Top 10 Favorite Smurfs: The 2020 Edition


It’s that time of year again. We present our annual list of our favorite Smurfs of the year. The reason for the delay is that it was such a challenging year. There was great debate here in the office, as our panel spent long hours compiling attributes and characteristics to shore up our list. We might not ever be able to top our 2005 list, but we hope Smurfers appreciate how much work went into compiling our list this year. 

10) Pretentious Smurf- Pretentious Smurf wants the Smurfs to love him, but he doesn’t know how to make it happen. He, like all Smurfs don’t have parents, our primary definition of love. Most Smurflings are delivered by storks, and some were created by Gargamel and others. Papa Smurf is the leader of the Smurfs, but he is not their biological father. There is no Mama Smurf, with whom they might witness loving interactions with Papa Smurf to help them define love. They’re on their own to define the intricacies of love. In the absence of paternal lessons, there are but a few definitions of attaining love, the love you give is the love you receive, and one cannot know love without first loving oneself.

As opposed to other Smurfs, Pretentious ascribes to the latter, as he pretends to love others for the sake of loving himself. We concede the word pretends might be a bit harsh, as it speaks of artifice, and Pretentious doesn’t intend to pretend, but the depth of the character informs us of the fuzzy line between pretending and pretentious. When he attempts to love them, it is from a distant sympathetic love that serves to keep them distant. He feels sorry for them, as he tries to help them. When he helps them, Pretentious makes sure everyone hears about it, which viewers have noted is more about publicity than charity. 

In this Let’s Get Smurfy episode, Pretentious Smurf’s exaggerated love of self started out philosophically pure, as he attempted to spread the love, but it progressed into a protection device to avoid the fact that he doesn’t know how to love others, and that results in other Smurfs not knowing how to love him.

9) Reflective Smurf- When we first meet Reflective Smurf, the character just seemed redundant. Why didn’t the writers just give all these characteristics to Brainy Smurf? As with most of this new generation of Smurfs, we find that Reflective provides a unique level of depth to Smurf Village. Whereas Brainy displayed his intelligence in every episode in which he appeared, Reflective’s intelligence is less overt. Reflective’s intelligence was more analytical and situational. Like many of the side characters in Smurf Village, Reflective Smurf is purposefully underdeveloped. He is a vehicle through which the writers define other Smurfs. When, for example, the good friends Salubrious Smurf and Quiescent Smurf argued, Lachrymose Smurf is not upset by some of the things Salubrious said.

“They’ve loved each other for so long,” Reflective says. “How could Salubrious say such things to someone he loves so much?”

“It was an argument,” Lachrymose says. “I think he was saying whatever he had to say to win that argument. We all do it.”

“Ok, but he said some things that he might not be able to unwind,” Reflective adds. “I’m going to say something, before they drag this out too long.”

“You’ll do more harm than good,” Lachrymose cautions.

“He said some awful things though,” Reflective responds. “I’m going to talk to him and tell him that if he doesn’t undo this, he’s going to regret it.”

“Wait,” Lachrymose says, “Let’s wait this out, and let it resolve itself. They’re not Smurflings fighting on the playground. They’ll figure it out.” 

“Be careful what you wait for,” Reflective says to close the scene. Wait a second, the line is “It’s be careful what you wish for” we thought. After chewing on the line for a bit, we realized that the line had a more complicated rhythm to it. How many of us fight with our loved ones? How many of us say the meanest, most awful thing in the moment? When our loved ones truly care about us, and they are not dramatic types who remind us how lucky we are to have them, we accidentally begin to take for granted that they will be there forever. Their love and loyalty is there so often and so consistent that they’re kind of boring. So, we break whatever chains they have on us, controlling us, until we don’t see the damage we do. We unleash particularly heavy when they’re strong, because we know they can take it. How many of us don’t see the damage we do? How many of us wait too long to unwind it, as Reflective said? We think our loved ones will be around forever, so there’s no need to get dramatic and say hurry up and end the fight before it’s too late. “Be careful what you wait for” takes on a new rhythm when examined in that light.  

