The Disappointing Rock Star Bio


One of my favorite genres in the book store/library is the rock biography. I love learning more about those rock stars and musicians I grew up with and continue to play in all of the various machines we can now play music on. My favorite chapters involve their early years in which nobody believed in them, because “Why would they?” I love the stories about how the musician we know today wouldn’t be half of what he is if he didn’t end up with the four-to-five other guys we know as their band. The four-to-five of them developed an unusual level of belief and focus that eventually helped them attract an audience of 100 people in a dive bar that is now boarded up. I also love to hear about the unending hours they spent just jamming in a parent’s garage. These are the stories most of us don’t care about, because nothing substantial happened there. They were just jamming, in the manner the basketball athlete spent so many hours/years in a gym perfecting their jump shot. I love these chapters because they demystify the notion that they were just born different, and they bolster Malcolm Gladwell’s contention that we’re all capable of great things if we devote 10,000 hours to it.

We all live with this notion that Paul McCartney, Bob Dylan, and Mick Jagger were just born with “it”, and they’ve always kind of had “it”, because they’re just different. The point of these early chapters is to illustrate that they might be different now, but that’s only because they’ve done it so often that it’s just easier for them to do now.    

Every top-notch singer-songwriter and musician we know and love had a point in their life when they strummed a guitar, played a piano, and sang some original creation from their heart, and someone they loved and cared about giggled and said, “That kind of sucked!” I love stories about that stench of failure, not based on some sense of schadenfreude, but to see what the musician did with that all of that frustration and pain. Why did they continue to create when everything they did, back then, was pretty sophomoric. They couldn’t see it then, of course, because they thought they were writing masterpieces, until someone a little heartless came along and said, “You’re not ready.” How did they maintain that belief in themselves when everyone who heard these “songs from their soul” and instructed them go back to school so they don’t end up in manual labor, until they achieved what we now know as their magnum opus?

After the “rise to stardom” chapters, most of those who write rock bios fall prey to the temptation of writing what’s called a hagiography, or a sympathetic, idealization of the subject. The hagiography term began as a description of a tome written about a person declared a saint. Thus, if a hagiography is the description of a writer anointing a man a rock god, then the opposite of a saint is a sinner, and the antonym of hagiography is synography or hamartography, meaning “in error, sinful”. There are some synographies, or hamarographies, written about rock stars that focus on drug, alcohol, and other forms of abuse, but their intent is to glorify the rock star through the lifestyle they led in their heyday.  

As much as we criticize the way the writer crafted their subject’s material, it has to be difficult to find the line between hagiography and biography when the primary reason we buy these books is that we all kind of worship the subject. Let’s face it, when we read a biography on Chris Cornell, we’re not seeking hardcore investigative journalism. We just want to know a few things about what made him tick, and how we can relate to him as a fellow human being who had huge dreams, but his just happened to come true. We don’t care if the writer tends to overdo it, and we even kind of expect that. We want to know the minutiae of how he overcame everything a teenager with nothing more than a guitar and a dream had to overcome to write and create Badmotorfinger.

The problem that would probably chase me through such an effort is how much material is there on the process and philosophy of creating a rock album. How many rock songs were inspired by “A time when I saw a chick in a red sweater and a tight, leather mini-skirt.” On the opposite side, we have the pretentious musician who tries to claim some sort of significant political, socioeconomic inspiration. There are also those obnoxious artistes who try to tell us every interpretation of their lyrics are wrong. “That’s so not what it’s about,” they say, but they never offer us the true origin of the song. This leads me to think the inspiration for the song was either relatively mundane, embarrassing, or at least not as creatively brilliant as we thought. They probably fear that anything they add to the discussion will only diminish our joy of the song, and they just prefer that we continue to regard them as misunderstood geniuses. Those who have offered a specific explanation, on the other hand, often leave me wishing they never said it. I can’t remember ever finding a songwriter’s explanation of their lyrics as an inspirational work of uncommon, creative genius, so I can understand why its sometimes better to leave it to our interpretation. 

