Enjoying Other People’s Pain


Tedious. The guy is tedious. He doesn’t even know it. He thinks he’s hilarious. He thinks this is his big moment. He probably thinks this moment on stage is the big break he’s been waiting for his whole life. Shouldn’t we always think that? Yes, but he thinks this is a stepping stone to a bigger, better life. Someone probably told him he was funny. Was it his Aunt Clara, or his dad? Who told this guy he was so funny that he should step on a stage and try to make a career out of it? I’m not funny, so I’m probably not the best critic, but I know what I think is funny and this ain’t it. I know the plight of the unfunny, but this guy? The idea that this guy has a bright, gleaming smile on his face makes it obvious that he thinks this is his moment in the Sun. He thinks he’s doing it. He thinks this might be the best day of his life. “Except for the birth of my children,” he might add, “and the day I bought Herschel the Turtle at a pet store, and the day I met my wife.” He’d probably qualify that best-day-of-my-life assessment, so no one calls him out on it, but he’d probably say it was top-5 … if someone stopped him right there in the first quarter of his standup routine.   

How many people can do this? I wonder, while trying to drum up some respect for this guy. What percentage of the population can stand up on a stage and try to make complete strangers laugh? I respect anyone who can do what I never could. He told us he traveled twelve hours to be here tonight. He traveled half-a-day to try to make a roomful of strangers laugh. That’s a level of commitment that most people don’t have. It’s one thing to try to make a table of four laugh, but a comedy club requires its patrons to pay a two-drink minimum to enter. How many people could stand up to try to make a roomful of demanding, paying customers laugh? I mentally applaud this guy for doing what he’s doing, but I can’t get past the fact that he’s just not funny.  

The audience is receptive at first. At first, they’re laughing at everything he says. Why are they laughing? My bet is they’re aching for comedy. It’s why they’re here. Most of them probably bought their tickets weeks in advance, and they looked forward to it all week. They convinced their girlfriend, wife, brother, or friend that this would be an excellent idea for a Friday night. They bought the tickets for the headliner, but they’re more than willing to give this guy the benefit of the doubt, if he’s halfway decent. What if he did something edgy? What if his act involved nothing more than eating a bowl of Count Chokula? What if he performed a dramatic reading of Dr. Seuss’ ABC book or The Great Gatsby? Would they still be laughing? To us, he has a certain position of authority on humor, because he’s up there, and we’re not. We assume he’s played a number of cities before ours. We assume that he’s up there, because other people more knowledgeable than us put him up there, and he’s been thoroughly vetted. He’s doing something none of us could do sober, so we defer to his experience. Is that why they’re laughing, because I find this guy typical and tedious. 

I was so immersed in these thoughts that I missed the audience turn. The laughter went from a throng to sparse. What are you laughing at? I thought to those few still laughing, this guy’s not funny. While I searched for the laughers, I failed to notice that they were some of the few who were still laughing, until they stopped too.  

The standup comedian was baking under an uncomfortably bright spotlight when that silence took hold. The silence was deafening and a little claustrophobic. Prior to the turn, he informed us that he traveled half a day for the chance to make us laugh, and he added some typical, tedious notes to that, and everyone laughed. That was his attempt to build familiarity with the audience, and to infect them with the laughing bug so they might follow him into the unfamiliar. They didn’t. 

In the now deafening silence, I thought about that twelve-hour drive, and how it must’ve been filled with such excitement. I figured he must have quickly clicked his cruise control in, because he knew his excitement would cause him to violate speed limits. He probably thought his appearance in our small city would kickstart his dream of being a standup comedian. I wonder if that trip involved any concerns about about how quickly the best day in your life can turn into your worst. Twelve hours is a long time to spend in a car, alone, with nothing but your thoughts, your excitement and your worst fears.

He resembles Weird Al without the looks. I see myself in this man. I see his observations. I know where they’re headed, but they don’t quite get there. There’s something wrong with his delivery, and his material. Members of the audience are now cringing at one another. They’re as uncomfortable as he is, I think. I chuckle. He drops another tedious joke, and I laugh harder. His material hasn’t changed, but his delivery has. He’s in pain now, and I’m close to guffawing. 