If the worst-case scenario happens, and the loved one dies, Reflective might say to Lachrymose, we could confront them at the funeral and tell them that they waited too long, and they still wouldn’t see it. They might say we’re exaggerating, and that they don’t remember the argument being as bad as we thought. We could even drop heartfelt comments the subject of their scorn made on their deathbed, and they wouldn’t see it. We might suspect that their ignorance on this issue is intentional, but Reflective’s experience on the matter suggests that that’s not the case. Some Smurfs simply don’t see it, and they never will. So, waiting for it to happen is pointless.

8) Writer Smurf- Writer Smurf wrote a popular piece sometime before we met him. The story was so great that some of the Smurfs began calling him Brilliant Smurf. In this episode, we learn that Writer Smurf has been unable to recapture the magic of that piece. He spends much of this episode telling the Smurfs that he is no longer properly inspired to create another piece. Part of this is true, and part of it was inspired to fortify his legacy. After delivering this line a number of times, the other Smurfs begin to question the idea of it. To defeat these questions, Writer Smurf creates pieces no one can understand. “Nothing happened in the story,” was the primary complaint he heard.

To which Writer Smurf said, “The demand that something happen in a story is trite.” As his first story proved, Writer Smurf is as talented as any Smurf who ever laid quill to paper, but he obviously feels compelled to try to equal and/or top that first story. He can’t come up with anything, so he writes beautiful scenes and incredible characters, but they’re involved in a story no one wants to read. He also litters his stories with limericks and songs in an old world language no Smurf has used for decades. He uses foreign words and big words to impress upon them his broad vocabulary. He does this so often in one particular piece that we know it’s more about using those words than it is about entertaining the Smurfs. Writer Smurf showed the ability to write a great story once, but other Smurfs wrote other great stories in the interim. He fears that he cannot top them, or himself, in his next stories, so he basically focuses on creating pieces that confound them with the hope that they might confuse that for brilliance. Writer Smurf appears to enjoy the motif he created for himself. “Anyone can write a story,” he says to his critics, “but I write masterpieces that will have critics and experts debating my intention for decades.” 

7) Jejune Smurf- I was not a fan of the early incarnation of Jejune Smurf, as there was something missing in his absurdist dada attempts at humor. As Heuristic Smurf later stated, “Jejune was not in a place where he could be a quality Smurf. He was without an identity, not quite a Smurf.” Jejune Smurf was but a shadow and little more than a disembodied voice until the light entered the room. He denied his physical identity and attempted to shut himself out of his own consciousness. Heuristic Smurf commanded the seas about Jujune, thus expanding Jejune’s dramatis personae and establishing his raison d’etre in the Smurf motif.   

6) Bellicose Smurf- Bellicose Smurf’s initial monologue to open this three-part series offended some of us so much that we wanted to crawl into a hole and cry. Many of us were unable to watch these episodes without a bottle of Merlot, a friend on the phone to talk us through it, and a warm, dry blanket. His discursive monologue seemed so incongruent to the Smurf aesthetic. When the acclaimed director Rama Eflue exerted some influence over the character, he introduced a holistic sense of cohesion in the whimsically conceived diegetic oeuvre. Eflue not only introduced us to the interiority of Bellicose, but he provided a basic honesty with his techniques and framed it in the Smurf schema with Homeric parallels. Introducing him with Claudio Baglioni’s beautiful, orchestral arrangement E Tu Come Stai didn’t hurt either.

5) Contumacious Smurf- From his introduction to his bitter, unusually violent end, Contumacious Smurf provided us a form of drama in two different episodes last season that have no parallel in any prior or subsequent Smurfean fare. It was a mixture of fantasy, delicate political and personal satire, knockabout farce, obscenity (probably of ritual origin) and in the case of his far too infrequent interactions with Lachrymose Smurf at least, delightful lyric poetry.

