Cynically Yours


“Hi. My name is Rilaly, and I’m a cynic.”

I’m in recovery, which as any alcoholic will tell you is a stage in a process of trying to deprive ourselves of something we used to really enjoy. I never set out to enjoy ruining someone’s optimistic joy, but it felt so right to blast someone out of the water for saying something so nice about a person, place, or thing that I felt sophisticated and intelligent when I wiped that stupid and sanctimonious grin off their face. It wasn’t an emotional compulsion that drove me to do it, or medical, it was rhetorical.

“Don’t you just hate happy people?”

Very few people actually drop that line, but how many of us think it? Being right and wrong isn’t the primary driver of the cynic. We just want to put a chink in the silly narratives naive people have believed for so long.

Most cynics would tell you that’s a bunch of bilge. “It’s all about facts, and if you can’t see that, you’re naive. Science and Math. That’s what we rely on.” But what if we’re wrong? What if the optimists could provide incontrovertible evidence of our errors, what would we say? We’d smile a chagrined smile and walk away, saving our ammunition for another day, because if we learn how to sing the song, we can never be truly wrong. 

“Cynicism is not necessarily equal to or greater than intelligence,” is the mantra we cynics use in our sessions. “It’s camouflage we use to conceal what we don’t know.”

I loved that phrase until fellow cynic, Julie Anne, obnoxiously argued that, “We need to remember that just because it’s negative doesn’t necessarily mean it’s true.”  

Did you have to reread that line? I know I did, rather I had to ask Julie Anne to repeat it as if I didn’t hear it the first time. It’s one of those down-the-stairs comments that doesn’t land until we’re walking away from it and into someone with that stupid grin on their face. When we run into that happy person who believes in things, they say things like, “I believe most people are good, until they prove me wrong.” Yow! Kabang! We hit them with our best shot, and we hit them with something negative that isn’t “necessarily true.” The argument about whether people are generally good or evil is difficult to prove, of course, but our certitude often relies on what appeals to us most, which basically proves Julie Anne’s line of thought. 

We all start out naive. We believe our parents are good people and excellent stewards and beacons, until they prove us wrong. We believe our teachers have our best interests in mind, until our tweed and elbow patches professor opens his lecture with, “Everything they taught us in school was wrong!” Cynicism almost feels like evolution at a certain point, until even the most optimistic learn to frame their optimistic beliefs with proper qualifiers, like, “I’m not saying the world doesn’t suck, but …” It’s their way of trying to express themselves without everyone dogpiling them with synonyms of naive, and there’s nothing worse than being called naive.

Several individuals saved us from the dreadful indignity of that embarrassing label by introducing us to the comfy confines of cynicism. Once we gave the ‘everyone is awful’ idea a test drive, we discovered no one would call us a fool ever again. It’s foolproof. It might not necessarily be true, as Julie Anne would remind us, but being wrong is far better than being foolish.

We reserve the term fool for people who believe in people, places, and things. Once we became cynical, we joined in on the laughter, “How could they actually believe in that?” we asked our fellow cynics. We felt like we finally belonged. We found it much safer to believe most people are full of crud, and everyone from our parents to religious people to world leaders, and the most virtuous and honorable are probably a bunch of hypocrites who go home and beat their wives … when they aren’t our cheating on them (cue the laughter). “Imagine being them,” we say to conclude our laughter with the laughers, “believing that most people have the best intentions.” The comfy confines of cynicism aren’t limited to laughter and a sense of belonging, as it can provide a compelling sense of spiritual fulfillment when we learn how the world works, the real world.  

The way the world works is so overwhelming and confusing when we’re young that it becomes our life’s mission to try to understand it. Our friends, and our unsafe, adult entertainment comedies taught us all of these delicious decoders that we couldn’t wait to use on those who don’t know. When we eventually crossed the sootstone arch (as opposed to the pearly gates of the optimistic believers) into the real world, we realized that if donned cynical camouflage it concealed what we don’t know, and we couldn’t wait for our peers to recognize how prepared we were. Our curtain raiser was directed at The Big Guys, because The Big Guys are honored, respected, and admirable, and their teardown is much more valuable to those in the know. 

“I heard the rumors, Danny,” Andrew Wood once wrote in a song called Mr. Danny Boy

After hearing that song, I did some research on Mr. Danny Boy, and I discovered it was about a man named Mr. Danny Thomas, who was considered one of the most honorable, admirable, and virtuous men who ever lived. I believed those rumors, because who wouldn’t? The naive didn’t. They thought he was honorable, admirable, and virtuous. 

As with every characteristic, we strive to be the most. We want to be the funniest person in the room, the richest, the strongest, and the best-looking. We may not strive to be the most cynical in the same vein, but we strive for the most sophisticated in our knowledge. And what do cynics do when we encounter their competition? We don’t strive to be more cynical, we call our fellow cynic out. 