Another disappointment I encounter when reading rock star bios occurs when the discussion of my favorite song begins. If you bought this bio, you love the band almost as much as you love man, but you can’t wait to read the discussion on your favorite song from them. Did you skip a couple chapters to get to it? Did you go to the table of contents to find the chapter that discusses it? I’ve done it, you’ve done it, because we want to get that chapter out of the way, so we can read the rest of the bio without anticipating the thorough discussion of it. How many times have you been disappointed to learn that your favorite track from an artist was a last second, “what-the-hell, let’s add another track” song? Out of everything Chris Cornell did in his relatively short life, in his brilliant Soundgarden albums, his Audioslave albums, and even his solo stuff, Temple of the Dog is, his deepest, most meaningful, and most beautiful album. Some of the tracks were written in honor of his then-recently-deceased friend and colleague Andrew Wood. At the end of their reportedly somewhat spontaneous production of this album, it reached a point of completion. The primary writer on that album, Chris Cornell, felt that nine tracks just didn’t feel complete. He wrote another song to have ten songs as opposed to nine, and that track was Hunger Strike. Hunger Strike would eventually prove to be one of Cornell’s most popular songs, but it was one of “my songs” from the moment I first heard it, and I couldn’t wait to read an in-depth discussion of it in a bio that ended up offering nothing but a short paragraph, and to be fair to the author there wasn’t much to say about Hunger Strike, other than it being a “what-the-hell, let’s add another track”.   

These artists mine their mind, heart, and souls for another song, and some of that material provides great material for the writer of their biography to explore with us, but the song everyone wants to read about? “Yeah that was a “what-the-hell, let’s add another track” song.      

The “after they made it” portion of the hagiography then talks about how “the star” always sang on stage with his shirt off, or how he once climbed atop a speaker one time and sang from there, and “It was a hell of a show.” Because he climbed up on something, or purposefully broke a guitar on stage, or purposefully jumped into a drumkit? We also read about how he climbed into the rafters of a concert hall, against the wishes of his manager and the Fire Marshall, and he swung from those rafters, which were thirty feet off the ground. I hate to be trite, but I could do all that. How is that artistic brilliance, or a brilliant interpretation of chaos? “Well, it’s better than some guy who just stands there and sings.” Okay, but I paid a lot of money to hear a man sing, and I don’t want to watch him climb on stuff the way my second-grade kid does, and I’ve also discouraged my kid from breaking his toys too, because it makes no sense. I understand that everyone is bored during guitar solos and drum solos, and the singer is just trying to maintain the audience’s interest, but I’ve never considered such antics mind-blowing or even interesting. I’ve always found them a little boring.

I honestly don’t know what I expect from a rock-star bio, but I’ve been disappointed so often that I’ve started thinking maybe rock-star bios just aren’t for me anymore.   

The Metaphysics of Marriage


“The difference between marriage and cohabitation is nothing more than a piece of paper,” they’ve told me for as long as I remember. I believed that so much that I didn’t just repeat it and preach it, I lived it. I loved it too, for a short time, until my cohabitant turned combatant. She and I got into one of those mean and dirty “I’m not sure the relationship is going to survive this, and if it does, I’m not sure I want to carry on” fights. Our breakup was a “no harm, no foul, and it was nice learning how a relationship can fail with you” breakup. It was so easy, it was too easy. “These things don’t work out some of the times. See ya, sista.” When I married, however, I learned that after a big fight, both parties go to their respective corners, talk to their managers, and develop a game plan to use in the next round. The next round can involve better strategies to win that round, or it can involve a series of compromises. I’m sure long-time cohabitants go through all the same issues, but at the end of the day, it just seemed so easy for me to walk away. Marriage just felt more substantial, and I found myself working harder to make my marriage survive and thrive. I didn’t want the big “D” on my docket, so I learned that I would have to make what proved to be difficult compromises to make it work. Trying to understand how another person thinks led to me becoming well-rounded, more mature, and a better person. I advanced to a stage they call: adulthood.

Radio talk show host and writer, Dennis Prager talks about these matters, as evidenced by the quotes below, from Dennis Prager’s Thoughts on Marriage lecture, but Mr. Prager is not an expert on marriage, a marriage counselor, or a psychologist. He’s a radio talk show host and author who has been involved in two divorces. “He’s been married three times? Why would you consider his advice on marriage valuable?” I think we can all admit now that we’ve learned more from our failures in life than our successes, and Mr. Prager has also been married to his current wife for sixteen years at this point, which shows that he obviously learned from his personal failures in that regard.