4) Didactic Smurf- Didactic Smurf provided further definition of the eternal struggle between good and evil in his early encounters with Gargamel. The culmination might have occurred in the interaction in the Is it My Birthday Yet? episode. What does Didactic Smurf expect from Gargamel? What does Gargamel expect to extract from Smurf Village? What is Gargamel’s place in the broad edifice? Gargamel represents a past Didactic despises. To combat that, Didactic expresses a strong need for knowledge about Smurf Village in general and specific to Gargamel’s subterfuge. “I have much to learn,” Didactic’s interior narration says, as he writes to the Smurfling Invidious, “Learn and inwardly ingest.” These two ideas represent a near contradictory description of Didactic’s attitude. Was Didactic Smurf recalling a past episode in Smurf Village in which he perceived, in a moment of metempsychosis, to see the ghost of Efficacious Smurf peering out through the vestments of the present? We don’t yet know, but we know he despises his creator, Gargamel, as a symbol of a guardian of the past.   

3) Taciturn Smurf- Taciturn Smurf completely changed what we considered the Smurf ethos when he opened the scene with the declarative, “I am another Smurf now and yet the same,” before turning out the lights to tacitly encourage the chaos and violence that followed. “A Smurf too. A Smurf of a Smurf. I am the Smurf of two Smurfs!” he shouted in a booming voice. “A crazy Smurf, old and jealous. Now kneel down before me.” Those who watched this with me considered Taciturn Smurf’s performance terrifying and exhilarating at the same time. One of my colleagues actually said he literally found Taciturn Smurf’s rancor so egregious that he was relieved when Taciturn Smurf reached his denouement during the great Smurf War. Taciturn’s performance made my friend uncomfortable. I agreed in a most glorious appreciation of his performance.  

2) Rhadamanthine Smurf: Rhadamanthine might not be on this list were it not for the existential questions involved in his interactions. Rhadamanthine Smurf is the most accomplished and decorated Smurf in Smurf Village. The other Smurfs, those outside his family, revere him. The old adage ‘he doesn’t know his own strength’ applies to Rhadamanthine Smurf in reverse. Rhadamanthine knows he is the strongest Smurf, physically. In episode after episode, Rhadamanthine shows his strength, compares it, and lectures other Smurfs on it for the good of the Smurf community. Physical strength is his raison d’etre, his comparative analysis, and the tool he uses to keep the random at bay. Is Rhadamanthine Smurf’s sole focus on outer strength, a window into his lack of inner strength? It’s possible that Rhadamanthine has only known weakness, and he considers it a strength. He constantly compares the strength of other Smurfs to something he once knew, but is he comparing or is he lecturing on a subject of keen interest to him, and is such interest always born of a subject on which we have no knowledge? He speaks of muscular strength, of course, but muscular strength is easily identifiable and concrete, but is it as easily attainable as inner strength? In the Less Unparalleled episode, we witness the idea that Rhadamanthine has no stature in his home. His Smurflings, including the Invidious Smurfling, are obnoxious and unruly. Rhadamanthine Smurf has an enviable reputation among the Smurfs who know him superficially, but in the confines of his mushroom, he is the weakest Smurf.

1) Solipsist Smurf– For the third year running, Solipsist Smurf is our favorite Smurf. We identify with his facile ruminations, and his jocose use of mnemonic devices to advise and entertain his fellow Smurfs, but most of all we love Solipsist Smurf for the way he manages to leverage all that with a unique level of depth and range. In the The Hat Becomes a Leaf episode, Lugubrious Smurf approached Solipsist for advice on how to tell Muliebrous Smurf that he loved her. Sopolsist’s answer reveals the rewards of self-reflection as it lends itself to occasional solipsism. “Touch her,” he said, “for touch is the one essential sensation we all share. Until we touch, we only dream. Touch creates a tangible connection to the person and to the dream. Touch is you, it is I, and it is Smurf Village. Avoiding touch permits us to never lose and never gain.”  