When we relentlessly go after the Big Guys, for example, there will always be some guy who seeks to diminish our “Most cynical” crown with the joke, “You just hate that guy, just admit it. The guy could cure cancer, and you’d still have a problem with him.” That guy, in this particular scenario, is Amos Muzyad Yaqoob Kairouz, (aka Mr. Danny Thomas). All right, he didn’t cure cancer, but the incredible strides this man made during his life were largely unimaginable before he started in. He founded St. Jude’s Hospital, which has a documented history of making a significant dent in the number of children who suffer from, and die, from cancer.  

When I hear that, my cynical side immediately rears its ugly head and says, “Ok, but Danny Thomas was an actor, and a celebrity. He dealt in a world of make-believe, so I’m guessing he didn’t actually found St. Jude’s Hospital. He didn’t found it in the way we normally associate an individual founding a hospital. He was probably a celebrity figurehead who attached his name to a process that was already in place but needed the type of funding a celebrity can attract by attaching his name to the founding. He probably took a photo with a massive pair of scissors, cut some tape, and raised a whole bunch of money for the hospital by doing so.” 

Every celebrity seeks to show the public “another side” that displays the idea that they are well-rounded, sympathetic, empathetic, and heroically altruistic. In my humble opinion, that level of cynicism achieves a decent scorecard in most cases, but not here. Records state that Mr. Danny Thomas was actually a hands-on founder of St. Jude’s Hospital. Records state that St. Jude’s came into existence because Danny Thomas willed it into existence through decades of personal labor, fundraising, organizing, and strategic decision‑making. Records also indicate that Mr. Thomas involvement was not just some celebrity endorsement or involving a some sort of superficial or symbolic attachment. Records state that when it came to the founding of St. Jude’s Hospital, Danny Thomas was the man.  

Defeating cynical sides, as they rear their ugly heads, is equivalent to that old childhood game Whack-A-Mole, as they help me appear smarter and more sophisticated in the way the real world works, in a way the average joe never will. One little head pops up and says, “Well then he probably found a way to turn this founding into some sort of money-making venture.” Another one pops up and says, “He probably benefitted from it financially in someway we’ll never know.” Again, we might be able to say that about most celebrity-backed ventures, as even the most charitable celebrities get paid administrative fees for handling the various activities of their altruistic venture, they get paid for speaking engagements on behalf of the charity, various appearance, they get their travel to and from paid, and/or some “other expenses” that aren’t illegal, but they’re dubious bullet points that the dubious-minded can recite when that debate arrives. Again, not here. There’s no credible evidence — none — that Danny Thomas ever profited or benefitted financially from St. Jude’s in anyway. Every historical record, nonprofit filing, and investigative report shows the same thing: he founded the hospital, built its fundraising arm, and spent decades raising money for it without ever taking a salary or receiving any financial benefits for those efforts.  

Some records suggest St. Jude’s Hospital has helped save or ease the suffering of hundreds of thousands of children through direct treatment, and millions more through research that raised global survival rates. I’ve performed searches through search engines, and AI, asking for holes in this narrative. I’ve asked AI to approach the narrative regarding Danny Thomas founding St. Jude’s Hospital from a cynical perspective and provide for me information that a skeptic could latch onto when they’re seeking to know the real story behind Danny Thomas and St. Jude’s hospital, and AI can find no holes.   

Yet, if you were alive during the early 90s after Mr. Danny Thomas died, and commentators were largely immune from character defamation lawsuits, you heard the rumors from standup comedians, shock jocks on the radio, and/or the cynical grapevine that grew from the fertilizer they created. You heard the rumors, and you laughed, because you knew there had to be more to the story. You also loved hearing the rumors, because they validated and vindicated what you thought all along. There had to be something.

Even if those rumors had any basis in fact—which they didn’t, according to every substantial news source, historical document, and/or any source that we might call substantive—the product of those rumors made substantial philanthropic and altruistic efforts and commitments to try to help children survive their fight against cancer.  

“He wasn’t all that virtuous, let me tell you something,” those hanging from the cynical grapevine yelled with glee. “Let me tell you something ...”

“But Danny Thomas’s goal,” we should’ve said but didn’t, because we didn’t want to damage our cynical bona fides, “was to help kids suffering from cancer.”

“I know, but I just can’t stand it when someone thinks they’re all high and mighty.”

“Fair enough, but what does it say about you that you prefer to focus on the rumors as opposed to his considerable effort and commitments to help kids fight cancer?” 

“I see the world in black and white,” is the preferred mantra of the cynic. “I can’t help it, I’m a facts-oriented person.” 

