still haunts me. It’s the da Vinci of stories. It doesn’t matter the angle, or perspective, it stares back at you as hard as you stare at it. How could the parents not know their child overdosed? For a couple of days? Was the argument so intense that they were not on speaking terms? I don’t know much about overdoses of this nature, but how was he not showing concerning symptoms, concerning to him in particular? We can only imagine that the parents have dreams where they spot something and do something sooner.

As much as the parents probably went through, and still go through, we have to imagine that no one involved in this situation will ever forget it. Everyone from the nurse, to the doctor, to anyone else involved still have nightmares about it. It’s also a harrowing reminder that no matter how bad the fight, or how profound the disagreement, get it out, get it all out, speak to the ones you love, and straighten it all out before it’s too late. 

Heart Attack

Those who were there know that I had a rocky relationship with my dad. We were two stubborn, ornery, Irish roosters butting heads. He kept me in check by threatening to kick me out of the house. I didn’t want to leave my home, and I didn’t want to be known as the kid who got kicked out of the home. My plan, once I got out on my own, was to never forgive him and never forget what he did to me. Years into the plan, my dad had a massive heart attack. His chances of survival were slim. I visited him and saw him hooked up to a variety of machines, and I realized that no matter how awful he was to me, he was the last parent I had left in life. He survived, barely.

We spent the next eleven years rectifying everything that happened during my youth. During these eleven years, I thanked him for assuming the role of step-father for me when I was two-years-old. That was so hard. It was difficult to avoid qualifying it, and placing “But you did this to me” type of asterisks. I left it as a standalone thank you. 

It was the best thing I ever did. I wish he would’ve lived for another ten to twenty years, but he didn’t. When he eventually passed away, however, I said goodbye to him with a heart free of anger, without the need for some sort of retribution, and hatred. If he died after the first heart attack, I would’ve been an absolute wreck. The moral of the story is, no matter how bad the fight between you and your loved ones is, get it out, speak to one another, and straighten it out before it’s too late.

Why I Write

Ever drive down the road and see a bumper sticker with exclamatory statements on their car? How about that guy who wears a T-shirt, in public, that says something meaningful? And what about that guy we all know who debates his friends on a variety of topics, with a palpable sense of frustration. “No one will listen to me,” he shouts. Everyone who talks to that guy feels his underlying sense of frustration, and they know how angry he is. We begin to interact with him less and less, because we know he can turn everything from a discussion on geopolitics to whether or not the snap pea is a delicious food into an uncomfortably confrontational argument. Every time I meet that guy, I’m so glad I’m not him anymore. That guy has no venue. He needs to express himself all over you. Whether you deem the material I discuss valuable or not, I found my venue. 

I always valued friendship over the temporary feelings one can derive through defeating another in an argument, but I felt a certain sense of frustration when no one would agree with me. When I expressed some anger and frustration, people would give me that extra look. If you’ve seen that look, you know it. That look follows you, and it says something uncomfortably revealing about you. It’s a double-take that precedes most rational, sane people just walking away. Others, who care about you, say, “Maybe you need some counseling.” Tried it, didn’t work for me. I wouldn’t say the counselor was stupid, or I am more intelligent, but she didn’t understand me. I didn’t understand me, until I found an outlet. I wouldn’t say I was complex, or anything extra ordinary, but there was no question that I needed to do something to get everything that was in me, out. 

“Music sets the sick ones free,” Andrew Wood, lead singer of Mother Love Bone, once wrote. That was me. I didn’t just love music, I needed it. I could drop the cliché that I needed music, like some people need oxygen, but it wasn’t that severe. I prefer to think of my need for music to help balance my mental stability as one might view a farmer living out on the prairie with little-to-no law enforcement. I needed music the way those farmers need to be armed to protect their land, their livestock, and their family. The only issue was I never wanted to be anything more than a music listener. I didn’t know how to play an instrument, and I didn’t have the patience to learn one. Yet, I was in desperate need of some form of self-expression in some sort of artistic manner. 

If “Music sets the sick ones free,” and I believe it does, writing was directed neurological therapy for me. Music was equivalent to a neurologist prescribing necessary over the counter pain medication. Writing, would prove the directed neurotherapy a neurologist might prescribe after repeated visits and extensive study of my reactions to everything prior.  