Gorillas and Lions and Wolves, Oh My


When I watched a gorilla scoop some dung out of his brother’s anus to eat it, it modified my thoughts on taste. This gorilla didn’t just ingest his brother’s dung, which is disgusting enough, he did so in such a deliberate process that the observer couldn’t help but note how much he savored that moment. He ingested that dung in the manner I might that one perfect strawberry I find in every bushel. We might think if he loved his brother’s dung that much he might suck it down quick to go in for another scoop before the other gorillas find out about it. He didn’t. This gorilla stopped for about three seconds moving it around his tongue to touch every taste sensor, with his eyes closed. And he closed his eyes slowly, and they fluttered. I didn’t imagine it. I saw fluttering. We all hate it when people assign human characteristics to animals, anthropomorphizing them, but there was no mistaking the idea that this gorilla was savoring the taste of his brother’s waste matter before going in for more. 

They’re our distant cousins right? How far removed from this species are we? We go on primal diets, like the paleo diet and the primal blueprint, and those diet entrepreneurs pitched their diet by saying that early humans had lower rates of obesity, heart disease, diabetes, and other chronic health conditions due to differences in diet. Dietitians now state that one of the problems with the paleo diet was that it can lead to cancer, heart disease, loss of bone density, and fatty liver. What’s the difference between the diet of modern man and Paleolithic man? What if we found that one key element to Paleolithic man avoiding such maladies was eating each other’s bodily waste? And did we invent toilet paper to keep our backsides clean, or were we trying to remove temptation? Out of sight, out of mind.

How far removed are we from scooping dung from our brother’s anus? If we listen to science, we’re not as far as we choose to believe. We all marvel at the good things they do, and we associate with them in this vein. When they do awful things, like eating the product of another’s bowel movements, we don’t claim them as one of ours.  

Why? Well, it’s disgusting. Who would want to associate with a species that eats another’s waste? What this points out, more than anything else, is that taste, flavor, and preferences are relative concepts. What sounds and looks disgusting to us is something to savor for our distant cousins.

Everyone is trying to appeal to our taste when they write, painting, cook, and changing their lifestyle to try to appeal to our taste, but what do we find appealing? Something that makes our brain tingle, does not do anything for our brother. Do you have this brother, raised in the same home, talk all the time, and he’s almost 180 degrees different. That’s an entirely different article, but the point is that taste is so relative that it’s almost impossible to create a flavor that has widespread appeal. The word flavor should have a capitalized (‘F’) on it, as it focuses on such a wide spectrum of taste. Food and drink have a flavor of course, but so do music, literature, and all of the arts in the sense that some of it creates the same but different brain tingles. 

Our own tastes are relative too, relative to need. Does water taste great? I dont think so, most of the time. If you played through a particularly grueling athletic contest, you know how great water can taste. Anyone who has run in a marathon knows water can taste like liquid gold. My guess, just looking out in the audience today, is that nobody here knows anything about that, but you do know what water tastes like after a night out. It’s the same but different, but the point is that need often dictates flavor. The polar bear prefers the seal over the fish, because of the fat content of the seal, something the polar bear desperately needs. 

Animals eat for survival right. They don’t enjoy taste, or if they do on some level, they don’t savor. They eat to fulfill their need to sustain life. Savoring requires a level of cognition that recognizes the limited quality of something extremely enjoyable. We all love the taste of a perfectly prepared rib eye, the perfect strawberry, and the clean, smooth taste of a cold drink of water. I think we can all agree that the strawberry is one of the best tasting fruits in nature, but there are always a few, in every bushel, that are perfect. Savoring that perfect strawberry, for just a second before eating another one, recognizes that limited supply. This gorilla not only ingested the dung slowly, he appeared to pause for just a moment to savor whatever that other gorilla ate and whatever that other gorilla’s digestive system added to it. That elongated, almost spiritual closing of the eyes might have been a coincidence, but I thought the gorilla enjoyed the concoction so much that he wanted to savor it for moment before going back to the dispenser. There was a full tray of food awaiting this gorilla, in the southeast corner of his enclosure, but he preferred to go back to the dispenser before him. Watching that gorilla appear to so enjoy it so much that he went back for more, I realized that individual tastes are so relative to the flavors we create that it’s pointless to try to fashion our work in such a way that it pleases everyone. We can only create whatever it is we create from our own dispensaries and hope that others enjoy it for what it is.   

