Brutal Honesty in the Age of Being Real


It was the best of times, it was the worst of times, it was the age of being real, it was the age of delusional thinking, it was the epoch of honesty, it was the epoch of lies, it was the season of transparency, it was the season of delusions, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were going to achieve, what we had already achieved, what we would never achieve – in short, it was a period of time that needed to exist to rectify a period that may never have existed to the superlative degree of comparison that some of its noisiest authorities defined for the era.

As that paraphrase of Charles Dickens’ epic intro to A Tale of Two Cities suggests, reality TV did not the divide American culture in the manner some purported it would in the age of being real. The doyens and doyennes of our culture asked if reality TV was art imitating life, or if it was reflecting it? Others suggested reality TV represented such a small sample of the culture that the shows’ producers projected it out into the society as a measure of realness that wasn’t real to the superlative degree they portrayed? Others wondered if the culture used reality TV for what it was and dispensed of it in manner similar to the way a body puts out byproducts it can’t use?  Some people I knew, very real and intelligent people, acknowledged that while reality TV focused on a sample of a society none of us knew that didn’t mean it wasn’t real.

"Lars and The Real Girl"
“Lars and The Real Girl”

How many times in one episode did an actor say, “Hey, I’m just being real with ya” to assuage the guilt they might otherwise have while insulting another person? How many times did these show participants gain a certain degree of realness on the back of another? How many times was being real used as a confrontational device to belittle those who were less real, until the real proponent managed to gain some real definition on them?

Being real, in such instances, was nothing more than a cudgel used to diminish a person who wasn’t like the speaker. They used this device to make the unreal more like the real, and the viewer at home was supposed to accept all that as real thinking, if they ever hoped to gain real stature in the real world. Most of us now reflect back on the being real era, and see it as an intellectually dishonest era, designed to promote the position of the proselytizing speakers. 

Those of us who thought the age of being real was anything but, couldn’t deny the influence it had on the culture in general, and our friends and family. Otherwise kind and polite individuals who wouldn’t say an unkind word about anyone yesterday, started lobbing verbal grenades at us. “Hey,” we would say. 

“I’m just being real with ya,” they would respond. For word watchers in search of colloquialisms, it was mandatory for real people to use the less formal incarnation of the word you as a literary device to gain familiarity with the subject of their insults.   

“Why did you say that? That was not very nice.”

“We can do that now, in this era of being real.”

No one said that latter line, of course, but that was the import of the discussion. It didn’t happen in a day, and it didn’t happen this way, but friends and family felt they could say anything they wanted in this era, and they didn’t need to bother being conscientious, if they were just being real with ya. 

Those of us who experienced this era and studied it for what it was, learned it was based on the false premise that one could be real with ya without undergoing any substantive reflection of their own. Even those who may have watched a total of one hour of the more sophomoric shows of reality TV, could not escape its influence.

We thought the era of white lies were over. Even if being real had nothing more than a conjugal relationship with brutal honesty, and some of us used the nuggets of that message to put more brutal honesty in our presentation, regardless if anyone thought we were being real or not. In any repeated message of this type, there is a personal takeaway for some. Most of us didn’t believe the real characters in reality shows were being real, in other words, but the presentation affected us nonetheless. We changed our presentation to one that could be called brutal honesty, in regards to how we thought we should be perceived, and we encountered a number of surprising reactions.

The most surprising reaction we received was no reaction. We would detail our weaknesses for our audience and our trials and tribulations, and they would not say anything. We would finish our testimonial, and if someone didn’t say something to change the subject, the lunchroom table would go through a seven-second lull. Our audience presumably took it in stride, because they thought they were as honest with themselves as we purported to be. They lived with the idea that they were so honest that most people couldn’t handle their special brand of honesty. It didn’t dawn on them, however, that that interpretation of brutal honesty was limited to assessing others. Very few have the wherewithal to evaluate themselves honestly, and their particular brand of being real incorporated many of the elements the dictionary uses to define the word delusional. Those who attempt to help them be more real learn that it’s pointless, because the subject will attempt to be more real than you, with you, until the discussion devolves to something equivalent to the type of gunfight banter Hollywood writes into scripts to provide a tense setting for paragraphs of exposition.   

Those who have never made a concerted effort to be honest about themselves, might expect that being harshly critical of one’s self to be somewhat influential. The expectation I had was that others might “raise their game” in this regard, to be more honest. They didn’t, because, again, real people already think they are brutally honest.

Another surprising, and somewhat depressing, reaction to displaying brutal honesty, in the age of being real, was that our friends began to think less of us. In any other era, it might make sense to consider a person who provides us a laundry list of weaknesses a weak person. In the era of being real, we might fall prey to the belief that our friends and family might consider such brutal honesty refreshing, and that they might consider that moment the perfect time to be just as honest in return. No such luck. What often happens is that they join in on the discussion and add other weaknesses that the brutally honest person neglected to include.  

