Is Theodore Roosevelt the Batman?


“It takes more than that to kill the Batman!” is not an exact quote from Theodore (Teddy) Roosevelt’s campaign speech in an auditorium, soon after being shot by a would be assassin, outside a Milwaukee hotel, but it is close. Many of the details of the Batman story are close, so close to those in the former president’s story that many claim that it the inspiration for the creation of the fictional character we now call The Dark Knight.

The most impressive of the correlations involves the death of a parent, and the post-traumatic growth that followed:

Bruce Wayne lost both of his parents before he was a teenager, and Teddy Roosevelt lost his father when he was nineteen. In H.W. Brands T.R.: The Last Romantic, Brands alludes to the fact that most young men, on the precipice of becoming adults, deify their father. If that father dies prematurely, as in the case of Theodore Roosevelt Sr., the characteristics of the son’s deification becomes locked in. The contrast being that no matter how great a father is, if he lives throughout their son’s maturation, that son is prone to find some weaknesses in his father’s lessons, advice, and in the man’s general arguments. This progression doesn’t necessarily say anything about either party, but it’s a natural evolution based on the experiences the young man has and some elements of rebellion. Roosevelt was not afforded such natural, mature comparisons, and that coupled with his grief and sorrow, may have resulted in a subjective deification of his father.

Courtesy of Enhanced Buzz
Courtesy of Enhanced Buzz

As a result, both Teddy Roosevelt and Bruce Wayne, spent much of their life trying to live up to their deified images of their father. Yet, if one were to compare the bios of these men, and their fathers, it could be said that they more than surpassed the actual accomplishments of their fathers.

The point is not the line-by-line comparisons, of course, but the post-traumatic mindsets that resulted from them, and it could be said that the fictional Wayne character might never have become Batman were it not for the death of a father, and Roosevelt might never have become the president were it not for the idealized images leading to a legacy he created for the man that he spent his entire life pursuing, and never catching … in his mind of course.

This post-traumatic angle of the Teddy Roosevelt story, going so far beyond surviving a tragedy, to thrive as a result of it, was so engaging to one writer, a Paul Levitz (who spent forty-two years writing for DC Comics), that he believed he could use it as a fundamental, driving force for his characters in a manner that would connect with his readers.

The following was said by Theodore Roosevelt Jr., but all fans of The Dark Knight Trilogy, and Batman fans in general, could imagine Bruce Wayne saying it to his butler, Alfred, in the many shared chunks of dialogue devoted to discussions of Thomas Wayne, Bruce’s father.

“My father, Theodore Roosevelt, was the best man I ever knew. He combined strength and courage with gentleness, tenderness, and great unselfishness. He would not tolerate in us children selfishness or cruelty, idleness, cowardice, or untruthfulness.”

Theodore Roosevelt Sr. also taught Teddy that the best way to overcome the debilitating childhood illnesses that kept the young man indoors most of the time, and the best way to overcome bullies, was to strengthen his way through it.

“You have the mind but you have not the body,” Theodore Roosevelt Sr. told Theodore Jr. “You must make your body.” 

Theodore Roosevelt Sr., purchased a home gym for his son, and hired a boxing coach to teach the son how to fight, and Teddy Roosevelt would later use all of that to achieve a runner-up spot in a Harvard boxing tournament.

Fans of The Dark Knight Trilogy could say that stark similarities exist between that father-to-son advice, and the resultant training scenes, in the first installment of the trilogy Batman Begins. Similar advice was provided to Wayne by the Ras al Guhl character, played by actor Liam Neeson, as opposed to Bruce Wayne’s father. *Side note: Jonathon Nolan, brother of The Dark Knight creator Christopher Nolan, and co-writer of the other two installments of The Dark Knight movies, states that the Ras al Guhl character, in the Batman Begins installment, was based on Al Qaeda leader Osama bin Laden, and the bin Laden crusade to “heal the world” through terror.

It has been noted in many places that Christopher Nolan, in particular, based his The Dark Knight version of the Batman, in part, on Teddy Roosevelt. Also, as noted below, he thought that the entire Batman story was derived from Roosevelt’s biography. It was also noted, in this article, that both Nolan brothers suggested that the best way for actor Christian Bale to learn more about the Dark Knight character they drew up, was to read Edmund Morris’ biography of Theodore Roosevelt The Rise of Theodore Roosevelt before they began shooting the first installment of The Dark Knight Trilogy.