The roles those two gorillas played in this enclosure defined for me what proved to be what I consider one of the most unusual and artistically successful pairings in music history that of Ben Folds and William Shatner. I’ve been a fan of Ben Folds for a long time, but my taste in music is such that I’ve never listed him one of “my guys”. He has some fantastic songs, but if I were to run into Ben Folds, and I informed him how frustrated I am that he comes so close to reaching me, I’m sure he wouldn’t care. Not only would he not care, he shouldn’t care. If I met him and told him that most of his music misses the mark for me, he should say, “That’s on you. I can only do what I do. I can’t worry about pleasing you, offending you, or entertaining you. If it pleases enough people that I can make a living at this game, that’s great, but I’m not going to change what I do to please you or Betty Beatle from Idaho.”  

William Shatner is not one of “my guys” either, but he’s always around. He’s the green bean casserole of the entertainment world. I doubt anyone who has yet to try green bean casserole would look at it and think, “Yum!” but it’s at so many family get togethers and potluck dinners that we eventually “what the hell” it, until we discover it’s ain’t too bad. As long as we don’t overdo it, repetition can even lead to a level of fondness for it, until we look forward to the next get together or potluck dinner that has a tray of it. Similarly, William Shatner has been in so many movies, TV shows, and other formats that we now look forward to seeing him in various productions.

No one should confuse the term “my guys” with a description of talent. I’ll drop the typical line that people drop to explain the discrepancy. “I respect the heck out of what Folds and Shatner do, but it just doesn’t reach me on a personal level.” I know people who love John Lennon so much that they suggest Paul McCartney is not talented. I understand that we all take sides in any rivalry, but to suggest that a talent on par with Paul McCartney has no talent is ludicrous. The Silly Love Songs vs. Important Songs debate rages on in some quarters, as Lennon fans suggest Lennon was not only more important he was more creative. These people relate more with Lennon, and because of that Lennon is “their guy”, but to prove that point, some try to so by belittling McCartney’s Silly Love Songs talent.

I missed Folds and Shatner’s collaboration for years, because they weren’t “my guys”. When I eventually heard the album Has Been, however, I was blown away. It reminded me of one of my favorite concoctions: cranberry granola and banana flavored yogurt. Banana flavored yogurt is too sweet for me on its own, and while the cranberry flavor of granola is tasty, I probably wouldn’t eat it as a standalone. When I put the two together, however, I enjoy it so much that I’ve considered submitting it to the overlords as my reward for living a decent, moral life. When I pass on, I want to meet my long-deceased relatives of course, and I wouldn’t mind it if someone played a Brahams Sonata on the harp to signify my entrance, but if you’re wondering how best to reward me for a life well lived, might I suggest that the floors and walls of my reward taste like the banana-flavored yogurt and cranberry granola concoction I created.

When we eat concoctions like these, we spoon too much of one flavor most of the times. Some of the times, we spoon too much yogurt, and some of the times, we spoon too much granola, but there are occasions, at least once a container, when we hit a Goldilocks spoonful. The album Has Been is the Goldilocks concoction of talent for me, and when I listened to it often enough to recognize its brilliance, I closed my eyes and savored the moment. I did so, figuring that this production would be a one-off. I loved Has Been so much that I went back to the other concoctions they’ve made together, and I went back to their solo work, but neither of them hit the mark in the same manner. On their own, Shatner and Folds create interesting, quality material that doesn’t quite hit that Holy Crud, brilliant mark, but together they created what I consider their Goldilocks moment. I would think that such moments are so fleeting in any artist’s career that when they hit one, they would immediately run back into the studio to dispense another collaboration, but perhaps they don’t think they can create another Goldilocks moment together. I know they did singles together before and after Has Been, but that album was so good that I would think it would drive them right back into the studio to do another collaboration. We know that Folds’ affinity for Shatner brought them together, and that their work together impressed Shatner so much that he called Folds a genius, but we don’t know why they never made another album together. Perhaps they think that fate and whatnot only permits one one Goldilocks moment a life.