He had a few self-deprecating jokes that hit home in the beginning. He opened with a few jokes about being unattractive and overweight. He joked about how grateful he was that a woman decided to become the wife of an overweight, unattractive man. They laughed. Little by little, joke by joke, silence began to rear its ugly head, until it became obvious the poor man was baking under the spotlight. I was one of the few not laughing in the beginning. Now I’m the only one who is. Various members of the audience began twisting around in their seats to see who is laughing.  

I laughed because I saw him sweating. I laughed because I saw him trying so hard that he was trying too hard. I laughed because he was drowning, and he was not doing some kind of meta routine on failure. I laughed, because I realized I knew we were watching a man’s dreams come crashing down around him. I laughed because I knew I was witnessing one of the best days of his life turn into his worst nightmare. It was fascinating to watch. It was captivating.

“What’s the opposite of empathy and sympathy?” I asked a friend, in a discussion involving this peculiar morbid curiosity we have for enjoying other people’s pain. When he didn’t answer straight away, I added, “Sociopathic, psychopathic? Is it narcissism? Whatever it is, I have it.”    

“It’s evil!” he said. “We’re not evil, but we have a little spot of evil in our hearts. You know how some people say they have a soft spot in their hearts for something about a person, place, or thing? Yeah, we have a hard spot in our hearts.”

That was such an insightful comment that I couldn’t help but think he put a lot of thought into it, but was it true? Kind-hearted, sympathetic and empathetic men do not enjoy watching another man squirm in pain. I don’t rubberneck on the interstate, hoping to see some guy screaming on a stretcher, and I don’t enjoy seeing other people cry, but I love watching the worst part of an otherwise healthy, normal man’s worst day. What’s wrong with me? Have I been conditioned by the comedians who almost appear to enjoy bombing? Andy Kaufman, David Letterman, and Norm MacDonald turned bombing into an art form. They almost appeared to get off on it. MacDonald said he didn’t care if an audience laughed or not, as long as it was a good joke. That was his charm. Chris Elliott personalized the Kaufman/Letterman element and created a career out of it, based on the idea that no one would purposely subject themselves to the level of self-deprecation and debasement he did that would result in ridicule and embarrassment. Did they plant seeds in my brain that anything embarrassing, uncomfortable, or cringeworthy is some form of lowbrow entertainment that is so low that it’s considered high art? I didn’t get that, until I did. Once it clicked that it’s schtick, it stuck. Once I got it, I couldn’t wait to proclaim to the world that I got it. I understood it, until I understood it to the point that I now consider it hilarious to watch another man squirm under the bright spotlight of a small city’s comedy club. 

It’s not schtick for this man however. He worked hard on this material. We can feel it in his transitions that this isn’t some form of meta material with highbrow commentary on the plight of man. We can hear him nix some material, lose his place, and worry that he frontloaded all of his best material. We can hear him worry about his performance while he’s talking. He’s lost faith in his material, in himself, and his ability to turn this around. I laugh harder. I have the giggles. I can’t stop. People are staring. The other comedians in the comedy club are giving me looks. I compose myself, until I analyze the comedian’s face deeper. His pain is so obvious that I imagine this is what it might look like if I could see the expression of someone who just jumped off a building. I have the giggles again, but I’m controlling it better this time. 

Mercifully, the comedian’s act ends. The crowd applauds politely, and the comedian surprises me by mouthing, “Thank you!” to me. I didn’t know it at the time, but my friends later tell me that he began directing his jokes at me toward the tail end of his act. I saw him looking at me, but I didn’t think he was looking at me. They said he was. He, presumably, thought I was the only audience member who got it. I felt bad, because I wasn’t laughing with him. I was laughing at him.  