Christopher Nolan Noted:

“Batman’s not as unique as people think. (Co-creator of Batman) Bob Kane’s Gotham is New York and Batman has a direct historical precedent in Theodore Roosevelt. His father, Theodore Roosevelt Sr., had been one of the city’s preeminent philanthropists — having found and funded the New York City Children’s Aid Society, the Met, and the American Museum of Natural History, to name a few of his charitable works — and died in a way (Author Edmund) Morris contends traumatized his son: sudden, in nature, from a cancer whose existence he’d hidden, and mere hours before Theodore returned from Harvard. In 1884, his beloved mother and wife died in the same house, on the same day. A bereft Roosevelt set out for the Dakota Territory soon thereafter. He spent his time in the hinterlands learning how to be a proper policeman, then applied those lessons when he became president of the New York City Police Commissioners in 1895. Like Batman, Roosevelt employed bleeding-edge technology into his crime-fighting: under his watch, telephones were installed in precincts, bicycles were deployed on beats, and various criminal identification systems, like Bertillonage, were monkeyed about with.”

The bleeding edge technology, Bertillonage, involved using anthropometry, or biometrics, such as size, shape, some rudimentary elements of psychology, and other dimensional descriptors. It was based on the biometrics researcher, and French police officer Alphonse Bertillon who applied the anthropological technique of anthropometry to law enforcement creating an identification system based on physical measurements. Anthropometry was the first scientific system used by police to identify criminals. Before that time, criminals could only be identified by name or photograph. The method was eventually supplanted by fingerprinting. Roosevelt wasn’t the first to use such techniques, obviously, but we can say that he tried to bring the latest and greatest technology to his police officers to aid them in their crime-fighting efforts. In the Dark Knight, head of research, Lucius Fox, introduces Bruce Wayne to various crime fighting tools in the form of the modern bleeding-edge technology and various gadgets that he can use in his covert, crime-fighting efforts.   

Those who are familiar with the general story of the Batman will also note the importance the role of police commissioner played in the stories of the two. Teddy Roosevelt was a police commissioner who didn’t just vow to clean up the city, he went undercover, as a policeman, to see to it that his officers were doing their job in a thorough and honest manner. What does undercover mean when it comes to Roosevelt? Some say he walked patrol, late at night, to make sure his officers weren’t sleeping on street corners or loafing on the job. Bruce Wayne went more literal in his undercover status to work hand in hand with Commissioner James Gordon to clean up the city.

Both men also considered it vital to their legacy to have a self-appointed successor to carry out their proposals, and both were let down by that successor. Bruce Wayne was let down by Harvey Dent, and Roosevelt felt he was let down by his chosen successor, President William Howard Taft.

Soon after volunteering to not seek reelection for president that would have led to him being in office for eleven years, as a result of the assassination of his predecessor, William McKinley, Roosevelt would learn that his chosen successor, Taft, did more than break a number of promises that he made to Roosevelt. Taft, according to Roosevelt, broke a number of campaign pledges he made to the American people, pledges that were in line with many of Roosevelt’s progressive policies. Taft replaced much of Roosevelt’s cabinet, after promising that he would not do so. Taft replaced key ambassadors with people that Roosevelt informed Taft he hated, and Taft ended up crediting his electoral victory for president to his brother, not Roosevelt, the man who had mentored him for the position.

The stories of Roosevelt’s unhappiness with Taft would culminate in Roosevelt breaking his pledge not to run for president again, running against his Taft in Taft’s attempt to be re-elected, in the Republican primary, and then in a third-party of progressives, who called themselves the Bull Moose Party, in the general election.

On that election trail, Roosevelt would declare that Taft was “disloyal” and a “Great pink porpoise of a man”. The latter may have been an insult directed at the much talked about weight of the man, but the former, “disloyal” part of the characterization, could be interpreted as Roosevelt saying that Taft, his successor, was two-faced. Harvey Dent, Bruce Wayne’s chosen successor for cleaning up the city became the arch-villain Two-Face.