“How do you think you’d do in jail?” A Delusional Person asks Frank.

“Not well,” Frank replies with refreshing, brutal honesty.

When Frank provides a laundry list for why he probably wouldn’t do well in jail, the Delusional Person might laugh, because being this honest can be humorous when the recipient is allowed to bathe in the weaknesses of its purveyor. The Delusional Person will often agree with Frank’s frank assessment of himself, but they won’t assess themselves by the same measure.

“How do you think you would do?” Frank returns.

“I think I’d do all right,” the Delusional Person replies.

Even in the age of being real, most people fell prey to the idealized images they have of themselves. One of the more effective measures weight loss programs will employ are progress charting photos. They ask their clients to do this, because we can look in the mirror every day and fail to see our progress or regressions. We need a somewhat distant perspective to truly evaluate ourselves, and the same holds true with conversational scenarios such these.     

Most of us live with idealized images of ourselves, as if they happened yesterday for the rest of our lives. This particular Delusional Person was a championship-level wrestler in his teenage years. While on the wrestling team, he endured exhaustive workouts, and exercised levels of self-discipline, that most non-athletes will never know. This resulted in The Delusional Person being a finely crafted specimen who at that time may, indeed, have been capable of handling the hand-to-hand combat situations reported to occur within the confines of a cell block. When he answered Frank’s question, the Delusional Person remembered himself as finely tuned wrestler who won championships. The idea that lifted a weight or sprinted in fifteen years didn’t enter into his equation. A more brutally honest assessment of his stay in prison should have been, “I don’t know how I would so in jail, but I suspect that all of the years I’ve spent sitting behind a computer, and avoiding physical activity, would be exposed early on.”

We all picture ourselves in peak physical condition when we listen to others speak about how they have let themselves go. We laugh when others joke about those who have gained weight, conveniently forgetting that we just graduated to a thirty-six inch waist pair of pants last week. We’ll do this when we speak about the people we grew up with who “now look so old”, even though we’re now using hair-dye, wrinkle cream, and supplements to fight the aging process. We aren’t lying when we do this either, we’re projecting an idyllic image of ourselves into these scenarios that used to be able to lay out an entire prison yard when we were called upon to do so … in the movies.

Another surprising, and somewhat depressing, reaction I encountered was a kind, polite person who had no interest in being real, adding brutal honesty to my brutally honest presentation. 

“Are you sure that you’re capable of that?” she asked after I informed her that I threw my hat in the ring for a promotion that had everyone abuzz. The surprising element of this question was not that she asked it, for it could be said that she was looking out for me in her own way, but that she never asked that question of any of our other co-workers. With them, she expressed in what we could call a Hallmark card-style response to their desire to advance within the company. “Good luck!” she would say to them, or “I know you can do it.” She may have said those words to be polite, but she wasn’t polite with me. 

She asked me to reconsider whether I might be qualified. I told her that I had as many, if not more, qualifications than some of the others who applied for it. I assumed her question was borne of jealousy, but I didn’t say that. After processing her warning, I acknowledged that she was kind person, and I realized that her concerns were simple reactions to my presentations of brutal honesty. She didn’t want me to get hurt by the realities of my limits, limits that I had expressed in the course of being honest about my vulnerabilities, and she was just reacting to what I told her over the years.

Yet, people like my sweet, polite friend can inadvertently assist those striving for brutal honesty into a depressing state of their reality. The honest assessor realizes, about halfway down the spiral, that they’re doing this to themselves, and that they’re becoming too honest. Their friends aren’t helping, but their friends are just reacting to what they’ve heard us say, and they’re regurgitating our harsh and brutal opinions of us to us. Our friends are, in fact, greasing the skids to a form of depression. An honest assessor realizes, about halfway down this spiral, that they’ve become so realistic in their assessments that they’ve become brutally realistic.

We might start avoiding attempts to advance ourselves, because we’ve become so realistic in our abilities that we’re now asking ourselves so many brutally honest questions that we’re afraid to try and advance. As a result of such thorough examination, we’ve also become so realistic that we don’t think it’s realistic for any honest assessor to succeed. These could be called minor setbacks in the grand scheme of becoming more honest with one’s self, until we begin to see the Delusional People around us –some with half of our talent– begin to succeed beyond us. These Delusional People may even know that they’re lying to themselves, on some level, but they’re harmless little, white lies that everyone tells themselves in the quest for advancement, and if you can get all of them to add up just right, they may become a reality that no one can deny.