Carnivores in Cartoons

Yesterday, I thought carnivores were the mean, bad guys of the wild. Today I realized that the cartoons we watched conditioned us to believe that when a lion, shark, alligator, or any animal at the top of the food chain eats one at the bottom, they do so with some sort of evil intent. We can find a definition of this in Aesop’s fable in which a mouse removes a thorn from a lion’s paw. After the mouse removes the thorn, the lion states that it will not to eat the mouse as a display of gratitude. The mouse does something nice for the lion, and the lion, in turn, agrees to do something nice for the mouse. The inference is that if the lion betrays this agreement, and the lion follows its instinct and eats the mouse, that means the lion is mean.    

In another fable, on the theme, a frog agrees to assist a scorpion across a pond. Before doing so, the frog says, “Wait a second, you’re going to sting me.” 

“If I stung you, we would both drown,” the scorpion responds. 

The frog reluctantly agrees to help the scorpion across the pond, and the scorpion stings the frog. As they’re both drowning, the frog says, “I thought you said you weren’t going to sting me.”

“What do you want me to say, I’m a scorpion. This is what I do.” 

Some allege that the moral of the story, for young people, is that there are vicious people in the world who, no matter how nice you think they are, will stab you in the back. While I think that is a valuable lesson to learn, the more valuable lesson is that which exists in nature. No matter how nice and cute that wild animal appears, and no matter how many cartoons we watch that display that animal as cuddly, they will probably scratch and bite us if given the opportunity. They might not understand why a seven-inch gash in our skin prompted our decision to stop playing with us. If they could talk, they might say, “C’mon, I was just playing.” The point is, in most cases, they did not intend to hurt us, and they’re not being mean. They’re relatively brainless creatures, compared to us, that operate almost entirely on instincts. Biting and scratching is just what they do. 

Think about all the cartoons we watched and books we read in our youth. They depict carnivores with jagged teeth and menacing growls. As we often do, we confused being scary with being mean or bad. Today I learned that they’re not mean, or bad, they’re just hungry, and like all other animals, they eat when they’re hungry. Regardless what it does to their reputation as a beautiful animal, wolves enjoy eating fluffy bunny wabbits. They do awful things to bunnies if they’re able to catch them, but that does not mean they’re mean or evil in the manner we define such terms. By teaching young humans lessons, using animals as main characters, some of us anthropomorphize these characters to such a degree that we assign them human characteristics. Lions, tigers, and bears aren’t nice, they aren’t mean, and they don’t make decisions on what to eat based on how other animals interact with them.   

Yesterday I learned that even if the animals at the top of the food chain are not the meanies we thought they were when we were kids, we should still consider doing everything we can to avoid one in the wild.

After watching videos that focus on animals biting humans, nature lovers qualify the instinctual actions of these wild animals by saying, “We are not on their diet.” The nature lovers then provide a number of theories regarding how these incidents often involve nothing more than a case of mistaken identity. These theories are true, of course, as most animals in the wild, and in the ocean, have never seen a human, and self-preservation is more important to animals than eating in most cases. Animals often take a pass on eating anything unfamiliar if they think they could get hurt in the process. Sometimes, however, they’re so hungry that they’re willing to eat anything that moves, especially if it moves slower than other prey.

Most animals don’t know what a human is, and that’s why they fear us, but we are also a point of curiosity for them. Thus, when they see us walking around in their domain, or floating on the surface, they’re curious, and that curiosity is almost exclusive to considering whether they should consider adding that slow moving case of meat to their diet. Yet, seeing, hearing, and smelling us might not be enough to satisfy their curiosity, and they obviously cannot communicate with us, so their last resort is to taste us to try to figure out what we are to determine if we are a delicacy they’ve never considered before.