T.R.’s bullet-wholed shirt

Roosevelt may never have donned the tights, simple cloth, polyester, sculpted latex, rubber, neoprene skin, fiberglass, nylon, and metallic mesh built into it, that the various men that would play the role of Batman would wear, but in a Milwaukee speech that he delivered, with a would be assassin’s bullet still lodged fresh in his fourth right rib, on an upward path to his heart, Teddy Roosevelt included the line:

“It takes more than that to kill a bull moose.”

Bull Moose, Batman, the phonetics are close, but how close are they? Is it possible that co-creator Bob Kane considered making the bat man, a bull moose, to inexorably link the two and leave no mistake to the origin of Batman, or were the logistics of having a man become a bull moose too untenable even for a comic strip? Or, is this an example of the informal fallacy, equivalent to the Texas Sharpshooter Fallacy, in which a shooter fires a number of shots into a barn and circles a target around the largest cluster of shots after the fact? Are there perceived patterns, in other words, that focus on the similarities and ignore the differences? Was the model for the creation of the Batman more personal to Bob Kane and Bill Finger, and we’ve determined those similarities mirror Roosevelt’s in so many ways that we’ve determined that he was the model?

Some of the links made here, and elsewhere, are somewhat specious, but the quotes from those who proved instrumental in the various versions of the story, and the coincidences are so great that one has to think that if The Joker had performed enough research on Theodore Roosevelt Jr., he may have found the answer to the question that plagued him: “Who is the real bat man?”

Camille Paglia: The Radical Libertarian


Reading through Camille Paglia’s criticisms of the culture, one cannot help but think that most other social critics of our generation either feed a confirmation bias or speak about things for which most of us have no interest. As evidence of their lack of confidence, they scratch and claw their way through the competition to achieve an unprecedented depth in the sewer. On those occasions when Ms. Paglia does use overly provocative words, she backs it up with objectivity and a display of knowledge that is so vast that the adjective “informed” seems incomplete.

Camille Paglia is not a conservative, or liberal, and her politics have been described as “radical libertarian”, but she is a life-long Democrat. The “difficult to define” nature of her politics is something that most partisans pine for, but few of these “all over the map” thinkers could finish one paragraph of Camille Paglia’s thoughts without acknowledging that there is a comparative consistency to the overview of their thinking that could only be called limited to a certain ideology. Most diverse thinkers would also shrink at the evidence of inconsistencies in their beliefs system that suggests that they’ve either never been challenged, or that they’ve never truly given opposing views any consideration. From what I’ve read of Ms. Paglia’s work, when she is confronted by inconsistencies she confronts them head-on, and in a manner that contains no obfuscation or spin.

She is in favor of pornography, abortion, prostitution, drug-use, and assisted suicide. She is a proud lesbian, an atheist that respects religion, and a self-described dissident feminist, or as some feminist critics have called her an “anti-feminist feminist”.

1412025458115_Image_galleryImage_Mandatory_Credit_Photo_byIf you have strong views on a specific topic, she’ll probably offend you in some manner, but her methodology does not consist of the quick to the throat one-liners that one has come expect from a provocateur. Those that worship at the altar of provocateurs may not even recognize what Camille’s methodology for what it is, as her criticisms dig deep and leave a lasting wound.

The average and ubiquitous provocateur will say something along the line of: “I don’t want some guy (Ted Cruz) that purportedly memorized the constitution at twelve years-old to be my president. If I would’ve been in his grade, at twelve years old, I would’ve put my knee into his throat until he changed … I want the guy I vote for to smoke pot, have premarital and post-marital affairs … and yes … I’m talking about in the White House, and I want my guy to snort coke off their partner’s backside. I want my politician to be a real man or woman that has lived a real life.”