I was never ill, compromised, or depressed in any substantial manner, but I had an internal itch that ruined days. Writing felt substantial to me. I wanted it all, but when it didn’t come, I kept writing. I was no prodigy. I wrote some awful stuff, but I loved it, needed it, and I kept wanting to do it no matter what. Writing anything and everything I could think up is what has led me to the definition of sanity I now know.

No Hugging and No Learning

When I watched Seinfeld, I had no idea why it appealed to me so much. It was funny, of course, but there were dozens of situation comedies on the air at the time, and hundreds of them throughout history. Seinfeld was special to me, and I had no idea why. When I learned that the writer’s room had a “no hugging and no learning” thematic approach, I said, “That’s it” to myself.

Seinfeld was special, because it wasn’t “special”. Everyone from the creators, writers, on down to the actors made no effort to be special, nor did they add special ingredients into the mix. The special ingredients for most writers on most situation comedies involved the “very special episodes”. These episodes made special connections to the audience through special issues. A character, in their narrative, discovers that they’ve been so wrong for so long that they now question their foundation, and the audience understands, agrees, cries, hugs, and leaps to their feet in “clapture”. Clapture is a framing technique used by comedy writers to get the (Emmy!) audience to clap with laughter, or to agree with them more than laugh. I didn’t realize, until Seinfeld, how cringeworthy those special, meaningful messages were. The Seinfeld writers maintained that there would be no hugging, no learning, and if I might add, no special understandings in their show. They just tried to be funny. When we watch such shows, we always wonder if they reflect our values, or if we begin to reflect theirs. I think Seinfeld, more than any other sitcom I’ve watched, reflects my values. I prefer a good steak with very little seasoning and nothing else! Unless steak sauce is used to cover up the quality of the meat, I want nothing else on my steak. If you’re going to come at me and tell me what you really think of me, I prefer that you come bold with no qualifiers. I also prefer music that is complicated, fun, interesting, creative, relatively brilliant, unique, and utterly meaningless. Don’t tell me what you think of the domestic economy of Istanbul, the mating habits of the emu, or anything else that you wished you put in your college thesis. Just write lyrics that fit the music and be done with it. Seinfeld, in my opinion, met all of those standards.  

The Unwanted Heritage


“How many grown men in the audience tonight grew up wanting to be their dad? If TV is anywhere close to the truth, previous generations revered their fathers. They didnt call them their dad, they called them father. They did everything they could to impress their father. My dad often talked about how much he respected his father, and how the image he had of his father shaped his maturation. Those days are gone. They just are. We now actively work to disappoint our fathers by becoming artists, influencers on YouTube, writers and standup comedians. We don’t even mind disappointing our whole family now. Is that weird? I don’t know one guy, in his 20’s or early 30’s, who wanted to be anything like their dear old dad when they grew up. Our goal was to be everything but. I’m not just talking money, success, or anything like that. I’m talking about everything. 

“Have we changed this dynamic, or did our dads? The dads on those old fifties and sixties shows never had a hair out of place, and they wore a suit and tie at all times, even to dinner. It’s TV, idyllic images, all that. I got it, but if you talk to people from my dad’s generation, you’ll hear them talk about how different things were in their day. We all make fun of such talk now, but things were so different back then. They respected the people, places, and things around them. They respected personal property. I had no idea why our neighbor, Sam, kept yelling at me for stepping his grass. It’s grass, why do you care? They wore suits to work, to church, on airplanes, and at restaurants.

My dad, I’m not sure if he owned a pair of underwear that didn’t have at least one stain. I’m pretty sure he didn’t buy them that way. He just missed opportunities so often that he didn’t have one 100% clean pair of underwear in his wardrobe. I also think he committed every violation of decorum he could think up on an ear of corn. He’d breathe through his nose while eating it, he had to, because he’d suffocate if he didn’t. There were a couple of occasions when our eyes met, while he was doing it. It was so uncomfortable. “Take it easy on that thing Dad,” I said. “It’s not trying to get away.” Why would I strive to be that man?

“Then there were the farts. The opportunity to hear my dad fart was one of the primary reasons I had friends. They didn’t get in line to hear them, but once he started in, they didn’t want to leave our house. “This is funnier than anything on TV,” they agreed. 

“How many times can you hear a fart and still think it’s funny?” I asked them. It was an endless source of amusement to them, and my dad loved them as much as they did. He built material around his gastric releases. “I just blew her a kiss,” was his favorite. He said that once, when he accidentally let a loud one go on some innocent, unsuspecting woman in a grocery store, and my friend was laughing so hard he couldn’t walk right for minutes.