When the company selected Molly for this promotion, the confusion it created was almost painful. It wasn’t Armageddon, and no one was harmed by the company’s decision, but the aftermath of this tragedy left a proverbial wasteland of confusion. Those who devoted a large portion of their lives to this company felt that it could only be outweighed by familial or personal tragedies. The world moves on after political disasters, and religious hypocrisies can be overcome through personal devotion, but a seismic disaster on par with a person of Molly’s character, and work ethic, landing a top gig in their company can lead to reverberations that are felt throughout a person’s life. The company is where most people live most often. It’s a better indicator of how they’re living, as it’s the place where most people devote most of their resources. When matters in the workplace take a divergent path, different from all of the scenarios workers list in their head, it can lead to a company wide crisis.

“Part of an interview involves salesmanship,” those in the know tell the employees gathered in a team meeting, and that assessment was to remain within those closed doors, as off the record comments. This assessment was a “wink and a nod” attempt to assuage the confusion building around what many considered an absolute travesty. 

Those who have been in similar situations know the term “new reality”, as it becomes the theme of the many presentations that follow. If those in the know do comment on such a situation, they will say something along the lines of “You should be happy for Molly”. This leaves the suggestion that most of the confused, are confused about her promotion as a result of personal animus.

“We wouldn’t have a problem if Marsha, Kelly, or Dan received this promotion,” one person argued to reflect the general sentiment of the aggrieved, “but if Molly has any moral fiber, or conscience, she won’t be able to sleep at night.” No one cares. Molly has scoreboard. It’s the new reality. Deal with it. 

Amid the personal and professional confusion, one honest assessor, from the out of the loop sector, stepped forth and professed the harsh reality of the situation: “Molly simply fed into the leadership mystique of her superiors better than us.

“When we were concerned themselves with learning the inner machinations of the company’s system in a proficient manner they hoped might impress their superiors,“ the honest assessor added, “Molly was purchasing gift baskets for her bosses on boss day. When others were out volunteering for special projects to pad their resumé, and working untold amounts of overtime to put a smile on their bosses’ faces, Molly was at the bosses’ lunch tables laughing at their jokes, and when all of the applicants were drilling the interviewer with the bullet points of their resumé, Molly was feeding into whatever mystique they wanted to gain in that particular setting. This was Molly’s primary skill set.“

It was a bow atop the corporate basket of lies given to bosses, on boss day, in the age of being real. In the age of being real, employees began to demand more recognition for their accomplishments, and management responded, but in the end the employees realized that it was all part of a scripted, choreographed, and edited production designed to pacify their audience by mentioning their name in the credits that rolled out at the end of the day. When crunch time came, however, it was the Delusional People who had learned how to feed the mystique of those in the know that left everyone else feeling malnourished.

“Those who live in a dishonest manner will eventually get theirs,” our nuns told us in grade school. They also told us that, “Truth has a way of prevailing”. The company eventually discovered what everyone knew at the time, Molly was eventually discovered to be “not a good fit” for the position, but she was promoted up and out of the position, and out of the department, and the person who replaced her was yet another mystique feeder.

Those of us who lived and breathed corporate America heard all the stories about evil corporations, but we knew our corporate leadership board. They weren’t faceless corporate entities. They were people named Jeff and Sandy, and all the others who had kids and cats. We had one boss who was learning how to ride a motorcycle, and she drove one of her friend’s beloved Harleys into the ground, and it wasn’t funny, but it was. She was a real life, flawed individual who wasn’t afraid to show us her scars, literal and otherwise. When they speak in our corporate meetings, and our one on ones, we learn a little bit about their essence. We learned how they took their coffee, and what shows they went home to watch, and it all seemed so real, until they selected Molly for a big promotion.

We were all temporarily and permanently disillusioned. We thought our corporation was different, and that they hired and fired, and promoted and handed out raises based on merit. We believed that our corporation did not rise and fall based on the whims of faceless corporate entities. Ours was a real corporation comprised of people who knew us as well as we did them. We weren’t so delusion that we thought Jeff and Sandy knew us, but we thought some knowledge of our essence ascended from our bosses through the spider web, hierarchy, until we felt our efforts were recognized. 

The problem –those naïve enough to believe in the age of being real– discovered was not with Molly, but that Molly was emblematic of the problems inherent in a system that honest people once believed would find a way to provide rewards to those honest, hard working people who put their nose to the grindstone. The problem that seemed so complex to those of us who tried to wrestle with it, turned out to be so simple. The problem was that the various Jeffs and Sandys who controlled the spigots of reward for the hard working women and men in our company were humans themselves, and humans are inherently susceptible to flattery.

The nuns also provided their grade school students the proviso that if you’re living the honest life with the expectation of eventually receiving concretized recognition for it, you’re doing it for all the wrong reasons. We knew they were preaching gospel when they said this. Even if we didn’t know the depth of their statement, or how it might apply over time, some part of us knew that the rewards of living the honest life involve intangible, internal, and spiritual rewards. When the Delusional People begin to beat us to the more tangible goals in life, however, even the most honest assessors in a group will admit that it is difficult to avoid being affected by it, if they are being real with you.