Those of us that worship at the altar of provocateurs are temporarily put in a jam by such comments, because they’re directed at “our guys”, but it’s not that, and we find ourselves in a sand hole trying to defend our disinterest. It’s that that type of ridicule is lacking in ingenuity and depth, and originality. It’s something George Carlin was saying forty years ago, it’s Lenny Bruce, it’s retread. Those of us that pine for something different want that cutting-the-edge-of-the-throat type of originality from our social critics that is informed and appears to have no influence, and we also want the kind of critiques that have staying power in the manner Camille Paglia’s criticism does:

“(Ted) Cruz gives me the willies. The guy is a fanatic! He’s very smart, clever and strategic, and he has a fine education from Princeton, so people have to watch out for him. But I think he is self-absorbed and narcissistic to a maniacal degree. I will never forgive him for his insulting arrogance to Dianne Feinstein when the Judiciary Committee was debating gun control two years ago. There’s a two-minute clip on YouTube which I urge people to look at it. Cruz is smirkily condescending and ultimately juvenile. He peppers Feinstein with a long list of rat-a-tat questions, as if he’s playing Perry Mason grilling a witness on the stand. He was trying to embarrass her but only embarrassed himself. A president must be a statesman, not a smart-alecky horse’s ass.”

There is no substance to the insight of most provocateurs. Listen to the most caustic crowd long enough, usually found on satellite radio, or on podcasts, and you’ll hear that their analysis of even the most important subjects devolve to 5th grade potty humor and fart jokes. Provocative jokes like those have their place, but they don’t have the kind of staying power that a Camille Paglia statement does, as her most recent interview with Salon.com, part II, and part III proves.

On Bill Clinton:

“Bill Clinton was a serial abuser of working-class women –he had exploited that power differential even in Arkansas. And then in the case of Monica Lewinsky– I mean, the failure on the part of (iconic feminist leader) Gloria Steinem and company to protect her was an absolute disgrace in feminist history! What bigger power differential could there be than between the president of the United States and this poor innocent girl? Not only an intern but clearly a girl who had a kind of pleading, open look to her–somebody who was looking for a father figure.

“I was enraged! My publicly stated opinion at the time was that I don’t care what public figures do in their private life. It’s a very sophisticated style among the French, and generally in Europe, where the heads of state tend to have mistresses on the side. So what? That doesn’t bother me at all! But the point is, they are sophisticated affairs that the European politicians have, while the Clinton episode was a disgrace.”

Camille preceded this observation with a slight correlation between Bill Cosby and Bill Clinton:

“Right from the start, when the Bill Cosby scandal surfaced, I knew it was not going to bode well for Hillary’s campaign, because young women today have a much lower threshold for tolerance of these matters. The horrible truth is that the feminist establishment in the U.S., led by Gloria Steinem, did in fact apply a double standard to Bill Clinton’s behavior because he was a Democrat. The Democrat president and administration supported abortion rights, and therefore it didn’t matter what his personal behavior was.

“But we’re living in a different time right now, and young women have absolutely no memory of Bill Clinton. It’s like ancient history for them; there’s no reservoir of accumulated good will.”

Salon.com Interviewer David Daley: “A cigar and the intern is certainly the opposite of sophisticated.”

“Absolutely! It was frat house stuff! And Monica got nothing out of it. Bill Clinton used her. Hillary was away or inattentive, and he used Monica in the White House–and in the suite of the Oval Office, of all places. He couldn’t have taken her on some fancy trip? She never got the perks of being a mistress; she was there solely to service him. And her life was completely destroyed by the publicity that followed. The Clinton’s are responsible for the destruction of Monica Lewinsky! They probably hoped that she would just go on and have a job, get married, have children, and disappear, but instead she’s like this walking ghoul.”

Salon.com Interviewer David Daley: “Fifteen years later, that’s still the sad role left for her to play.”

“Yes, it’s like something out of “Wuthering Heights” or “Great Expectations”–some Victorian novel, where a woman turns into this mourning widow who mopes on and on over a man who abused or abandoned her. Hillary has a lot to answer for, because she took an antagonistic and demeaning position toward her husband’s accusers. So it’s hard for me to understand how the generation of Lena Dunham would or could tolerate the actual facts of Hillary’s history.”

Salon.com Interviewer David Daley: “So have the times and standards changed enough that Clinton would be seen as Cosby, if he was president today.”

“Oh, yes! There’s absolutely no doubt, especially in this age of instant social media. In most of these cases, like the Bill Clinton and Bill Cosby stories, there’s been a complete neglect of psychology. We’re in a period right now where nobody asks any questions about psychology.  No one has any feeling for human motivation. No one talks about sexuality in terms of emotional needs and symbolism and the legacy of childhood. Sexuality has been politicized–“Don’t ask any questions!” “No discussion!” “Gay is exactly equivalent to straight!” And thus in this period of psychological blindness or inertness, our art has become dull. There’s nothing interesting being written–in fiction or plays or movies.Everything is boring because of our failure to ask psychological questions.