“Either marriage gets better or it gets worse. Couples need to constantly work on their marriage to make their marriages strong.”

To my mind, the idea that marriage gets better or worse with age is almost exclusive to young marriages. I realize that all marriages, like all people, get better or worse with age, but if I married in my early twenties that poor marriage wouldn’t have had a chance. I changed so dramatically between twenty to forty that I was almost a completely different person. I was more stable, confident, and I knew myself better. I also liked myself better at forty, which might sound foo foo, but if we don’t like ourselves, we’re probably not going to like, much less love, another. Second marriages, or those who wait until their mid-thirties to forties, tend to last, because we make rational and less emotional decisions in life. Love is no longer the lone driver, as forty somethings have learned from the mistakes of impulsive actions and reactions based on short-term thinking. Having said all that, marriages between forty-somethings are just as apt to get worse with age for those who don’t constantly work on their marriage to make it better.

“Some romantic ideas can really hurt your marriage. Romance is good but romantic thinking can be damaging.”

“How can romance hurt a marriage? What an odd thing to write.” There’s a difference between romance and romanticizing. We all romanticize the idea of love, relationships, and marriage, and romanticizing them often leads to unreasonable expectations. The culprit for these unreasonable expectations, in my experience, is the love story. How many unrealistic expectations of romance and love are born in the love stories that movies and books provide? They give us the idyllic images we want, need, and begin to believe is out there waiting for us. “I deserve better,” we say when our very specific visions of a very specific Mr. Right don’t pan out. We all have our bullet points, of course, but did we create them, or were they created for us? When Mr. Right fails to meet our idyllic bullet points, captured in the scripts and rewrites of love stories, we venture back into the field. While there, we discover that Mr. Right is largely a fictional character born and raised to feed our need for Mr. Perfect. We all know Mr. or Miss Right is out there, we’ve seen them, but was our mental processing of this issue is a result of digital processing? Those idyllic images they planted in our head messed with us, until we created our own idyllic images that no one born of physical processing can achieve. 

“No human being can fulfill all of your wants or all of your needs.”

Calling upon our wife or husband to fulfill our wants and needs is normal, but demanding that they meet them all, with ultimatums attached, is shallow narcissism. When we enter into a long-term relationship, with expectations for marriage, we expect our prospective other to accept us as is, yet we set conditional expectations for them. We expect them to know us, as is, but we don’t place reasonable expectations on ourselves to know them as is. If we did it right, we should know our potential spouse before we marry them. We should know them warts and all, and we should know that as Dennis Prager points out the term “soul mate”  is equivalent with “clone” and unconditional love should be a term reserved for our children and pets. Relationships between full-fledged, complicated adults come loaded with a myriad of conditions, and we need to sift through the conditions we establish for them to make sure they’re fair, and if they are, we should require them to meet them and vice versa.

“Being in love means always having to say you’re sorry. The three words “I am sorry” can be more powerful than “I love you.””

The ability to apologize often comes in direct conflict with the ego. The ego is that evil, little guy who rests on our left shoulder, just below the ear, whispering, “Don’t let her get away with that.” The ego also characterizes what she said and defines and redefines it. “We firmly established our set of ground rules and our turf, and her words and actions just violated them.” It turns out, she didn’t say what we thought she said, or she didn’t mean it the way it sounded to us, and at some point our over-protective, super sensitive ego took over and led us down a bad road. “I’m sorry, and it will never happen again.”

“We need to teach him how to treat us,” her ego whispers to her. In the early stages of a marriage, or any relationship for that matter, we set out to establish ground rules for how we want to be treated. Those ground rules also come equipped with that one big, no compromising taboo. “You can violate everything else on my list, with some exceptions, except that. I’m very sensitive about that.” For a variety of reasons, and I don’t know if it’s psychological or philosophical, but when someone makes the mistake of telling us where it hurts, that’s the only wound we want to pour salt in.  