One excuse I could use to explain my behavior is that I find the unfunny hilarious. Perhaps I relate to this comedian, because I’ve been told that I have a decent pitch, and I know my beats, but my punchlines are so confusing that they’re not funny. Perhaps my laughter had something to do with the idea that I don’t enjoy traditional humor. I’ve watched too many comedies, sitcoms, and radio shows to appreciate what we call a traditional humor.   

It’s Letterman’s fault. He started it all for me. Letterman turned squirming into an art form. Letterman left us wondering how we could help him, and he answered by saying there’s no help for me. It made us so uncomfortable it was almost painful and hilarious to watch. It’s the joy of witnessing other people’s pain (OPP), and it’s David Letterman’s fault. I’d love to say that I believe that. I’d love to say that watching him on NBC for all those years had such a profound effect on me that I’m now conditioned to find OPP hilarious. How many years did he cringe with us in uncomfortable pain? I’d love to say it’s all his fault, but my enjoyment of OPP predates him.

***

In grade school, I just happened to have the perfect angle to catch Andy Parizek’s impact face, when he walked into a light pole. Some deep, dark part of me found his expression of pain so precious that I watched it over and over on an internal loop I developed in my brain. I wished I had some ability to draw, so I could create some product to memorialize this moment. Andy Parizek wore glasses, and the impact was so perfect that it broke his glasses in a clean break right down the middle. The pain was followed by a brief period of silence in which the good people around him tried not to laugh and further his pain. When those good people then moved in to comfort him, I tried to run away to a dark corner of the playground to laugh, but I didn’t quite make it. 

“How come when we get hurt, it’s so funny to you,” Mike Amick said, “but when you get hurt, we’re supposed to take it serious?” 

Is it evil to enjoy watching other people get hurt? Do we have a hard spot on our hearts for certain moments? We’re not evil, but is there something wrong with us if we enjoy it when another person cries during an argument? Is there a hard spot on the heart of someone who enjoys watching another’s dreams come crashing down around them? The fact that a grade school child’s assessment stays with me to this day should suggest that I’m still struggling with it.

When we discuss such things, some of us exaggerate the levels of pain involved. The incidents we’re talking about here are skinned knees, the guy who walked into a pole and broke his glasses in half, and a comedian who wasn’t able to make strangers laugh. Most of us have never seen anyone get truly hurt, and if we did, we probably wouldn’t laugh. Yet, it is a little deranged and morbid to enjoy watching another experience minor pain, regardless if that victim eventually finds a way to laugh about it. 

I’m a grown man now who manages to display kindness in the face of tragedy. When someone dies, I join the good people who express compassion, and sympathy. If I ever saw someone truly get hurt, I don’t think I would find their excruciating pain enjoyable. I know all kinds of physical and emotional pain intimately now, and I empathize when anyone endures minor physical pain, but after I tend to their wounds and make sure their okay, I still rush to that dark corner of the room to laugh my tail off.

Conducting corporate meetings is not in the same league with standing on stage before paying customers, but they gave me a taste of what this comedian was going through. When you’re conducting a board meeting, your material sucks, but it’s important that the employees know the material. It doesn’t matter that the employees know that they’ll be caught with their pants down when the situation in which this material arises, they’re so bored they can’t take it anymore. I’ve been on both sides of corporate board meetings, and I know one in one hundred are in some way interesting. In the hundreds of board meetings I conducted, I thought I had an interesting one once. It was a special subject I knew inside and out, I got a great night sleep the night before, and I think I ate something healthy. I was on, and I knew it. I dropped two or three jokes that I thought were pertinent, and I looked out in the audience to gauge their reaction. Two people were asleep, and the rest of the eyes in the room were glossed over. I had a small taste for what this comedian was going through, but that didn’t make it any less funny to watch him squirm and implode.

Anyone who laughs at other people’s pain knows they’re going to get theirs, eventually. We’ve all experienced some levels of karma, but we know that ain’t it. There’s more to come. We know it’s going to get us, and it’s going to hurt. We know there will come a day when we’re old and decrepit, struggling to breathe one last breath, and someone will find that struggle hilarious. We’ll probably yell something like, “What are you laughing at? I’m dying here!” in the heat of the moment. When our emotional hysteria subsides, and we don’t have the strength to fight death anymore, we’ll either acknowledge that we deserve it after laughing at so many others during the worst days of their life, or we’ll find humor in it too.  