The nature lovers further their argument by opening up the belly of a bull shark. “When we open up the belly of a bull shark, we find everything from license plates to cans of paint to packs of cigarettes. The bull shark, unlike other sharks, is not very discerning. They’ll eat anything they see floating on the surface of the water, even if it happens to be a human on a surfboard.” Translation: They do not intend to devour us. They’re just curious. They just want to taste us to see what we are. I see the nature lovers working here. I know they’re trying to relieve our fears about sharks, and in turn preserve the shark population, and I know wild animals are not bad or mean in the context humans define the terms, but it does not comfort me to know that all they want to do is taste me. If I happen upon one of these carnivorous beasts, and it’s clear that all they want to do is taste me, I’m still going to do whatever I can to get away. If I fail to escape, I’m probably going to shoot it, because I have to imagine that even though they’re just tasting me, it’s still going to hurt like the dickens.

Sprinting & Age


Yesterday, I realized we’re all sprinting to old age. Today, I realized that those lucky enough to make it to old age should probably refrain from sprinting. The aging process is a relative progression, as we’ve all met young sixty-year-olds and old forty-year-olds, but no matter how old we are, we occasionally receive reminders that we’re aging. The aging process rarely hits us in an “Oh, my God I’m (fill in the age here)!” one day in the mirror. Aging is often more of a gradual process that hits us in tiny, little, and seemingly insignificant hits, every day.

We fell on a Tuesday doing something we’ve done our whole lives. We tripped trying to skip a stair on a Wednesday, and we’ve skipped a stair since our legs grew long enough to do so. (Mental note, skipping stairs may no longer be in our repertoire.) On Thursday, we caught ourselves making old man sounds when we sat, but we can’t even remember when we started doing that. We admired a beautiful person on Friday, and someone informed us that we’re probably too old to continue doing that. “It’s just odd,” they said, “considering the age gap.” Someone considered it inappropriate on Saturday, and on Sunday someone found it “Absolutely disgusting” that we should admire the beauty of a 20-year-old. “Because you’re old enough to be her grandpa!” they say. The progression didn’t occur that quickly, within one week, but on some days it seems like it does.  

We all know we’re aging on a physical, superficial level, but mentally we’re not so far removed from that energetic, wildly enthusiastic 20-year-old who was afraid to talk to girls. When they add, “And you should know better than to stare at a 20-year-old woman,” we realize how far removed we now are. We do “know better” on one level, we know how old we are, but their scorn is a painful reminder of how much we’ve aged. We do the calculations in our head, and we realize they’re right. We are, in fact, that old now. The realizations that we’re that old now are not about any of one of the matters listed here. It’s about all of them. It’s about that big old snowball that’s been accumulating over the years without notice.

***

“You know you’re old when you fall and no one laughs,” a comedian once said. You know you’re old when they surround you after a fall, and they’re not there to point and laugh. They’re there, because they’re concerned. You know you’re old when their raised eyebrows suggest that you might want to refrain from such activities in the future. You know you’re old when no one laughs about it later, even behind your back. People didn’t laugh when we fell when we were very young, and somewhere along the way, it turned full circle. People aren’t laughing anymore. They’re concerned. It’s humiliating. The science of their silence involves a calculation of our age and the impact of your fall. It’s no longer funny. It’s so disturbing to some of them that they consider it alarming.

“What happened?”

“He was sprinting.”

“Ok, well, he probably shouldn’t be sprinting at his age,” they instruct one another.

You know you’re old when you’ve become the subject of group concern, and the group addresses the subject of their concern in the third person, as if to suggest that they’ll take care of this whole matter going forward, because it’s obvious that we can’t anymore. They addressed us in the third person when we were young, implying that an authority figure should’ve seen to it that that didn’t happen. Everything in between involved laughter, directed at us in the first person, because they knew we were old enough to know better but young enough to sustain the damage of our stupidity. We might feel some warmth when we realize how much these people care about us, but that fades when we realize their resolutions mirror those family members make when our loved ones reached a point when they were no longer capable of caring for themselves. They have no problem telling us when we’re too old to oggle, but no one instructs that we’ve reach a point where it’s considered ill advised to sprint until it should be obvious to everyone involved.