I’ve witnessed this peculiar predilection among every demographic, be it old, young, male, female, married, single, and everyone in between. I’ve seen it happen so often that I’ve toyed with it. “It’s hard to make me mad, seriously. I’m basically impervious to teasing, ribbing and razzing, but don’t make fun of my obsession with peanut butter. I’m very sensitive about that.” It’s a joke of ridiculous extremes of course, as I like peanut butter, but I have no unreasonable attachments to it. I throw that out there to see what “they” do with it. It might take an hour, a day, or even a couple days, but someone, somewhere will come up with a clever shot about my obsession with peanut butter, and you can see it on their face that they think they’re hitting us where we live, and they don’t give a durn how bad it hurts. We all do this, our great aunts, our lovers, and even our moms can’t seem to resist the temptation. Knowing about this strange psychological predilection is half the battle, and putting our loved ones through a test of their loyalty is another strange psychological predilection we all partake in, as we’re basically putting them in a position to fail. 

We’ve covered four of the eight points Dennis Prager covered in his Thoughts on Marriage lecture, but one of the most crucial characteristics I think he missed is the need to find someone who doesn’t mind being boring every once in a while. We need to find someone we enjoy spending substantial amounts of time around, and some of that time is going to be spent doing relatively boring things. That sounds obvious, but when we sift through our list of applicants for marriage or cohabitation, we find very fun and exciting men and women who can be extremely funny and wildly entertaining. The idea that a prospective mate can add some fun and excitement to our lives can plant the seeds for a whirlwind romance, as long as they’re in their element. The latter is the key for displays of charisma and energy requires a right time, right place setting, and we might need to take them out of their element to see if they can be boring. If you’re considering a substantial move with another person, you might want to find out how they conduct themselves on a lazy Sunday afternoon, playing parcheesi? Do they need a little sip of alcohol while doing it? They might not be alcoholics, but they can’t do something like play parcheesi without a little edge. Some might need a wager to pique their interest because they can’t imagine playing parcheesi just for the fun of it. Bill Murray once suggested traveling with someone before you marry them to take them out of their element, and to show you how they interact with service industry personnel. The point is we can learn a lot about loved ones at parties and other social functions, but we can learn a lot more about them by cooking a meal with them, raking the lawn, or sitting out on a deck with them and nothing more than a bottle of water. 

Self-Deprecating vs. Self-Defecating


“… And he did that irregardless of the consequences,” I said. Yes, I said that, Mr. Student of Language and Mr. Word Lover said the word irregardless, and to my lifelong shame, I thought it was a pretty big deal that I was using a multi-syllabic in context, and I was using it in the company of a big-time erudite fella with whom I shared a love of language. And no, I was not as young as I want you to think I was at the time. Mr. Big Time, Erudite fella gave me a momentary flash of shock before he could conceal it with discretion, and in my convoluted brain, I thought that flash meant he was impressed with my ability to adroitly use a four-syllable word. 

“You know that’s not a word, right?” a person informed me later, much later. “You can say irrespective or regardless, but irregardless is not a word. It’s considered redundant.” We called this woman an obnoxious intellect, and the one thing we all know about obnoxious intellects is that they’re not afraid to show the world how much more intelligent they are. They’re also not embarrassed to correct us one-on-one, in groups, or in front of the whole class. They revel in it as a matter of fact. She wasn’t embarrassed to correct struggling intellects, authoritative intellects, or anyone else temporarily trapped into being in her company. In the aftermath of her smug correction, I decided that her correction should merit nothing more than a couple more obnoxious points on her lengthy ledger, until I found out … she was right. The pain of that realization informed me that the path from humility to humiliation is but a matter of clicks. 

How many word dudes spent a portion of their young lives saying “eckspecially?”, until someone came along and said, “Could you stop saying that, that way? It’s my personal pet peeve.” When we find ourselves in such a position, we probably say, “Saying what, what way?” If you’ve committed such a transgression, you know that some mispronunciations are just so ingrained that if no one ever corrects us, we won’t even know we’re doing it. We’re so oblivious that we might even laugh when we hear someone correct another. Yet, we hear that said that way so often, from friends and family that “That’s just kind of how we talk,” but we still wonder how long we’ve made that particular error. Now that our mind’s eye is open to this faux pas, we hear our bosses say it that way, our parents, and even some big-time, long-time broadcasters, who are paid to speak, and presumably critiqued off camera daily, still say eckspecially on a regular basis.