“So I say there is a big parallel between Bill Cosby and Bill Clinton–aside from their initials! Young feminists need to understand that this abusive behavior by powerful men signifies their sense that female power is much bigger than they are! These two people, Clinton and Cosby, are emotionally infantile–they’re engaged in a war with female power. It has something to do with their early sense of being smothered by female power–and this pathetic, abusive and criminal behavior is the result of their sense of inadequacy.

“Now, in order to understand that, people would have to read my first book, “Sexual Personae”–which of course is far too complex for the ordinary feminist or academic mind! It’s too complex because it requires a sense of the ambivalence of human life. Everything is not black and white, for heaven’s sake! We are formed by all kinds of strange or vague memories from childhood. That kind of understanding is needed to see that Cosby was involved in a symbiotic, push-pull thing with his wife, where he went out and did these awful things to assert his own independence. But for that, he required the women to be inert. He needed them to be dead! Cosby is actually a necrophiliac–a style that was popular in the late Victorian period in the nineteenth-century.

“It’s hard to believe now, but you had men digging up corpses from graveyards, stealing the bodies, hiding them under their beds, and then having sex with them. So that’s exactly what’s happening here: to give a woman a drug, to make her inert, to make her dead is the man saying that I need her to be dead for me to function. She’s too powerful for me as a living woman. And this is what is also going on in those barbaric fraternity orgies, where women are sexually assaulted while lying unconscious. And women don’t understand this! They have no idea why any men would find it arousing to have sex with a young woman who’s passed out at a fraternity house. But it’s necrophilia–this fear and envy of a woman’s power.

“And it’s the same thing with Bill Clinton: to find the answer, you have to look at his relationship to his flamboyant mother. He felt smothered by her in some way. But let’s be clear–I’m not trying to blame the mother!  What I’m saying is that male sexuality is extremely complicated, and the formation of male identity is very tentative and sensitive–but feminist rhetoric doesn’t allow for it. This is why women are having so much trouble dealing with men in the feminist era.  They don’t understand men, and they demonize men. They accord to men far more power than men actually have in sex. Women control the sexual world in ways that most feminists simply don’t understand.

“My explanation is that second-wave feminism dispensed with motherhood. The ideal woman was the career woman–and I do support that. To me, the mission of feminism is to remove all barriers to women’s advancement in the social and political realm–to give women equal opportunities with men. However, what I kept saying in “Sexual Personae” is that equality in the workplace is not going to solve the problems between men and women which are occurring in the private, emotional realm, where every man is subordinate to women, because he emerged as a tiny helpless thing from a woman’s body. Professional women today don’t want to think about this or deal with it.

“The erasure of motherhood from feminist rhetoric has led us to this current politicization of sex talk, which doesn’t allow women to recognize their immense power vis-à-vis men. When motherhood was more at the center of culture, you had mothers who understood the fragility of boys and the boy’s need for nurturance and for confidence to overcome his weaknesses. The old-style country women–the Italian matriarchs and Jewish mothers–they all understood the fragility of men. The mothers ruled their own world and didn’t take men that seriously. They understood how to nurture men and encourage them to be strong–whereas current feminism simply doesn’t perceive the power of women vis-a-vis men.  But when you talk like this with most men, it really resonates with them, and they say “Yes, yes! That’s it!”

“Currently, feminists lack sympathy and compassion for men and for the difficulties that men face in the formation of their identities. I’m not talking in terms of the men’s rights movement, which got infected by p.c.  The heterosexual professional woman, emerging with her shiny Ivy League degree, wants to communicate with her husband exactly the way she communicates with her friends–as in “Sex and the City.” That show really caught the animated way that women actually talk with each other.  But that’s not a style that straight men can do!  Gay men can do it, sure–but not straight men!  Guess what–women are different than men! When will feminism wake up to this basic reality? Women relate differently to each other than they do to men. And straight men do not have the same communication skills or values as women–their brains are different!”