Know Thyself


“I do not know myself yet, so it seems a ridiculous waste of my time to be investigating other, irrelevant matters,” —Socrates, on the subject of studying mythology and other trivial concerns.

“Know thyself?” we ask. “What do you mean know thyself? I know myself. I know myself better than anyone else does. Why would I waste my time trying to understand why I do things when it’s all these other people who make no sense to me? I have no problem with me, and this idea of trying to know thyself better, to the level the ancient Greeks and Socrates suggest, seems to be nothing more than a selfish conceit for pointy-headed intellectuals who had far too much time on their hands.”

Philosophers suggest that the key to living the good life life lies in self-examination and reflection. If we’re not where we thought we’d be at this point in our lives, and we want to change, any changes we might make will be pointless and unsustainable if we don’t have intimate knowledge of our strengths and weaknesses.

The most popular avenue for knowing thyself is through comparative analysis. We use others to understand how different, weird, or strange we are, and we derive feelings of superiority and inferiority in the process. This analysis also provides some relief when we examine themselves against the freaks, creeps, and geeks. “At least I’m not that,” we say.

To put the idea of our comparative analysis into a visual, we might want to try using the Cartesian coordinate system we studied in high school algebra. Using this coordinate system might help us locate where we are compared to others. If we gauge our ideas of being normal on one axis and our resultant feelings of superiority and inferiority on the other axis, it might provide us some answers. If we find that we are not any more normal or abnormal than our peers, and we feel no subsequent feelings of superiority or inferiority we would end up on the (0,0) point on the (X,Y) axis. Any experiences we have that dictate we are more normal or more abnormal than them would exert a countervailing effect on the other axis of feelings of superiority and inferiority. We know comparative analysis is an inexact science, but it is the most common method we use to know ourselves better.

We’ve all met strange individuals who tend to be strange in a more organic manner, and we know we’re not that. Through comparative analysis, we might say that the strangest person we’ve met exists five increments to the left of the point of normalcy on X axis of the Cartesian coordinate system, if being strange is a negative. The most normal would be five increments to the right.

The first question those of us who seek truth through comparative analysis should ask is if we have a model for absolute normalcy. The second question regards the numerous ideas we all have about being normal, weird, and strange. Most consider these relative concepts nearly impossible to quantify, but I’m sure they would have an argument against defining us as the barometer by which all people striving for normalcy should be measured. Normal might be one of the most relative concepts there is, for we all define it internally and compare the rest of the world to our definition of it. How normal are we, and how normal is the most normal person we know?

If we prize normalcy, we might argue that for all of our eccentricities, we are quite normal. We might admit that a majority of people we run into are more normal than we are, but we also consider them just as boring. If we are able to admit that, we’re admitting that we are a two on the weird-to-normal axis. We can guess that our point on the X axis would have a corresponding effect on the Y axis if being normal has a corresponding relationship to self-esteem and the subsequent feelings of superiority. Through comparative analysis we could say, with some confidence, that we are probably a (2,2) coordinate, as compared to the rest of the normal, well-adjusted world.

When plotting points in our personal ledger, most people don’t view themselves honestly, and that makes it difficult to compare ourselves to others. Too often, we instinctually eliminate the negative in our quest to accentuate the positive. Thus, if we are the ones introducing the variables to this equation, there will always be contradictions, and these contradictions lead to the answer no solution.

The true solution to finding out more about us does not lie in comparative analysis, so everyone can put their pencils down. These ledgers are pointless. The solution to knowing more about oneself lies just inside the analysis we perform when deciding our comparative plotting points to form our Cartesian coordinate points. Most of us will not arrive at a definitive answer, but if the questions we ask ourselves lead to other questions we are on the correct road to final analysis through self-reflection. Ask more questions, in other words, and the subject of the interrogation is destined to provide their interrogator more answers. The point plotter might never find the perfect question that leads to the truth of it all, but questions lead to answers, and answers provide other questions that we never asked before.

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The great philosophers spent a lifetime asking questions of themselves and their followers, yet many in the audience considered their philosophical tenets too general. Bothered by these complaints, some believed the ancient Greeks granted them a gift in the form of a maxim. Among the many things the ancient Greeks offered us was a simple inscription on the forecourt of the Temple of Apollo at Delphi, reported to the world by Pausanias. This gift was what modern-day philosophers might call the ancient philosophers’ “Holy stuff!” moment, and what a previous generation would call a “Eureka!” moment. To all philosophers since, it has become the foundation for all philosophical thought. For modern readers, the discovery may appear as vague as it has always been, but it is a comprehensive sort of vague that helped construct the science of philosophy. This simple, complex discovery was a Rosetta Stone for the human mind, human nature, and human involvement, and the ancient Greeks achieved it with two simple words, “Know thyself.”[1]           

Perhaps a modern translation or update of the ancient Greek maxim is necessary. Perhaps, today, we should say, “Keep track of yourself,” as that might be a better interpretation for those modern readers who are blessed and cursed with the many modern distractions that render such a task more difficult.

