“The aliens are not evil, but they are here to eat us,” our main character replies to the first question the talk show host asks him. This contradiction draws some laughter from the studio audience, as they don’t understand the difference. “Do we consider the lion evil? Of course we don’t. I agree with those who say that the aliens are not evil in the same vein, and I disagree with my colleagues on this note, but I can only guess that the lion’s prey don’t care what their intent is. When lions eat cute, baby antelopes, they don’t do it to satisfy some perverse love of violence. Anyone who thinks lions are evil is assigning their thought process to the primal actions of the lion, or they might watch too many cartoons that depict lions as evil. We know the only reason lions kill is that they’re hungry. I think the aliens who landed on our shoes are desperately hungry, and they know we have meat on our bones. They just want to eat it. If you consider that evil, that’s up to you, but my bet is that the baby antelope doesn’t suffer their fate without, at some point, mischaracterizing the lion’s motive.”
The reactions the various players have to the main character’s appearance on the talk show ends up saying more about them than it does the main character, or the aliens. When the scientists and reporters attempt to interact with the aliens, soon after the shock and awe of their arrival subsides, they do so to understand why they’re here. They want to befriend them, and we follow their lead on the matter, because we want learn everything we can about them, so we can learn from them.
The aliens know this is the greatest thing that has ever happened to us, and they know how much their arrival excites us. They operate in good faith, in the beginning, and they focus on public relations to build trust with us to hide their real motives. When one of the reporters, assigned to cover the aliens, disappears, the aliens’ approval ratings suffers a dive. The public begins to suspect that the main character might be right when he suggested that the aliens captured her, filleted her and refrigerated her to take her meat back to their home planet.
“They had their eyes on that reporter,” the main character suggests, “because she had right combination of muscle and fat. My friends and I have studied all of the people who have gone missing since their arrival, and we’ve found no discernible patterns, other than they’re not too fat or too muscular. We think the aliens are eating those of us of a certain body mass index that contains a quality mix of fat and muscle. We think there are so many humans on earth that they’ve developed a finicky preference. They prefer those of us with a little fat to flavor to our meat, in the manner a little fat flavors a ribeye steak.
“Their initial landing was awe-inspiring,” our main character says on another talk show, “and I was as affected as anyone else by their initial messages, and their attempts to help us advance our science, but the number of missing people that followed alarmed me so much that I began studying them. It’s them, I’m telling you, they’re the reason we now have so many missing people. They’re filleting them, and refrigerating them to feed the starving population on their home planet. I don’t know why it’s so hard for us to accept this idea. Our water supplies have not diminished, nor any of our other natural resources, and I don’t think they’re here to build friendly relations between the planets, as they suggest. There’s no evidence to suggest that they’re here to breed with us, or any of the other things we’ve guessed aliens might want over the decades. So, what’s their motive? I don’t care what their public relations team says, we should still ask why they came here in the first place? We’ve heard them say they had the technology to come here decades ago, so why now? Why are they here? I think they regard us as food, and I’ve been trying to get that message out before it’s too late. As we sort through all these complex arguments regarding their intentions and motives, we forget Occam’s Razor, “All other things being equal, we may assume the superiority of the demonstration that derives from fewer hypotheses.” Simply put, the best answer is often the simplest.”
Most moviemakers line “alien attack” movies with hints of the adversary’s high-minded intelligence. The aliens, in these productions, are required to be of an intelligence we cannot comprehend, and they are of unfathomable strength and power. Our production would state that evidence suggests that power and strength usually counter balance one another in most beings. Is the lion smarter than the human is? No, but that wouldn’t matter in a one on one conflict. Is the body builder smarter than the average person is? Most are not, because we all focus on one pursuit to the usual detriment of the other characteristic. Thus, the alien cannot be of superior, unfathomable intellect and superior strength and power. Not only is it a violation of what I consider the natural order of things, it’s not very interesting.
Yet, even productions that try to have it both ways, be they sci-fi novels, movies, or otherwise eventually begin to train their focus on one of these attributes. If they depict the aliens as the literary equivalent to the bloodthirsty lion is this nothing more than a slasher flick? If they focus on the superior intellect, do they do so to achieve a level of complication that might lead to more favorable critical reviews? Whatever the case is, we now require our moviemakers to provide subtle hints of alien intelligence. The more subtle the better, as that makes it creepier. The moviemaker, as with any storyteller, might be feeding us the entertainment we want, but I don’t think so.
I think the quality moviemaker modifies his material in such a way that it provides subtle hints of the surprising and unusual intelligence of the aliens. They spool out hints of the aliens’ intelligence in drips to further horrify and mystify us. They do this to mess with our mind in a way that a slasher flick doesn’t bother doing. They want to creep us out and scare us somewhere deep in our psychology.
In our production, the aliens have developed powers that we cannot comprehend, but as with any decades-long reliance on a power, it comes at a cost. To explain this theory, the main character says, “Imagine if we could emit super gamma rays from our eyes, in the manner these aliens do. It would be a superpower to be sure, but it might lead us to neglect the intelligence we might otherwise employ in tactical and militaristic conflict. We might rely on those powers so much that it could result in a deficit of our intellect. I submit that even though these aliens employ some war-like tactics, they’re as intelligent as a lion and not as smart as we are. I think we can defeat them with our intelligence.”
Every alien/monster movie eventually also eventually turns into an allegory about our inability to accept outsiders. In our production, the aliens would use our compassionate approach to outsiders against us. They are intelligent enough to put together a seductive war-like plan, and in doing so, they purport to support a cause that most humans adore. They don’t have a cause, but they know that we’ll follow them to our own demise if they cater to our heart correctly.
The reporters and scientists in every alien/monster movie are always correct in the designs they create for how we should approach and handle our relations with aliens. What would happen if they operated from a faulty premise? Everyone who employs the scientific method to resolve a crisis, approaches the situation with a question, does background research and eventually reaches a hypothesis. At what point in the attempts to prove or disprove that hypothesis, do we troubleshoot and find out if we approached the issue from a subjective or biased view? At what point, do we arrow back to the beginning on our algorithm and correct the question that led us to an incorrect conclusion?
In our production, the reporters and scientists are operating from a flawed premise they develop as a result of their own biases and subjective viewpoints. The aliens enjoy that premise and begin building upon that narrative to sell it to all earthlings. These useful idiots inadvertently aid the aliens’ public relations campaign to soften us up. They discover, too late, that the less worldly main character’s simple truth that while the aliens are not as evil as their detractors suggest, they’re also not hyper-intelligent as the reporters and scientists theorized. The idea that they just want to eat us bears out, and we realize that if we all agreed to these facts earlier, we could’ve saved a lot more people. We all had a difficult time agreeing to the idea that we were of superior intellect, but once we did, we used it to defeat them. We used our intellect to nullify their superior force. We were elated with the victory, of course, but once life returned to normal, there was that sinking feeling that if we just ignored the reporters, the scientists, and all of the people who believed we should be more accepting of the aliens sooner, we probably wouldn’t have been victims of the worldwide slaughter that ensued. If we listened to the main character, and all of the people who supported his view, and we followed his simple strategy for attack, we could’ve saved a lot more lives.