Demystify This!


Everything you believe in is some trumped up idea developed to foster your illusions. Don’t believe me, I’ll prove it. Give me something you believe in. Anything. Big or small. What defines you? What drives your passion? What makes you tick? Great, now back up and give me some room, because the shrapnel flies when I start in on dispassionate observations. 

Led Zeppelin was one of the greatest band of all time right? Yeah, they’re frauds, and I was onto them at a very young age. I knew there was no way one guy could come up with all that brilliant music. I know, the other guys came up with some of the music, but most of the credits for writing the compositions go to Jimmy Page. I knew, even at a very young age, that there was no way one man could come up with that much brilliance. I was a dumb kid at the time, so I thought he sold his soul to the devil. I was eventually vindicated when we all found out how much material he stole. They say he only stole some songs and some riffs. I read a report that suggested that of the first four albums, he/they stole ten songs by some measure, debatably, arguably, and whatever qualifiers we need to use to avoid incriminating lawsuits. I say we don’t know the full extent of his/their theft. I say they’re damned thieves who probably stole more than we’ll ever know. Look it up, there are lawsuits all over the place for infringements, unauthorized borrowing, and outright theft. I was so excited when I read that. It was vindication. All you silly idiots who believed that they were geniuses were wrong. Look at you! Are your crying? I enjoy the taste of tears. I don’t know if disappointment makes them extra salty, or if I just enjoy the taste of victory. Do you mind if I lick them off your face?  

Who’s your favorite actor? You know what, don’t answer that. We tell our people our favorite actor with pride. We talk about the best movie from their catalog, and we say that it was their movie. Have you ever seen the list of credits listed in your average movie? There are at least hundreds of names? How many people were responsible for that movie? What percentage of that movie’s success was due to the actor you love? They’re vehicles for the lines, the action, and the drama, but how much time do they sit in vehicles before they’re called upon to do a scene? They don’t call it the-hurry-up-and-wait industry for nothing.

The production crew hates calling the lead actor to the set, so they spend most of their day readying the scene for them. They hire stand-ins to get the shot right, and they work with the screenwriter to make sure the lines won’t cause the actor to have a hissy fit. The actor steps from their trailer, says the lines a couple times, and they all move on. Most actors hate walking onto an ill-prepared set. They don’t want to stand around to make sure the lighting is right, and the scene is perfect, so the production crew stresses each other out to make sure everything is perfect for the entrance of the actor. The actor finally enters and delivers the line, as if it’s on the fly. It’s not my intention to suggest that convincing a group of people that you’re another person is easy, or that I could do it. I’m talking about the audiences reaction to it. I’m talking about how we immerse ourselves in movies to such a degree that we believe they said the line they read. We do that. We all do it. We say, “You know it’s like Jack Nicholson says …” He said it, sure, but he read it. He memorized the line, but he didn’t think it up. A screenwriter thought up that line. Now, Nicholson probably said it with more flair and charisma than the screenwriter could’ve, but how many takes does the production crew have to sit through before he got the line just right? They’re frauds perpetuating a myth that we love.

My favorite recording artist was “hardly there” in the production of my favorite album. “What?” It was largely a creation in the minds of a producer, the guitarist, an expert mixer, and a number of other credited players who helped my favorite artist produce the product I’ve loved for decades. I learned an important lesson the day I read that: Ignorance is bliss. If we want to continue to love an artist, particularly an actor or a musician, we shouldn’t read websites or watch documentaries that dive deep into our favorite artistic creations from them. 