Although it could be said that mankind has found the investigation of other, more irrelevant matters far more entertaining for as long as we have occupied Earth, few would argue that we have more distractions from the central argument of knowing thyself than we have right now. Today, it is easier than ever to lose track of who we are, who we really are.

The Holy Grail for those who produce images for our numerous screens is to create characters the audience can identify with so well that we relate to them. Another goal is to create characters that we not only relate to but we attempt to emulate. Idyllic images litter this path to the Holy Grail, and we associate with them so often that we begin to incorporate the characters’ idealism into our personality. On a conscious level, we know they are fictional characters, yet they exhibit such admirable characteristics that we attempt to mimic them when we are among our peers. Somewhere along the path, who we are, who we really are, can get lost in the shuffle.

A decisive moment eventually arrives when we find that we’re having difficulty drawing a line of distinction between the subconscious incorporation of these fictional characteristics and the realization that we are not those characters. This decisive moment is often one of crisis, and it can lead an identity crisis, because we always thought that when a moment of crisis arrived we would be able to handle it much better than we did.

When this crisis arrives, we might initially project an idyllic screen image version of us into reality. That version knows how to handle this crisis better than we ever will. Yet, it is not us, in the truest sense, but a different us, some fictional image we have created of us that handles pressure, conflict, and crisis so much better than we do. The trouble is, now that the reality of a real-world crisis stands before us, we cannot remember how that character that we resonated with did it.

In one distant memory, we were a swashbuckling hero who encountered a similar problem and dealt with it in a more heroic fashion. We might have encountered a verbal assault on our character in another distant, foggy episode, which we remember countering with a cynical, sardonic comeback that laid out our verbal assaulter. We cannot recall the specifics of these moments, now that really need them, because we weren’t really doing them. On some level, we recognize that we’ve been fooling ourselves, but we’ve incorporated so many idyllic images of so many characters handling so many situations with such adept fluidity that we’ve incorporated those idyllic screen images into our image of ourselves.

Another idyllic image occurs over time, in our interactions with peers. These images may be nothing more than a false dot matrix of tiny mental adjustments we’ve made over time to deal with situational crises that might have otherwise threatened to lessen our self-esteem if we didn’t make them, until we became the refined, sculpted specimen now capable of handling any situation that arises. These adjustments may be false interpretations of how we actually handled those previous confrontations, but we’ve preferred our rewrites for so long that they somehow became part of a narrative that we now believe.

We’ve all had to correct people at one time or another. It can be uncomfortable at times, but we’ve all done it. We’ve sat through their rendition of the past, and we’ve had to correct them. “I’m sorry, but that’s not the way it happened.” When they didn’t believe us, we invited others into the argument to augment our version with overwhelming corroborating evidence. We are shocked when our peer refuses to acknowledge their error, even in the face of the corroborated account. At that point, we fear our peer must be delusional, and the only sane thing to do is walk away.

If we know them well, and we know they’re not delusional people, we assume that they must be purposefully lying about the incident, spinning it to make themselves look better. We assume they need to colorize their role in it to boost their reputation and self-esteem. We think less of these confused, delusional, or lying individuals from a distance, and that distance suggests to us that we’ve achieved a place of honesty they never could.

After thoroughly condemning them, we encounter a similar scenario, only with the roles reversed. We won’t see it this way, of course, as a significant amount of time will pass between our confrontation and theirs, but my guess is most who confront the delusional experience someone who seeks to show us we have similar holes in our memory. It can be an eye-opening experience for those of us who strive for objective honesty, if we are able to see it for what it is.

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Lurking in the fourth layer of Abraham Maslow’s Hierarchy of Needs, we find esteem. Maslow states, and I paraphrase, “This need for greater self-esteem, this need for respect, value, and acceptance by others is vital to one’s sense of fulfillment.”[2]

If esteem is so vital to our psychological makeup, what happens when we fail where others succeed? If we are able to convince ourselves that these successes are an exception to the rule, we find an excuse, but when these repeat so often that we can no longer find a suitable excuse confusion and frustration sets in. To avoid falling spiraling down further, we develop defense mechanisms.

Mental health experts say that if these defense mechanisms are nothing more than harmless delusions and illusions, they can actually be quite healthy. The alternative occurs when the reality of these repeated situations begins to overwhelm us. If this is happens, we might begin wondering where the dividing line is between using delusions for greater mental health and becoming delusional?

If we attain what we seek from momentary delusional thoughts and we get away with it, what’s to stop us from using those excuses so often that we’re rewarded with a better perception among their peers, along with greater self-esteem? Why would we choose to moderate future delusions? What’s to stop us from continuing down their delusional paths, until we begin to lose track of who we are, who we really are?