I know that line, because I lived with it for so many decades that I will forever be in remission, but I’m trying. I’m trying to see some light in the darkness of the cozy comfort of cynicism. I’m also trying to learn that “Just because it’s negative doesn’t necessarily mean it’s true,” but it just feels so facts-oriented to believe the worst of humanity, until they prove me wrong.

Why So Insidious?


“Why so serious?” – The Dark Knight, Christopher and Jonathon Nolan 

Why so cynical? Cynicism is truth. Cynicism is real. Scene: The cynical character confronts an optimistic, positive one. The positive character has no reply. Why does he just sit there and take it? The underlying truth is finally coming out, and the positive character just can’t handle it. We favor the cynical character, because, “He’s just being real with us.” He’s gritty, she’s so dark, and the cynical are no longer afraid to speak truth to power. The truth is that your precious, little world is awful, your neighbor is trash, and you’re probably no better. Cynicism is alarming, scary, hilarious, and so insidious.

“Harmful but enticing: seductive.” – Merriam-Webster.com’s definition of insidious.

Why so insidious? Want to write a best-seller? Bring the pain (muderporn). We readers crave a taste, a dose, and a heaping forkful of the worst elements of the worst moments of another’s life. We don’t want it too familiar, of course, yet we enjoy watching it from a distance. We may not bring it up in polite company, but if someone else does, we join in, and it’s difficult for us to hide the excitement in our voice. 

Why so violent? Violent narratives require a generous portion of brutality, but the most successful writers define it by clever and intelligent means. Undefined brutality is fine if we’re writing a mob narrative, or a historical recount of the Ku Klux Klan or Nazi, Germany, because they come backloaded with such a brutally violent history, but if we’re going to write about serial killers, we need to employ some level of poetry, symbolism, or some other form of intellect in their acts for it suggests the killer (and their writer) is surprisingly intellectual. In the cat-and-mouse game with the police, writers use law enforcement officials to define the serial killer’s intellect. “He’s obviously incredibly intelligent,” they will say at the outset, and at some point, in the chase, they say, “He’s too smart to fall for that.” If the writer can combine the killer’s savage sense of brutality with some ode to Geoffrey Chaucer, Dante Alighieri, Shakespeare, and/or Biblical references, it illustrates a shocking intellect that will lead to best-sellers, ratings, and clickbait. 

I’ve created fictional characters with whom I developed a mostly platonic relationship, and the answer to the question of what I was going to do with them didn’t involve whether or not they were going to commit violence, but how much? 

“We might develop a crush on non-violent stories,” I said to explain this predilection, “but if we’re going to fall head-over-heels in love, there has to be some violence involved, or at least the threat thereof.” 

Why so awful? We want to read/watch about awful people doing awful things to one another, with a dash of humor thrown in to further define, or even slightly contradict, their awfulness. At some point in the timeline, the awful writers began adding clever humor to add an element of the casual and the common place to their violence, and we loved it. If it’s not love we experience, it’s some complicated adherent. We’ll repeat a clever and humorous line with a chuckle. We might even knowingly invite such seductive characters into our home. We’ve all seen movies of enraged violent people, and it just doesn’t connect the way the calm, clever killers do. Look at our favorite performances, most of them involve actors portraying the most awful characters imaginable with a little bit of flair. The message to writers is clear: if you want gain, bring the pain, and it doesn’t hurt to add a little levity to their refrain. 

Why so artistic? Does art reflect society, or does society reflect art? Is society as evil as artists of modernity want us to believe, or do we interpret their attempts as beautiful works of art? Those who aren’t afraid to expose us to the truth of what’s going on in their neighborhood receive special accolades. Their exposes might be dark and negative but that’s their truth. Is it truth, or is it an embellishment intended to generate sales? I can see you, with your fingers poised above your keyboard, ready to defend your favorite book, movie, or TV show. Your reply will include something regarding how I can’t understand the plight of someone who might not experience the comfortable lifestyle I do. I’m not saying you’re wrong, but would you be so defensive if we were discussing a positive, uplifting narrative? “There’s nothing wrong with light-hearted fare, of course,” you might say, “but there’s no question that gritty, dark, and cynical are definitely more artistic.”

Why do repetitive? We love violence in our art, and we identify with cynicism as truth, but what is that truth? As we work our way through controversial, provocative portrayals of the truth, we often hear, see, and learn the same reportage, fictional and otherwise, over and over. How many times do we have to hear, watch, and read the same cynical exposés on the same institutions before we accept their portrayals as truth? How many otherwise beloved and trusted institutions in our society are the most corrupt in these narratives? There’s the member of the civil service, the man of religion, or military man you thought you could trust who turns out the most corrupt among them in our controversial and cutting edge stories. This trope is almost as repetitive as the all families are dysfunctional trope. We all understand that an author needs to introduce conflict, be it external or internal, but these tropes are repeated so often that most of us can pick out the good guys and bad guys in an ensemble narrative before the actors have read one word of the script. Through sales, we’ve encouraged storytellers to evolve to nothing but hardcore, unapologetic cynicism to appeals to our worldview. 