If you’re as fascinated with language as I am, only because you’ve screwed it up so often, you’ve no doubt focused on (see obsessed) the way your neighbor expresses himself with language. His word choices, examples, and metaphors are so unique that we wonder if he’s from a different culture or country, until he informs us that he’s from a different state that it turns out that state isn’t that far away. Then, he drops an ‘intensive purposes’ eggcorn on us, and we know it’s not just him, it’s everywhere. We hear those who influenced our maturation, and commanded our respect, say, “I could care less,” and we hear our friends say, “I consider the point mute.” Depending on how intimate our relationship is, we might correct them, but even if don’t, we’ll have a conclusion to our confusion: ‘That must be where I got it.’

We all go down different lanes on different days with different people. One guy messes up his tenses with one group, and he shows that he knows what he’s doing with them in another. Another fella abandons all modifiers outside work, then when he’s mixed in with his co-workers, he’s dropping them all over the place. When we work for large corporations, we can learn a lot about your language and our language, by listening to accents, regional dialects, and all of the shortcuts various generations use to express themselves in hip, cool jargon we call colloqualisms. It’s what we hear, what we say, and “That’s just kind of how we talk.”

“I took English as a second language,” a friend of mine said after I corrected her, “and I passed with flying colors. Seriously, I got the best grade in the class. But talking to you, Cindy, or anyone else, on a casual level, is so different that it can prove mind-boggling. There are so many rules, laws, bylaws, and customs that dictate how you speak formally versus informal and casually, and a whole bunch of laws and rules that govern all the different groups and cultures. I’m not sure if I’ll ever be able to speak with you guys on a conversational level, much less a professional level, and counting English, I now speak seven different languages fluently.”

Our language says a lot about our point of origin, our heritage, our education levels, our social status, and whether we’re cool or not. “No one says, ‘Aiden and I went to the store,’ my niece informed me after I corrected her. ‘We say, me and Aiden went to the store, and that’s just the way it is, whether correct or not, it’s the way we talk.’” We wouldn’t even try to say ‘and I’ among our friends, because we don’t want them to think, ‘She thinks she’s all that.’ We want people to like us, so we alter our programming to serve the group-approved vernacular. We speak different around our former-English teacher-Grandma, “because she’s always ragging on us,” than we do our more relaxed parents, and it takes time and numerous corrections for us to learn the vernacular and colloquialisms our co-workers require if we want to fit in with them. 

Moving in and out of groups, we might fall prey to colloquialisms such as the ‘fianto contraction that is so popular in certain regions of the country we don’t even know we’re saying it, until some national comedian points it out. Even then, even when the comedian points it out, it doesn’t even get that a big laugh, because no one thinks they say it. Some don’t laugh, because they’ve never heard anyone say ‘fianto before, until they do that night, the next day week, or week when their mom says, “We’re going to go to the store. You can go too, ‘fianto.” The national comedian’s joke proved to be a depth charge joke that travelled the nation, with recipients catching each other committing the offense. It then morphed into ‘fianta, which isn’t a feminine classification of the contraction, but a further colloquialism that incorporates the ‘ta as opposed to the to, in I used ‘ta do it. The colloquialisms also extend to ‘ya as opposed to you, and ‘ferya, as in I’ll do that ‘ferya, ‘fudoitfermi. That’s just the way we talk, and if you don’t, you’re probably too young, too old, or too stuffy, and you don’t understand my demo, my group, or my culture.

We learn how to read the room, in other words, and we know we have to be careful, judicious, and very selective about the words we use. If we use language properly, we can accomplish the perception of the dignified, well-educated and erudite. Some of us strive for those impressions, and we try to use big words before we’re ready, to leap frog our way to greater impressions. “Be careful!” I want to shout out to those attempting to take the big leap to shortcuts that they hope garner impressions that are out of their lane. I don’t shout these warnings from afar, as the intro of this article makes clear. I’ve stepped into the multi-syllabic, malapropism minefield so often that I’ve experienced the, D) all of the above, answer when it comes to the difference between humility and humiliation, and I want to caution them to stay in their lane.