Most historical research dedicated to the brain focuses on its miraculous power to remember, but some of the more recent research suggest that the power to forget and misremember seminal moments is just as fundamental to happiness and greater mental health.[3] The thesis suggests that the brain distills horrific memories and horrible choices out, and it eliminates them for the sake of better mental health, in a manner similar to how the liver distills impurities out for better physical health.

Thus, we could say our delusional peers might be actually recalling the incidents differently as an unconscious attempt to improve their mental health. Their account of what happened may not be true, but did they create it to deceive us? We don’t know the answer to that and each situation calls for independent analysis, but experience with such matters and extensive reading on the subject has led me to believe they may just be deceiving themselves into an idyllic path, the one they need for better mental health. To take this theory to its natural conclusion, we could also say those in need of professional counseling might have opted for the bright and shiny delusional paths too often. They might subconsciously omit embarrassing details from their memory and forget some of the self-esteem-crushing decisions they’ve made along the way. Some might fill those gaps with the actions or words from their favorite scripted responses or actions from screen actors. By replacing and redefining the embarrassing details and self-esteem-destroying decisions with idyllic images and positive reinforcements, they’ve spent a little too much time in those bright, shiny forests of positive illusions and delusions. The power of these idyllic images have become so ingrained that they now need a professional to take them by the hand and guide them back to the truth that they’ve hidden so far back in the forest of their mind that they can no longer find it without assistance.

One of this therapist’s primary goals in such sessions is to attempt to teach their clients how to know thyself better. In the vein we’re discussing here, they assist the client in attempting to rid their mind of the accumulation of illusions and delusions that the client used to create a sense of superiority. They attempt to remove the dot matrix of tiny adjustments and idyllic images we used to keep mental health issues at bay. To remove these subjective views, the therapist asks their client questions the client should’ve been asking themselves all along, to help them achieve some form of personal clarity.

Some of us are better able to keep track of ourselves, to gain personal clarity as we age and as a result of experiences, but clarity cannot occur without extensive reflection, and Abraham Maslow suggested that a mere 2 percent of the people in the world reflect enough to achieve self-actualization.[4] The comprehensive term personal clarity is not necessarily moral clarity, but without guiding principles, it is impossible to achieve it. Clarity serves as subtext for morality and vice versa.

Of course, no human being can achieve absolute clarity, as we are all unsure of ourselves in various moments and we are insecure by nature. Nevertheless, some submit the red herring argument that because absolute clarity is nearly impossible to achieve, it is pointless to strive for it. They also submit that because there are no absolutes, and they don’t understand why anyone would attempt to achieve clarity on any matter. What if that reliance on anecdotal arguments invites the confusion that inhibits progress toward clarity, and that their argument that a thoughtful person always focuses on anecdotal arguments permits them to avoid trying to achieve a level of clarity.

The final hurdle in achieving clarity by knowing thyself arrives when we recognize that too much comparative analysis intrudes upon self-reflection. There’s nothing wrong with comparing oneself to others, of course, as it helps us clarify our progress and learn more about our identity. Too much comparative analysis might distract us from who we really are, in some cases, as we attempt to assimilate their characteristics into our own, and it can dilute the acute focus we need to jump through the hoops involved in knowing thyself better, however, it becomes counterproductive.

It is for these reasons that greater minds than ours have suggested that the path to greater knowledge, a better life, happiness, and more self-esteem exists somewhere on the path to knowing thyself better. They also suggest that too often, we spend too much time investigating superfluous minutiae. It’s a waste of time, they say, for people with too much time on their hands.

[1]https://thezodiac.com/soul/oracle/whentheoraclespoke.htm

[2]https://www.verywellmind.com/what-is-maslows-hierarchy-of-needs-4136760

[3]https://www.huffingtonpost.com/dr-judith-rich/the-power-of-conscious-fo_b_534688.html

 

[4]http://www.deepermind.com/20maslow.htm

[1]https://thezodiac.com/soul/oracle/whentheoraclespoke.htm

[2]https://www.verywellmind.com/what-is-maslows-hierarchy-of-needs-4136760

[3]https://www.huffingtonpost.com/dr-judith-rich/the-power-of-conscious-fo_b_534688.html

 

[4]http://www.deepermind.com/20maslow.htm

The Debilitating Fear of Failure


“The reason we struggle with insecurity,” notes Pastor Steven Furtick, “is because we compare our behind-the-scenes with everyone else’s highlight reel.”

Some quotes educate us on matters we know nothing about, but the ones that stick take a matter we know everything about and puts a clever twist on it that changes our perspective. We all know failure, or some level of it, at various points of our life. Some of those failures have shaped us in profound ways that we assume everyone remembers them the moment we enter a room, and some people will, but will they remember their own, or will they compare our failings to their highlight reels.

Pastor Steven Furtick
Pastor Steven Furtick

“Acknowledging failure,” Megan McArdles writes in the book The Up Side of Down: Why Failing Well is the Key to Success, “Is a necessary first step in learning from it.”