***

A game of ‘keep away’ developed organically. My nephew was in the middle, laughing as hard as the two adults were on opposite sides of him. He was laughing so hard, and apparently having so much fun, that another kid joined into help him defeat us. Another kid joined in a couple of throws later, then three, then four, then so much more. The game wasn’t young versus old, but it evolved into it. It started out friendly, but it evolved into a competitive definition of whatever remained of our athletic ability.

I started out tossing the ball from a stationary position. I was laughing and failing on purpose, giving the kids a chance, until one of them said a little something that I considered a provocative definition of my declining athletic ability. When it came time to catch the ball, I followed the same pattern. I went from light-hearted attempts to get open to employing quick, ankle spraining jukes. When I realized I couldn’t shake the nephew I once held as an infant, the quick movements evolved into some running. I ran every single day at one point in my life, so it was not a concern to me. I don’t know if I started losing, or if I sensed that the others were further questioning my ability, but I began sprinting to open spots to capitalize on the holes in their coverage. It dawned on me, while doing it that I haven’t done this in years. No one gave this a second thought for most of my life. Some people run, some people sprint. I didn’t see the spectators watching, but I could feel it. I even saw a couple stand with some concern. Did they see the game for what it was, or were they wondering if they should begin sprinting too? Did they stand to source the emergency that sparked my progression? I looked over to verify that they were watching me, but in that casual glance, I almost tumbled. I couldn’t look back at them. I had to be mindful of my feet. (Mental Note II, running now requires more focus.) Running was not my greatest concern. Stopping was. I had a myriad of little feet under mine, and I had to focus to avoid them.

I know I’m not as athletically inclined as I once was, but who is? I am smarter now. I know how to use my faculties much better than I did when I was younger. In the midst of these throws, my competitive juices got the best of me. I overdid it. I knew my best presentation could be found sitting on the lawn furniture with the other old people, talking about what old people talk about with lemonade in hand on a sunny day, but I didn’t decide to play this game. An impromptu game broke out and evolved into a character-defining match of my ability against theirs. I could not just quit. “Why did you quit?” I imagined one of them asking me. “Because I’m old and I can’t handle the physical requirements of such a game anymore.” Yeah, that’s not in my nature.

The nephew I once held as an infant was shutting me down in coverage at one point. I encouraged it verbally, but I also wanted to discourage it physically. I wanted to prove so dominant that he left our little game a little demoralized. To do so, I employed some of the know-how I picked up along the way, using the bag of tricks I developed in the decades I spent playing intramural football. Michael Jordan developed a fade away when his skills started to decline. I developed a few moves of my own over the years. “Youth is wasted on the young,” Winston Churchill said. What if I had this wide array of jukes when I was younger, I asked myself, would I have been better? I sprinted to the right, juked, and went further right. In doing so, my fellow old man led me well with a pass. My ability to stop on a dime and juke surprised my nephew. He went left to cover the traditional juke, and he did so right under me. To avoid taking him out, I had to adjust. (Mental note III, my ability to adjust on the fly has receded.) I tripped over his feet. (Mental Note IV: Studies show that the chances of tripping increase exponentially when we sprint.) Been there, done that. (Mental note V, watch out for ground, it hurts, but not near as much as a parked car.) I didn’t have much choice, in the stumbling and bumbling that followed. I decided to take on the car. (Mental note VI, the pain experienced from stationary objects increases when approached at top speed, and we should all try to avoid parked cars as often as possible. They can be unforgiving.) Hitting the car, and then the equally unforgiving concrete was humiliating, and I thought the people surrounding me with looks of concern was the peak of my humiliation, until my nephew called me up later that night to apologize for getting me so worked that I almost ended up impaled on a car.