On Atheists that sneer at Religion:

“I regard (those that sneer at religion) as adolescents. I say in the introduction to my last book, “Glittering Images”, that “Sneering at religion is juvenile, symptomatic of a stunted imagination.”  It exposes a state of perpetual adolescence that has something to do with their parents– they’re still sneering at dad in some way.  Richard Dawkins was the only high-profile atheist out there when I began publicly saying “I am an atheist,” on my book tours in the early 1990s. I started the fad for it in the U.S, because all of a sudden people, including leftist journalists, started coming out of the closet to publicly claim their atheist identities, which they weren’t bold enough to do before. But the point is that I felt it was perfectly legitimate for me to do that because of my great respect for religion in general–from the iconography to the sacred architecture and so forth. I was arguing that religion should be put at the center of any kind of multicultural curriculum.

“I’m speaking here as an atheist. I don’t believe there is a God, but I respect every religion deeply. All the great world religions contain a complex system of beliefs regarding the nature of the universe and human life that is far more profound than anything that liberalism has produced. We have a whole generation of young people who are clinging to politics and to politicized visions of sexuality for their belief system. They see nothing but politics, but politics is tiny. Politics applies only to society. There is a huge metaphysical realm out there that involves the eternal principles of life and death. The great tragic texts, including the plays of Aeschylus and Sophocles, no longer have the central status they once had in education, because we have steadily moved away from the heritage of western civilization.

“The real problem is a lack of knowledge of religion as well as a lack of respect for religion. I find it completely hypocritical for people in academe or the media to demand understanding of Muslim beliefs and yet be so derisive and dismissive of the devout Christian beliefs of Southern conservatives.

“But yes, the sneering is ridiculous!  Exactly what are these people offering in place of religion? In my system, I offer art–and the whole history of spiritual commentary on the universe. There’s a tremendous body of nondenominational insight into human life that used to be called cosmic consciousness.  It has to be remembered that my generation in college during the 1960s was suffused with Buddhism, which came from the 1950s beatniks. Hinduism was in the air from every direction–you had the Beatles and the Maharishi Mahesh Yogi, Ravi Shankar at Monterey, and there were sitars everywhere in rock music. So I really thought we were entering this great period of religious syncretism, where the religions of the world were going to merge. But all of a sudden, it disappeared!  The Asian religions vanished–and I really feel sorry for young people growing up in this very shallow environment where they’re peppered with images from mass media at a particularly debased stage.

“There are no truly major stars left, and I don’t think there’s much profound work being done in pop culture right now.  Young people have nothing to enlighten them, which is why they’re clinging so much to politicized concepts, which give them a sense of meaning and direction.

“But this sneering thing!  I despise snark.  Snark is a disease that started with David Letterman and jumped to Jon Stewart and has proliferated since. I think it’s horrible for young people!   And this kind of snark atheism–let’s just invent that term right now–is stupid, and people who act like that are stupid. Christopher Hitchens’ book “God is Not Great” was a travesty. He sold that book on the basis of the brilliant chapter titles. If he had actually done the research and the work, where each chapter had the substance of those wonderful chapter titles, then that would have been a permanent book. Instead, he sold the book and then didn’t write one–he talked it. It was an appalling performance, demonstrating that that man was an absolute fraud to be talking about religion.  He appears to have done very little scholarly study.  Hitchens didn’t even know Judeo-Christianity well, much less the other world religions.  He had that glib Oxbridge debater style in person, but you’re remembered by your written work, and Hitchens’ written work was weak and won’t last.

“Dawkins also seems to be an obsessive on some sort of personal vendetta, and again, he’s someone who has never taken the time to do the necessary research into religion. Now my entire career has been based on the pre-Christian religions.  My first book, “Sexual Personae,” was about the pagan cults that still influence us, and it began with the earliest religious artifacts, like the Venus of Willendorf in 35,000 B.C. In the last few years, I’ve been studying Native American culture, in particular the Paleo-Indian period at the close of the Ice Age.  In the early 1990s, when I first arrived on the scene, I got several letters from Native Americans saying my view of religion, women, and sexuality resembled the traditional Native American view. I’m not surprised, because my orientation is so fixed in the pre-Christian era.”