Some of us are old enough to remember the severe penalty for missing a rung on the monkey bars. An erroneous grab, at the very least, could land a victim center-of-attention status, as we attempted to find our feet. At worst, it would cause the pack of onlookers to send an emissary to the office with a call for assistance. These everyone-is-looking-at-you moments are so immersed in embarrassment, and pain, that few can see any benefit to them.

Most of those liable for such situations, have lowered the monkey bars, and made the ground so forgivable that one would have to fall from a skyscraper to receive any pain. Thanks to these and other technological advances, fewer children get hurt on playgrounds, fewer playground manufacturers get sued, and everyone is much happier. There is one casualty, however, the pain of failure.

No one wants to see a child cry, and we should do everything we can to prevent it, but pain teaches us.

After a near fall in a supermarket, the checker complimented me on the agility and nimbleness I displayed to avoid hitting the ground. “It could be that,” I returned, “or it could be said that only someone so well-practiced in the art of falling knows how to avoid it.”

I eventually did touch ground a short time later, at a family reunion. I also touched a parked car, and then I touched the ground again. Among the lessons I learned is that pain hurts. Had it been a simple fall, it would be hardly worth noting. This was one of those by-the-time-this-ends type of falls everyone will be looking, some will be concerned, and most will be laughing. I thought I corrected my trajectory a number of times, but I was moving too fast. By the time it was finally over, I silenced just about everyone in the vicinity. The kids around me laughed, as kids will do when anyone falls, and my age-denying (Not Defying!) brother laughed, but if the Greg Giraldo line, “You know you’re getting old when you fall down, no one laughs and random strangers come running over acting all concerned,” is true, then I am getting old.

Most lessons in life are learned the hard way, and they are often learned in isolation, in that even our closest friends and family members distance themselves from us in these moments, so that they have no association with them. These dissociations range from laughter to sympathy, but the latter can be just as dissociative as the former if it’s done a right. The point is, no matter how we deal with these moments of failure, we usually end up having to deal with them alone. 

The point is that the lessons learned through pain and embarrassment, are lessened by lowering the monkey bars, providing a forgiving ground, and instituting zero tolerance bully campaigns. The point is that those of us that see little-to-no benefit derived from bullying, or that any benefits are inconsequential when compared to the damage done by the bully may eventually see the fact that few lessons in life are learned by the individual, until those kids enter adult arenas.

A quote like Pastor Steven Furtick’s, also tells us the obvious fact that we’re not alone in having moments of failure, but that those that can deal with them in the proper perspective might actually be able to use them to succeed on some levels.

Artistic Creations

Any individual that attempts to create some form of art knows more about comparing another’s “highlight reels” to their “behind-the-scenes” efforts better than most.

How many times did Ernest Hemingway grow insecure when comparing his behind-the-scenes efforts to the shining lights that preceded him? How many times did he fail, how many times did he quit, and give up, under that personally assigned barometer, before finally finding a unique path to success?

Even in the prime of his writing career, Hemingway admitted that about 1 percent of what he wrote was usable. Think about that, 1 percent of what he wrote for The Old Man and the Sea, was publishable, worth seeing, and that which Hemingway considered worthy of the highlight reel that we know as the thin book called The Old Man and the Sea. The other 99 percent of what he wrote, proved to be unpublishable by Hemingway’s standards. Yet, this highlight reel of the Old Man and the Sea writing sessions are what has inspired generations of writers to write, and frustrated those that don’t consider all of the behind-the-scenes writing that never made it in the book’s final form.

mark-twain-6fa45e42400eea8cac3953cb267d66a33825a370-s6-c30Mark Twain

“Most of what Mark Twain wrote was dreck,” writes Kyle Smith.{1}

Most of us know Tom Sawyer and Huckleberry Finn, the highlight reels of Mark Twain’s writing. We know the infamous Twain quotes that occurred in the numerous speeches he gave, and the essays that he wrote, but it is believed that he wrote as many as 50,000 letters, 3,000 to 4,000 newspaper and magazine articles, and hundreds of thousands of words that were never published. Twain also wrote hundreds of literary manuscripts—books, stories, and essays—that he published, and then abandoned, or gave away. Almost all of it has been discovered over the last century, and placed in a home called The Mark Twain Papers.{2}

Very few of us are so interested in Mark Twain, or any of his writing, that we want to read his “dreck”. Very few of us are so fanatical about Twain that we want to know the material he, and his publishers, deemed unpublishable. Yet that “dreck” ended up fertilizing the foundation of his thought process so well that he churned out two highlight reels that many agree to be historic in nature. Similarly, very few would want to want to watch a Michael Jordan, or a Deion Sanders, practice through the years to tweak, and foster their athletic talent to a point that we now have numerous three to four second highlight reels of their athletic prowess. Their behind-the-scenes struggles may provide some interesting insight into their process, but they’ve become a footnote at the bottom of the page of their story that no one wants to endure in total.

nirvanain-365xXx80Kurt Cobain

When we hear the music contained on Nirvana’s Nevermind, we hear a different kind of genius at work. We hear their highlight reels. We don’t know, or care, about all of the “dreck” Kurt Cobain wrote in quiet corners. Most of us, don’t know, or care, about the songs that didn’t make it on Nevermind. Most of us don’t know, or care, about all the errors he committed, the refining, and the crafting that went into perfecting each song on the album, until the final form was achieved. We only want the final form, the highlight reels, and some of us only want one highlight reel: Smells Like Teen Spirit.