How about Stephen King? Do you read him? Yeah, he stole the idea for one of his most popular books Misery from an Erik Keene’s dead aunt? Our initial inclination is that Erik Keene was a delusional whack job looking for a way to harass King and his family, and while that might be true with Keene, how many struggling writers submit rejected ideas to publishers only to have the core idea of that rejected manuscript show up in that publisher’s favorite author’s library? How many authors simply run out of ideas? How many writer’s blocks have ended with a stolen manuscript? How many big time authors were so frustrated by their writer’s block that they threatened to retire? How many desperate publishers, bent on keeping a big name, help them come up with ideas? Where did they get those ideas? Have they ever sorted through the slush pile of rejected compositions and come up with an idea for your favorite author. I’m saying this happens all the time, I’m not, but has it ever happened? Does it happen more often than we know?  

How about Walter Payton? If you love football, you know he’s declared one of the greatest running backs in NFL history. Have you ever seen the guys from the 70’s and 80’s trying to chase him down and tackle him? They’re so little. With the size, strength, and speed of the NFL today, Walter Payton would probably be a third-down, situational back, nothing more. You might think that’s idiotic, but this is what we do when we attempt to tear down everything you believe in. We take your favorite bands, your favorite authors, and your favorite athletes, and we tear them apart. Nugget by nugget, brick by brick. This is our way of saying we don’t believe in you anymore, and we’ve broken free of any shackles we once had by believing in you. We have nothing to rebel against anymore, all of our parents are dead, so rebelling against you and everything you believe in gives us gas to dispel that feeling of individuality we never strove for in our teens in the manner most kids did.

There’s poetry in baseball, and baseball is poetry, punctuated by plays like “The Catch”. Willie Mays made “The Catch”. It was poetic right? Wrong. I’ve watched that catch so many times over the years, trying to figure out the big deal. I know it happened in the World Series and all that, but people say it was one of the greatest catches of all time. Have you seen that catch? I thought it was barehanded for whatever reason. It wasn’t. It was just a catch, and a catch we probably see a couple of times a year in major league baseball. Hell, I think I did it once in softball. It wasn’t a special catch by any means. 

You might not care about Willie Mays, but do you care about the Nebraska Cornhuskers? Yeah, they’re frauds too. You probably still celebrate the years they won three national championships in four years, but I say the only reason they won them is that they had such an easy schedule. Admit it, they were frauds. Everything you believe in is fraudulent.  

Demystify the past? What are you talking about demystify the past? I’m talking truth here brotha. I have no skin in this game. I want to know the truth? Why don’t you? You and the collective ‘we’ have trumped up these otherwise marginal people and accomplishments, and it sends a tingle up my leg when I’m able to pop a hole in your delusions. You’re all so ridiculous. You believe in things, and it makes you happy. Your passions breed a sense of fulfillment, even when what you know they’re false. That’s why I feel the need to correct the record. I don’t allow myself to believe in false things. Why do you? You can try to turn this back on me, but what are you going to squash? I don’t believe in anything. I have no passions, so good luck. It makes me feel smarter to know more than you and all of your silly idiot friends who believe in things and develop passions.  

The past wasn’t as great as you romantic types thought. It’s a narrative for the romantics. You’re not a romantic? Look at all the silly people you believe in. Why do we believe in people? Why do we trump up their rather routine accomplishments, because they’re about us. We’ve found a way to live vicariously through their accomplishments to idealize who we wish we could be. We treat diminishment of their accomplishments as a personal insult. 

What’s the flip side of the coin? You think that by diminishing others’ accomplishments, I hope to relieve myself of any disappointments I have in my life? All right, I’ll admit that my life didn’t turn out the way I thought it would but who’s has? I have some accomplishments in life, but they pale in comparison to these false gods you worship. They’re silly people. You’re silly, and we’re all quite boring, so we assign poetic majesty to the little things and these little people did who supposedly did big things, so we have something to believe in. 