On Jon Stewart, Fox News, Rush Limbaugh, and the liberal media:

“I think Stewart’s show demonstrated the decline and vacuity of contemporary comedy. I cannot stand that smug, snarky, superior tone. I hated the fact that young people were getting their news through that filter of sophomoric snark.  Comedy, to me, is one of the major modern genres, and the big influences on my generation were Lenny Bruce and Mort Sahl. Then Joan Rivers had an enormous impact on me–she’s one of my major role models.  It’s the old caustic, confrontational style of Jewish comedy. It was Jewish comedians who turned stand-up from the old gag-meister shtick of vaudeville into a biting analysis of current social issues, and they really pushed the envelope. Lenny Bruce used stand-up to produce gasps and silence from the audience. And that’s my standard–a comedy of personal risk.  And by that standard, I’m sorry, but Jon Stewart is not a major figure. He’s certainly a highly successful T.V. personality, but I think he has debased political discourse. I find nothing incisive in his work. As for his influence, if he helped produce the hackneyed polarization of moral liberals versus evil conservatives, then he’s partly at fault for the political stalemate in the United States.

“I don’t demonize Fox News. At what point will liberals wake up to realize the stranglehold that they had on the media for so long? They controlled the major newspapers and weekly newsmagazines and T.V. networks. It’s no coincidence that all of the great liberal forums have been slowly fading. They once had such incredible power. Since the rise of the Web, the nightly network newscasts have become peripheral, and the New York Times and the Washington Post have been slowly fading and are struggling to survive.

“Historically, talk radio arose via Rush Limbaugh in the early 1990s precisely because of this stranglehold by liberal discourse. For heaven’s sake, I was a Democrat who had just voted for Jesse Jackson in the 1988 primary, but I had to fight like mad in the early 1990s to get my views heard. The resistance of liberals in the media to new ideas was enormous. Liberals think of themselves as very open-minded, but that’s simply not true! Liberalism has sadly become a knee-jerk ideology, with people barricaded in their comfortable little cells. They think that their views are the only rational ones, and everyone else is not only evil but financed by the Koch brothers.  It’s so simplistic!

“Now let me give you a recent example of the persisting insularity of liberal thought in the media. When the first secret Planned Parenthood video was released in mid-July, anyone who looks only at liberal media was kept totally in the dark about it, even after the second video was released.  But the videos were being run nonstop all over conservative talk shows on radio and television.  It was a huge and disturbing story, but there was total silence in the liberal media.  That kind of censorship was shockingly unprofessional.  The liberal major media were trying to bury the story by ignoring it.  Now I am a former member of Planned Parenthood and a strong supporter of unconstrained reproductive rights.  But I was horrified and disgusted by those videos and immediately felt there were serious breaches of medical ethics in the conduct of Planned Parenthood officials.  But here’s my point:  it is everyone’s obligation, whatever your political views, to look at both liberal and conservative news sources every single day.  You need a full range of viewpoints to understand what is going on in the world.”

The Future of Sci-Fi Tropes and Dystopic Hopes


Roads will still exist in the future, but if the “figurative schemes of thought” of the architectural images of futuristic sci-fi movies are to be believed, they will be miles above the ground. These future sci-fi roads will sprout from an enormous, corporate monolith in the manner of an octopus. The import of this sci-fi trope is that we will no longer have cars in the incarnation we now know. These cars do not even require a runway, they lift off the ground, which begs the question why will we need roads? The unspoken answer is that while roads may no longer be constructed for human travel, they are necessary to provide a foundation of stability for the evil, corporate structure.

The corporation, in question, is often an intangible, ominous main character in the story, with an ominous name. This begs the question why would the founder choose such a name for his creation that potential clients might associate with evil? Answer: Corporations have no human origin. The corporation, is, was, and always will be, springing to life from some sort of primordial, evil ooze. The corporation did no originate from a they –those humans who sit on its corporate boards, and worked in its departments, and divisions– it evolved into a self-serving “It” that no longer has a need for employees, much less customers, or any goods and services. It no longer serves man, man serves it. 

TMLandThose few humans still serve the corporation are made all the less human by the corporation requiring them to be in full battle gear even while tasked with the most mundane chores, such as inputting data into a computer, and their prime directive (much like the drone bee) is to chase and/or kill anyone who dares to question It. And the It (as forecast by those that know) will find a way to progress into our neighborhoods, put us in pods –as opposed to suburban housing– take away our need for Puggles, and parakeets, and drain us of every vestige of humanity, until It can achieve an end game.