“Dad also learned what he considered an award-winning phrase, following any expulsion of gas from his intestines, “Better to let it out and bear the shame than hold it in and bear the pain.” It rhymed, so Dad thought he was doing Robert Frost or Shakespeare. It was as close as my dad ever came to citing poetry. I don’t know who came up with that phrase, but I’d have fantasies of doing vile, disgusting things to them, and I am not a violent man. I don’t view violence as a way of dealing with confrontation, but after decades of hearing that phrase, I developed some empathy for those in a desperate search to find something to end their pain. I’ve heard some talk about getting in a time machine to kill Hitler to save humanity from what he inflicted upon so many in the world at the time. I’ve thought the same about the originator of this phrase. Whenever my dad would say it, my friends would just devolve to gales of laughter, and those vile, disgusting thoughts of violence seemed like the only solution to me.

“When they’d turn to me with their laughter, I basically said, “I find him absolutely vile.” Yeah, I was the priggish old woman to my dad’s Rodney Dangerfield character in a movie. If you’ve ever seen one of those old movies, a rich, snobby old woman would say, “I find you utterly repulsive,” with her nose up in the air. Rodney would say, “It’s a party babe, loosen up.” To which the woman would punctuate her disgust with some final sound of revulsion. My dad was the Dangerfield character who stuck his thumb up the arse of the institution, and I was his institution. 

“I heard so many farts by the time I hit my teens that I could no longer find humor in the fart as a teenage boy. Does that strike you as profound, because I think about all the great jokes I missed out on, because I was so tired of the fart joke.

There was one time when our teacher, a prim and proper nun, let one go in church, and it was loud, and it was during the service. That’s funny now, right? To 99.9% of the pre-teen, male demographic that’s not just funny, it’s once-in-a-lifetime, you-had-to-be-there hilarious. Church is one of those places where every pre-teen gets the giggles over the dumbest stuff, but a nun farting in church might qualify as the most shockingly hilarious event in a pre-teen boy’s life, and to the 99.9% contingent, it is. There is a .1% of grade school-era boys who have heard so many farts in life, so many fart jokes, and so much fart laughter that our reservoir of fart laughter is so dried up that we can’t even smile at a prim and proper nun farting in church. We know each other too, we .1 percenters. We spot one another, down the pew, and we nod one of those closed-eye nods, amidst all the other students gasping for air. It’s the we-have-the-same-dads nod. We’re members of this very exclusive club we wanted no part in, so we smile and force laughter, all the while knowing that our flatulating fathers deprived us of our golden era of the fart joke. 

***

“My mom had her quirks too, and she had her own unusual sayings and traditions. The traditions she learned and passed down had nothing to do with farts, or anything as revolting as my dad’s. She was our version of a normal person, and we needed her dose of normalcy to combat everything being thrown at us. She used to read to us every night, she tucked us in, and gave us one of her sweet, motherly kisses before heading to the door. Then, right after she told us how much she loved us, and before she closed the door she’d say, “Sleep tight, and don’t let the bedbugs bite.” 

“I didn’t even know what bedbugs were back then. Are there really tiny, little bugs crawling all over my bed and my body? Is this common, and what do we have to do to prevent them from biting me? She didn’t intend to introduce this horrific thought into our already creative minds. She thought this familiar, little rhyme conveyed sentiment. I love you, and have a good night’s sleep. Oh, and don’t let the bedbugs bite. This was my mom’s idea of punctuating love. She did it so often that by the time I started thinking about what it was she was saying, it was already an accepted part of our parting ritual at the end of a night. I also think she just liked the phrase, because it rhymes, “Sleep tight, and don’t let the bedbugs bite.” 

“What you may not know, because I didn’t, is that fossils and early writings discovered that bedbugs date back to ancient Egypt and Rome and industrialization and colonization brought them here. So, when ancient Egyptians issued such warnings, they meant it. The mattresses they slept on were made of straw and feathers, and they were held up on a series of latticework ropes. The origin of the phrase sleep tight was probably made in reference to the parents warning their children to tighten their ropes to prevent sagging. Bedbugs cannot jump or fly, but they probably didn’t know that. Another theory speculates that sleep tight referred to keeping pajamas tightly wound to prevent bedbugs from getting in, but all these theories involve speculation over the origin of the phrase. The point though is that it’s possible that some form of this phrase could be hundreds to thousands of years old. 