On an album prior to Nirvana’s Nevermind, called Bleach, Kurt Cobain penned a song called Floyd the Barber. “Where does the kernel of a song like that start?” Soundgarden’s Chris Cornell asked. Cornell may not have come from the exact same background as Cobain, and he may not have been influenced by the exact same artists as Cobain, but he presumably felt like his creative process was so close to Cobain’s that he couldn’t fathom how the man achieved such divergence from the norms of musical creation. Those familiar with Cobain’s story also know that he was heavily influenced by the music of Soundgarden, and that fact probably confused Cornell all the more.

Other than Soundgarden, Cobain also loved Queen, The Beatles, The Pixies, The Melvins, and a number of other lesser known bands. How much of his early works were so similar to those artists that no one took him seriously? As I wrote earlier, it’s a major part of the artistic process that every artist goes through to attempt to duplicate influential artists in some manner. It’s a step in the process of crafting original works. When that artist duplicates those that came before them often enough, the artist (almost accidentally) begins to branch off into building something different … if they have any talent for creation in the first place.

Divergence in the artistic process

Few artists can pinpoint that exact moment when they were finally been able to break the shackles of their influences, for it happens so progressively that it’s almost impossible to pinpoint. Most artists do remember that moment when that one, somewhat inconsequential person said that some aspect of their piece wasn’t half bad however. At that point, the artist becomes obsessed to duplicate, or replicate, that nugget of an idea. Once that nugget is added to another nugget, those nuggets become a bold idea that wasn’t half bad. Once that is achieved, another bold idea is added, until it all equals a “halfway decent” compendium of ideas that may form something good. At that point, the artist believes he has something that others may consider unique enough to be called an artistic creation in its own right. When enough unique, artistic creations are complete, the artist may eventually achieve their own highlight reels.

When did Cobain finally begin to branch off? How did he become divergent, and creative, and different on a level that made him an organic writer to be reckoned with? How many casual statements, spray paintings on walls, and other assorted personal experiences had to occur before Kurt Cobain had the lyrics for Nevermind? How many different guitar structures did Cobain and company work through, until he arrived at something usable? How many Nevermind lifted music or lyrics from other failed songs, casual strummings in a closet, and offshoots of other guitarists? What did Floyd the Barber, Come as You Are, and Pennyroyal Tea sound like in those moments when they first found their way from notepad to basement practice sessions? How many transformations did these songs go through in those practice sessions, until they were entirely original, and transformative, and legendary additions to the albums they were included on? If Cobain were alive to answer the question, would he acknowledge that Nevermind is a 1% highlight reel of about a decade of work? Most of us don’t care, we only want to hear the highlight reels, so we have something to tap our finger to on the ride home from work.

Cobain’s highlight reel, Nevermind, proved to be so popular that record execs, and fans, called for a B-list, in the form of the album Incesticide. That album proved Cobain’s B-list was better than most people’s A-list, but what about the D-list, and E-list songs that proved to be so embarrassing that no one outside his inner circle ever knew they existed?

The point is that some of us are so influenced by an artist’s highlight reels that we want to replicate it, and duplicate it, until we become equally as famous as a result, and when we don’t, we think that there is something wrong with us. The point is that the difference between a Mark Twain, a Hemingway, a Cobain, and those that compare their behind-the-scenes work to an influential artist’s highlight reels is that while these artists recognized that most of what they did was “dreck”, they also knew that their behind-the-scenes struggles could be used as fertilizer to feed some flowers.

So, the next time you sit behind behind-the-scenes of your computer keyboard, tattered spiral notebook, or whatever your blank canvas is, remember that all of those geniuses —who so inspired you to be doing what you are doing right now— probably spent as many hours as you do staring at a blank page, or a blinking cursor, trying to weed through all the “dreck”, that every artist creates, to create something different, something divergent from all those creations that inspired them to create. You now know that they succeeded in that plight, but you only know that because the only thing you want to see, hear, and read are their highlight reels.

{1}http://www.forbes.com/sites/kylesmith/2014/02/20/what-mark-twain-van-halen-and-dan-rather-teach-us-about-failure/

{2}http://www.marktwainproject.org/about_projecthistory.shtml