This end game often gets muddled in a loose group of references, but most sci-fi fans don’t require a great deal of detail regarding It’s evil plan. (This viewer also thinks the specifics of the corporation’s evil plan end up on the cutting room floor with a “too preachy” note from the monolithic, evil production chieftains from Hollywood.) The average sci-fi fan cares more about chase scenes anyway, the battle scenes, the CGI, and how the movies’ gorgeous heroes will overcome the final obstacle, the manifestation of It (often some monster who drools lot). The details of this plan would be redundant anyway, for as all sci-fi fans know the sole purpose of all corporations is to end humanity as we know it, so the corporation can franchise out to a chain that will exist for the sole purpose of being evil and ending humanity as we know it, unless our unassuming, swashbuckling, and gorgeous heroes can put a stop It.

The website The Millions states that the word trope has taken on a different incarnation through the years:

“‘Various scholars throughout history … have argued that a great deal of our conceptual experience, even the foundation of human consciousness, is based on figurative schemes of thought.’ The writer also notes that Tropes (in the sense of figures of speech) do not just provide a way for us to talk about how we think, reason, and imagine, they are also constitutive of our experience.’” Modern language has it that the word trope has come to mean: “a common or overused theme or device: cliché.”

The origin of the trope for the octopus road coming out of the monolith, corporate structure may have occurred long before The Jetsons, but most of us (of a certain age) saw it displayed there first. To our minds, therefore, when sci-fi movie makers feel compelled to add the octopus road, they are either paying some sort of tangential homage to The Jetsons, or they are attempting to appeal to our “figurative schemes of thought that are constitutive of our experience” of what the future will look like by way of The Jetsons, or the sci-fi novels and comic books that preceded it.

The unspoken reason behind these miles high roads, is based on the idea that we’ll run out of the space necessary for more traditional, ground bound roads. For some reason, however, pedestrians keep falling off these roads that are created miles above the terrestrial plain. We have roads and walkways that were constructed high off the ground in the present, but they’re often enclosed, or they have substantial guardrails to prevent people from falling. There is no apparent need for guardrails in our shared “figurative schemes of thought” of the future.

If guardrails become passé in the future, one has to wonder how the original architect of the evil monolith (often composed of shiny crystal) will manage to avoid federal and state zoning codes that governments throw at every producer prior to construction. If this architect is crafty enough to evade government intervention, or he has enough money to bribe government officials, one has to imagine that he will see financial ruin by way of personal injury lawyers looking to cash in on the mental duress their clients experience when thinking of falling from these roads, and from those families of the victims who do fall.

If this architect manages to develop some patented safety measures that thwart most of the personal injury lawsuits that hit him, and he manages to avoid getting bogged down in all of the bureaucratic red tape from government officials –expressing alarm for public safety with one hand pointing at the inherent danger and taking payoffs for their silence with the other– this architect will probably go broke as a result of litigation brought by patent lawyers scouring the finer details of the architect’s patent to help the lawyer’s clients siphon as much cash off the original architect as possible, until no future architects, seeking to create evil, corporate monoliths will follow the original architect into this minefield.

The future, as cynical, non-sci-fi fans see it, is not one of crystal cities, miles high roads, and constant innovation, but of government-mandated open spaces and wide open plains as far as the eye can see. One has to guess with the current path we’re on –of government officials and lawyers destroying creators’ plans and finances– that our current course dictates that the future will not be one of architectural brilliance and innovation, unless an ingenious mind comes along and discovers a way to bubble wrap the world and have gelatinous bubble guns at every portal to protect anyone from ever being harmed again.

Until that day arrives, a more realistic dystopian, sci-fi movie would depict our future being one of wide open plains and prairies that mirror Kansas and Nebraska where a screaming fall of a couple miles before one makes contact with terra firma –from an octopus road that sprouts from a monolithic corporation– becomes nothing more than a trip over a piece of loose soil. This movie would not provide us the stunning visuals our “figurative schemes of thought” have come to expect from big budget sci-fi movies that project our future, of course, but with the course we’re now on it would be a lot more realistic.