***

“I found out just yesterday that the term is scot-free,” a friend of mine said. I’ve been saying scotch-free my whole life. Why didn’t anyone correct me before?” We don’t correct each other because we don’t want to be that guy, because nobody likes that guy, and I’m only that guy with immediate family members, because I have a ‘better they hear it from me than that guy who will mock them’ motto when it comes to family. It’s also possible that we don’t hear the difference between scotch-free and scot-free, because it’s often so close that it flows so quick and smooth. If we catch it, we say, “Who cares, it was close enough,” which leads to their, “Why didn’t anyone tell me I’ve been saying it wrong for decades” complaint.

***

I didn’t have time to shout, “Be careful!” to Jarvis “the co-worker” when he casually stepped into the big word, multi-syllabic malapropism minefield by attempting to display a learned lexicon. Jarvis “the co-worker” was a big gob-a-goo who may have been dating material 80lbs ago, and he was a little greazy, but that only led us to believe he was smarter than the rest of us. Our equation for that solution was based on the process of elimination. What does an unattractive man with little-to-no charisma focus on? He must been so focused on developing his intellect that he forgot to develop a personality, or keep himself trim, and well-groomed. For all of his flaws, Jarvis “the co-worker” could charm us with his ability to poke fun at himself. Throughout the short time we worked together, the man told a number of jokes regarding his inability to adhere to the hygienic standard, his poor work ethic, and his weight problem.  

“You send that problem over to Jarvis the Hutt,” Jarvis said to a co-worker who was asking the group for help regarding a particular case she was working on, “and I’ll make sure it gets screwed up for good.” We all went quiet for a beat, gathering up what he just said, and then someone giggled, Jarvis joined them, and we all joined in. That comment balled up just about everything we thought of his workplace abilities in a tight, brief joke, and it crushed. Even the little, old lady, who never said anything to anyone, was laughing.

Anytime we hit that hard, we feel compelled to add a cherry atop the joke, and I didn’t have time to warn Jarvis “the co-worker” to “Be careful!” about stepping into the big word, multi-syllabic malapropism minefield, because I didn’t know was coming. “You know me,” he said “I’m very self-defecating.” I don’t know if people didn’t hear it, because he missed it by just a smidge, or if they thought he was close enough, but when we take the ‘P’ and the ‘R’ out of the sentence and replace them with an ‘F’, we craft an entirely different image in the mind’s eye. My first thought was that Jarvis just committed a slip of the tongue, but that ‘slip of the tongue’ thought generated a conjunctive image in my mind, more disturbing than Jarvis’s error. He was so close that I can only assume that whoever used the term in his company either didn’t enunciate the word self-deprecating very well, or Jarvis wasn’t using his listening skills, because he accidentally entered into my Personal Word Usage Hall of Fame by proudly declaring that he didn’t need assistance removing waste from his body.

“Well, that probably explains why your jokes stink so much,” I said.

“What?” he asked.

“You said self-defecating, and I think you meant to say self-deprecating,” I said. He gave me one of those looks that suggested he struggling to understand, but he didn’t want to admit to it, so I explained the difference to him.

“No wonder you gave me such a odd look.”

“Yeah, I was going to say, you probably don’t want to practice that in public.”

“Why didn’t anyone correct me before?” Jeremy wondered aloud. Then, he added, “I wonder how often I’ve made that error, over the years?”

Our personal hall of shame slips probably don’t match Jarvis’s Hall of Fame malapropism, but we’ve all heard things incorrectly and repeated them so often that when obnoxious intellects call us out on them, they introduce us to the fine line between that humility and humiliation. Humility is a statement we make, by choice, that we’re no better than anyone else, and humiliation is something inflicted upon us by others attempting to say that we’re worse than everybody. They’re so closely linked that they’re both rooted in the same Latin term humilis. Yet, if humility is a self-imposed choice we make to think of ourselves less, how come the humiliation thrust upon us by others makes us think of ourselves so much more?