I see what you’re doing though. You’re trying to find a super-secret part of me to analyze. You’re trying to find my motivation, so you can dismiss my findings. Go for it. Smarter people than you have tried. They were wrong, and you’ll be wrong. This is not about me. It’s about you. I’m a blank slate, an empty vessel, like the actors you adore. Have you ever heard the theory that the more devoid of a core personality an actor is, the better they are at filling that void with a fictional personality? That’s me. I have no motivation, except to prove you, and your fellow romantics, wrong. I find that so satisfying that it quenches a need. I don’t get passionate about silly things. Why do you? Why do you believe in anything? I seek to question that which you believe in, until it leads to an ultimate deconstruction, and I hope to help you ultimately reach a higher sphere of consciousness where nothing is real. It’s about you. It’s not about me. I have no skin in this game. I’m a dispassionate observer who believes that you romantics who seek poetry and majesty in the past are just plain silly. In the battle between mind and heart, most of us know that our passions will not withstand scrutiny. I dismantle these beliefs, because I think intelligence dispels belief. 

Guy no Logical Gibberish VI


Where You at and What you Smelling? 

“He’s just a good old boy never meaning no harm, beats all you never saw been in trouble with the law since the day he was born.”  –Waylon Jennings

I’m Max, which could be short for Maxwell, Maximus, or Maximum. Who knows? Who cares? I’m cute, I’m naughty, and I’m just here for some fun.

Have you ever taken a moment to smell this, that, and everything? This world smells delicious. Those who walk around with their head held high might score more points at shows, but they have no idea what they’re missing.

I have toys with tags, but I much prefer a thick, splintered stick or a pinecone. Whatever life is in there, or used to be, is intoxicating.

I enjoy petting and all that, but who has time for that? Gotta go! Gotta Go! There’s too much to explore to sit still for two minutes.

I saw a squirrel the other day. I don’t know what they are, but they look like something I should chase. All I can do is watch them, because we have fences between us.

Have you ever heard of bugs? They’re fascinating. We can play with them for about two minutes with no consequences. They don’t appear to enjoy playing as much as I do, and they eventually stop playing for no reason at all.

I’m the real life quicker picker upper. If you have a piece of trash laying on the ground, I’ll find it. It’s mine at that point, and you’ll have to pry it from my mouth to free it.

I will test the patience of the most patient. I like to go on walks, but a walk with me will typically follow a pattern of step, pull, pull, step, pull, pull, pull, and step, pull repeat.

I have an insatiable curiosity. I sniff, taste, pee, and pump to try to understand everything around me.

Between naps and sleep, I have about eight hours of activity, and I do more in those eight hours than most do in a week, and then I’m done. When I’m done, I’m done. No screaming children, and no activity near me can wake me. I sleep as hard as I play.

The Overprotective Parent

An adult daughter complains that her father was too protective in her youth. Her father, a former sheriff said, “I just saw so much. I saw so many things that didn’t want anything to happen to you girls.”

What happens to you after you’ve witnessed the worst humanity has to offer? They accused him of being over protective, but when you’ve seen so much, the least you can do is try to be a proactive parent. If that bleeds from protective into over protective, so be it. It’s better to take the arrows for irrational, proactive measures than living in the aftermath of tragedies that could’ve been prevented.

I’ve listened to sons and daughters complain about overprotective parents for most of my life, and I’ve added a few hundred of my own, but now that I’m a parent I recognize the attempts to make childhood last as long as possible. The stresses, responsibilities, and routines of life as an adult make it hard to remember how fun childhood was, and how easily it can end.

Has anyone ever introduced you to something that made your toys and your imaginative games irrelevant by comparison? We might exaggerate what a glorious time childhood was, but how many silly things do we do now to try to recapture that magic? How many of us remember when our innocence was lost? How many of us seek some intangible, impossible-to-recreate way to capture a time when nothing mattered? I saw and did some things that artificially matured me in some ways. I remember what a glorious time of life childhood is, and I want to do everything in my power to help my child avoid those influences. I didn’t see near what the former sheriff did, but I have witnessed my fair share, and I empathized with the former sheriffs’ attempts to protect his daughters.