Why so dark, angry, and hopeless? To paraphrase a line from Cool Hand Luke, “That’s the way he wants it,” and we want it dark, cynical, negative, hateful, and violent. Most of us have no violent tendencies. We never have, and we never will. Yet, we won’t read a book, watch a movie, TV show, or play a video game that doesn’t involve at least some hint of violence? What does that say about us? If we are of a stable mind that isn’t easily influenced, I don’t think it says much, but is it human nature to think that the ultimate, or final, truth about human nature is that it’s awful, nasty, and we’re all headed for dark, gritty truth?

Why no happy endings? It wasn’t too long ago that the market demanded a happy ending, no manner how dark and gritty a fictional piece was. We enjoyed watching awful people doing awful things to each other, but we all knew that some over-the-top, big, sloppy happy ending was coming. We knew the movie would end with someone drinking an exotic, adult beverage with a tiny umbrella in it, in front of an impossibly white, sandy beach? Everyone knew that somehow, someway, it would all end happy for the players involved. It became a long-running joke. Those who concern themselves with such things say that there wasn’t one particular movie that brought an end to this, but a series of thematically complex narratives of the late 60’s early 70’s that challenged the whole idea of the necessity of happy endings in movies. If this is true, it was a long, insidious arc that led us to demand that our stories end in despair for the purpose of being true, while illuminating us about the despair around the world. When we watch happy endings now, they seem so anticlimactic that movie makers have responded by leaving one last hint that the bad guy/monster might might still be alive somewhere.  

“If you want a happy ending go Disney or some other manufacturer of dreams, cause you ain’t gonna find it here.”

I come at this from an advantageous position, because I led a sheltered life until I was about fifteen. I received a lot of grief for believing that most of humanity was good, and I still do, but when I was young and impressionable, my worldview encountered a special brand of the-world-is-junk, and a dose of everyone is a piece of junk. “You shouldn’t trust anyone outside your home,” they instructed me, “and you should probably be skeptical of them.” The contrast to everything I knew and believed couldn’t have been more shocking if it was delivered with defibrillator paddles. I initially considered their skeptical cynicism a romantic notion, and I was angry that my authority figures shielded me from the truth for so long. The more I learned this outlook, the more I embraced it, acclimated to it, and I accepted it as truth. The repetition was such that I knew if I didn’t adjust and assimilate, I would be nothing more than a naïveté who would eventually meet my demise as a result of some proverbial pack of wolves who would take advantage of it. As with all constant and repetitive messaging, it eventually reached a tipping point for me. Looking back, I probably needed that dose of cynicism to round out my wide-eyed optimism, but when the “theys” in my inner-circle continued pouring gasoline on this fire, I realized that, like uplifting positivism, there’s a point of diminishing returns of too much cynicism too. “Just because it’s awful, negative, and cynical doesn’t always mean it’s true,” I began telling my “theys” after I hit that tipping point. I don’t know if that revelation proved as shocking to them as their revelations did me, but they couldn’t come up with anything to counter it. 

When we seek the truth, we often get bounced around a bit, until we eventually find it nestled somewhere in the in-between. Are we more cynical or optimistic, or are we somewhere in-between, and what’s in the in-between? 

As the new saying goes, “If you ever want to know where you stand are as a culture, look to the major marketing firms.” They pour millions into researching human nature and the zeitgeist for the purpose of appealing to us in their marketing campaigns? When they create advertisements for their clients do they seek a truth, or something we generally perceive to be true? Marketing departments don’t necessarily seek to tell us the truth, but their extensive studies find a truth that we consider true enough to move products, and they have obviously reached the conclusion that our outlook is pretty bleak. They understand that times are tough, but their client is here to help. If we just purchase their new and improved product, we’ll find our days and nights bigger, brighter, and more productive, because we’ll have more time to do what we always wanted to do. They pay attention to our intricacies, and they’re saying that we have a negative, cynical and all hope is lost mentality. It’s The Beatles, “It’s getting better all the time. It couldn’t get much worse.” It’s Dickens’ “It was the best of times. It was the worst of times.” It’s the in-between.

I haven’t poured tons of money into extensive research on humanity, but I think we could all use a healthy dose of something else, and it doesn’t have to be uplifting. It can’t be, because uplifting is cringe, but it could be something different. It could be something dotted with refreshing honesty without being overly cynical. It can also be something other than the college thesis paper, or dissertations, writers insert into every song we hear, and every TV show and movie we watch. When I watch these over-the-top insertions, I can’t help but think, “Hows about we just go for entertainment, so we can forget the serious, deep, and the meaningful for just a moment?”