“If we took a step back to realize what we’re saying about bedbugs, before we close the door to immerse our kids in total darkness, where their unusually creative minds spin just about everything we say into some form of horror that causes them insomnia and nightmares, we might want to give some thought to ending the tradition that suggests these nasty, little germ-ridden insects are probably going to bite us unless … unless they somehow don’t let them. That’s a question I never asked “How do I go about not letting them?” Seriously? “Are there proactive, preventative measures I should employ here, and why are you requiring me to do this alone?” Isn’t this basically what we’re saying when we say, good night, sleep tight, and don’t let the bedbugs bite? We’re saying that we’ve found proactive, preventative measures pointless, and you’re kind of on your own here. Now, good night, and don’t let them bite. Slam! We may have found the answer for why Joey always sleeps with his cute little Mattel swords and shields, he’s preparing for battle. 

“Traditions are what they are, thoughtless traditions,” Barry said, “but they are also an inner node of our family tree that we consciously, and subconsciously, use to connect us to our mothers, our grandmothers, and their definition of love. There’s also that added ingredient, in some weird and inexplicable way, that we see it as a definition of quality parenting. We don’t think about it. We just do it. It’s a set of parental instructions or system of rules written into our code and our peculiar programming language. It’s as much a part of our fabric as familial tales of our cranky old uncle swearing every time he has to stand up, the way our grandpa makes noises when he sits, and playing cars with our cousins on kitchen tile in our pajamas.   

***

“These generations-old, odd traditions that influence and enhance who we are surfaced when I picked my kid up from school. Some kids, somewhere on the playground, began singing the borderline horrific song Ring around the Rosie. Everyone knows this singalong song, right? Why do we all know it, and who taught these kids this tradition? We did. Who taught us? We just sort of pick it up from somewhere, and no one remembers where. It’s a tradition that was, is, and probably will always be. I smiled when I heard them sing it. Ring around the Rosie, sing it with me now, pocket full of posies, ashes ashes, we all fall down. 

“Apparently, there are numerous versions of this song sung around the world, and some of you might know a different one, but that’s the one we sang in my pocket of the world. For as many versions as there are, there are nearly as many interpretations of the lyrics. As kids we sang it just to sing something while we did something else, but some folklorists suggest the lyrics ‘ring around the rosie’ might have developed as a result of kids teasing other kids when they spotted a red owie on their arm. Any owie, I assume, was subject to ridicule, and if you know a kid, you know they can get bruises, bumps, and red spots walking through an aisle at Walgreen’s. “Where did you get that bruise on your arm? Joey” “I don’t know,” and they don’t. They really don’t. It’s as much a mystery to them as it is to you.  

“When one of these 1665-era kids of London spotted an owie on one of their friends arm, they sang Ring Around the Rosie to tease him that he might want to consider the idea that he might have …. the plague. The plague! Some call it The Great Plague of London, others called it Black Death, and historical chroniclers called it last major epidemic of The Bubonic Plague in England. Some trace the origin of this little song to this Bubonic Plague that slaughtered over 100,000 Londoners at the time, and the total population of London, at the time, was around 460,000. So, it killed nearly one in four Londoners. 

“Ring around the Rosie! Yeah, we saw your little owie, Joey, and we’re pretty sure that means we’re going to be throwing your body in one of the local burning, plague pits soon. 

So many people were dying from the plague that they couldn’t keep up. If you’re from an area of the country that can be affected by wintry conditions, you know that there are times when police won’t respond to minor car accidents. They tell you to exchange information, and drive on. This is what was happening in 1665-England. If a loved one dies, just wait till nightfall and give them to a corpse carrier, who would stroll through the night with his agricultural cart, yelling out, “Bring out your dead!” Fans of Monty Python’s 1975 movie Holy Grail know this scene well. When his cart was full, the corpse carrier would take his load to a plague pit to burn and bury the corpses. 1665 England didn’t bother with funerals, ceremonies, caskets, or graves. There were just too many corpses in too short a time. So, unless you had the money to get a proper service, they threw your corpses in a plague pit, and we can only guess that little Joey probably saw a few of his cousins, aunts, and friends thrown onto the corpse carrier’s cart or into the pit. We all use various mechanisms to deal with the horror happening around us, and kids are more sensitive, thus more brutal, in trying to prevent the horror from getting inside their head, so they developed this cute, little rhyme to suggest that their friends, or that kid who sits two seats up and to the right in class, is headed for the burning corpse pit soon. Isn’t that just the cutest thing? What do you say we teach our kids to sing that for the next three hundred, plus years?