It’s so easy for an adult to accuse their parents of being so over-protective that they could be silly at times. Yet, the former sheriff saw how quickly situations can go awry. He saw violent actions committed against innocent people so often that he didn’t want the same to befall his daughters. He saw assailants act in justifiable ways, reacting to that which was before them, but how many random acts of violence did he see in all of his years in law enforcement? How many times did one violent person harm another just because that innocent victim just happened to be in the wrong place at the wrong time?

He chose law enforcement as his career. He chose to complicate his life by dealing with the worst moments of the worst elements of society on a daily basis. He chose to sacrifice his happiness and comfort to protect innocent victims from those elements of humanity. He also saw good people turn violent, and he learned how difficult it is to avoid violent crime. At some point in his career, he realized that with the constraints placed on law enforcement officials, he couldn’t save the world, and he couldn’t even protect his small, home town, but with proactive measures he thought he might be able to prevent anything from happening to his daughters.

How many times did he think if the parents of these victims exacted some silly, over-protective measures to try to prevent their child from being in the wrong place at the wrong time, none of this would’ve happened? How many victims did he visit hospitals and morgues thinking this could’ve have been prevented? How many times were the measures he used to protect his daughters silly and over the top, and how many times were one of his daughters the victim of a violent crime?

Zero is the answer to that question, and I think he’d endure all of the heckling, the teasing, and the leading questions/pot shots all over again if he thought he could achieve that answer.

A Child’s Survival

“Don’t underestimate your children,” they tell parents. “Their capacity to learn and maintain knowledge will shock you.” We see this when we watch them solve puzzles beyond their years, we see them read books that we considered a couple years away. Their ability to solve complicated math problems shocks us, and their ability to communicate complex ideas to other adults leaves us remembering when they had to learn how to crawl. When we see them do this, we ask ourselves how many times in one day do I underestimate him? It’s an important question every parent should ask themselves when they accidentally limit them. Another, perhaps more important question, is how many times do we over-estimate them?

When our child displays the fact that he is extremely intelligent for his age we accidentally adjust our expectations, and some of the times we neglect to pay attention to what he doesn’t know.

After this extremely intelligent eight-year-old boy took as many swim lessons as his twin sister, we assumed that he knew how to swim. When he displayed how much he didn’t know, it surprised us. When he displayed how poor his basic survival skills were, it shocked us. He is eight-years-old. We over-estimated him. That’s probably unfair, seeing as how he’s only eight, but it was frightening to see how vulnerable some kids can be.

He began on the sides of the pool, holding the wall for protection. When the other kids showed how much fun they could have in the middle of the pool, he couldn’t take it anymore. He took two steps into the water, and he was submerged in water slightly above his head. He didn’t thrash, he didn’t jump above the surface of the water, and he didn’t take the two steps back to the wall. He simply held his hand up above the water.

After measuring her kid’s actions for about thirty seconds, his mother decided to jump in. She was fully clothed, and she had her phone in her pocket.

“He’s kidding,” another kid said.

“No, he’s not,” his mother said. She removed her shoes, and she jumped in the pool to save her kid’s life.

That other kid thought the boy was kidding, because he couldn’t believe that a child would take two steps away from the edge and simply hold his hand up. “Why didn’t he take the two steps back to where he could breathe?” His swim lesson instructors didn’t teach him that, no one did, but they taught him to hold his hand up if he was in trouble in the water.

“I’m glad he learned something from that class,” his mother joked in the peaceful aftermath. The girl, his twin sister, born minutes apart, took the same number of lessons, and she learned how to swim. Her abilities weren’t limited to saving her life. She could swim.

Within minutes, say fifteen, ten of which the boy spent coughing, crying, and recovering from the first incident, he was back in the water. He made the same mistake. He held his hand up, and his mother saved him again.

This isn’t a story about a life lost, thank God, but about the lessons we learn as parents, the lessons our children learn, and what we must pass onto our children. A parent cannot prepare their child for every episode, but we need to inform them that we won’t always be around to save them. Incidents and their consequences vary, and it’s impossible to sit them down and discuss what their reactions should be. A parent can only instruct them, using past incidents as a guide, to try to help them use common sense when it comes to basic components of survival.