“Some folklorists suggest that the ‘pocket full of posies’ verse was used to mock those kids whose parents believed that if their Joey carried flowers in his pocket, it was a homeopathic remedy to prevent the onset of the plague. So, this portion of the song basically says, “Even though you had a pocket full of posies, you still caught the plague, Joey, SUCKER!” 

The conclusion of the song might be the most horrific, as the “Ashes, Ashes, we all fall down” lyrics suggest that Joey’s tormentors realized that they were acknowledging that they were going to get it too, we all will, and we’re all going to die en masse. One would think that in the age of COVID, we should consider ending the tradition that involves a sing-a-long about catching plagues, airborne or otherwise, that could slaughter hundreds of thousands.  

“I’ve heard that the folklore surrounding these interpretations of the lyrics might not be true, but even the most obnoxious, cellphone-checking sleuths will have to admit that there’s enough speculation among folklorists who’ve examined the lyrics of the song that we should probably stop teaching it as a sweet, pleasant “singalong” rhyming song our kids can sing on a playground. I mean, how can anyone spin “Ashes ashes we all fall down?” as anything other than a relatively disturbing dystopic image? A creative, young mind might even spin the lyrics as a warning for all participants to prepare for a nuclear winter? 

***

“Almost everyone here tonight is a complex, fully formed adult who has lived through several different, complicated eras of life, met thousands of different people, and read at least a few books,” Barry said. “Yet, we don’t know what we’re doing anymore than our parents did when it comes to parenting, and even if we did, we wouldn’t know what to do about it. I’m sure some of you are more confident in your parenting skills, have a master plan, or whatever, but most of us are just making it up as we go along. 

Have you ever had another parent look to you as a model of good parenting? It’s unnerving. You’re looking to me for some sort of guide for good parenting? What kind of dysfunctional and confused parent must you be to look to me? Good God man, I’m a mess. My model for everything I do, as a parent, is my dad, and he didn’t know what the hell he was doing. I mean, look how I turned out. I’m this big ball of the contradictions, hypocrisies, and family traditions that involve dystopic songs and nighttime warnings of bug infestations that my parents taught me. The greatest thing my dad ever taught me was independence, and there are a vast number of merits to teaching your children how to solve their own problems, play alone, and to prepare them for the reality that they’re going to spend most of their time alone, but the constant refrain of my dad’s parenting was, “You’re on your own kid.” I learned most of the strengths and weaknesses of total independence at 11. “Don’t get in trouble, keep your grades up, and don’t touch my stuff.” 

“One interesting byproduct fell out of my dad’s relatively dysfunctional definition of parenting, and that was that I learned that he didn’t care about me near as much as I thought he did. He didn’t attend my sporting events, so he wasn’t cheering me on from the stands, but he wasn’t booing either. This led me to the notion that no one’s cheering us on from the proverbial stands either. We’re on your own here. They might applaud an accomplishment of ours in the moment, but they really don’t care near as much as we think. But, and here’s the element of life it took me decades to fully comprehend, no one cares as much as you think about our failures either. It’s one thing to say people don’t care much about our success. That’s yours to love, cherish, and celebrate, but when we fail, we’re sure that everyone from our parents to that guy in the checkout line at The Supersaver knows too. The truth is, they’re not paying near as much attention as we think. This is not only a bizarre way of thinking, it’s wrong, right? 

The fact that people don’t pay as much attention as we think, or fear, is actually documented in various psychological studies. They’ve performed tests that involved a student walking in front of a huge college classroom to interrupt a professor and ask them a question. That student, in question, was wearing one of the loudest T-shirts he could find. The result, 10% of the people noticed that shirt. When a separate but similar test was done with a student wearing the finest suit known to man interrupting a class to ask the professor a question, 10% noticed that suit. We’re not paying as much attention as we think, and they aren’t either. 

Some might find it depressing to learn that we’re all alone in the world, but if you turn that study around, you might find that it frees you up to try things we otherwise wouldn’t if we thought anyone was paying attention. If you latch onto the idea that no one’s near as much attention to what you do, who you wear, or those silly jokes you tell, then just do what you do with the knowledge that no one’s really paying any attention.