“Don’t underestimate your children,” they say so often that the phrase has spawned a cottage industry. I’ve seen it. Other peoples’ kids have proven me so wrong so often that I’ve learned that underestimating a kid’s ability to learn is equivalent to limiting their possibilities. Yet, some incidents and episodes inform me that it’s just as important, and sometimes more important, that we remember to avoid over-estimating them.

An Adult’s Survival

Marty is a good fella. He and I trade insults. We look for the other’s weaknesses, and no sign of weakness is off limits. It’s not personal. It’s harmless. It’s what we do. When he saw my son and I playing a harmless game of catch, in a pool, he decided to disrupt our game in any way he could. Soon thereafter, a nephew joined in, covering my son. We made them look foolish. Marty pretended to be good natured about it, but I could see his competitive little grimace when we little fellas were a little too quick for him. Marty spent the majority of this game in the shallow end, but his competitive juices got the best of him. He came after me in the deep end. The deep end was shaped like an old 70’s ashtray. It allowed for unimpeded entrance into the deep end, but once in the deep end, it had gradual walls built around the depth to gradually take the swimmer to a two-foot depth at the outer rim. These gradual walls were quite slippery.

I slipped when I first entered the pool. I underestimated how slippery the walls were. I tried to fight it at first, but it was too slick. There’s a difference between slipping and sliding. If you slip on the ice, chances are you’re going to get hurt. If, after attempting to avoid a fall, you find out there’s no way to win, go with it, slide into it. If you encounter a block of ice you cannot avoid, your best bet is to slide over it. The difference between slipping and sliding might be so small that most won’t see the subtle differences, but it’s a mindset I’ve developed walking and driving on the icy streets of the Midwest. I also developed the mindset because pain hurts, and I’ve found that fighting a slip often results in injuries. When we accept the idea that we’re going to fall, there is a greater level of relaxation involved, and as physics experts will tell us, greater pain results from the fear that causes us to tighten up. After slipping a few times in my fight against the slippery walls in the pool, I decided to just go with it, concede to whatever was going to happen, and let it take me under.

“Man, the walls in this pool are slippery,” I told everyone when I resurfaced. “Be careful.” No one would let me get away with that. They all had a good laugh at my expense. Marty enjoyed it more than anyone.

In the midst of our game of catch with the football, Marty started charging me in the deep end, I backed up enough to allow my son to get open against his cousin. Marty chased me through the deep water to the gradual wall. He started slipping as I once did when he got there. Even though Marty spent most of his adult years in the Midwest, he apparently never developed the slipping v sliding mindset. Even though I warned him that the walls were slippery, he fought it, as we all will in the beginning, it’s an instinct. At some point, however, most of us recognize the pointlessness of it. We also know the humiliation that awaits those who continue to wage a pointless battle. We know there are times when the battle is more hilarious and humiliating than the concession. Marty, apparently, never learned these lessons as he would not give up the fight. He was pounding at the water, making guttural, panic noises as he attempted to regain his balance. To this point, I thought Marty was almost unflappable, but he looked really scared. He was gasping for air, even though he never went under. He looked to me for help, all but screaming. His eyes were as big as saucers. He continued trying to climb the slippery wall in some sort of blackout panic. “Marty stop,” I said, trying to tell him to just go under. “It’s only five feet deep.” He couldn’t. I reached out to grab him, and he nearly broke my arm grabbing it. I thought I brought him to safety with one of his feet finding the ridge, but he couldn’t get the second foot over, and the panic started all over again.

When it was all over, I thought of a slide I had in a grocery store. I, again, turned a slip into a slide and somehow managed to avoid the humiliation of falling on my Keester. The clerk was impressed, “I thought for sure you were going down. That was a pretty decent display of balance and coordination.”

“Thank you,” I said. “It could be that, but it might have something to do with the fact that I’ve fallen so many times in my life that I finally know how to avoid it.”

Marty and I enjoy trading insults, and we have for most of relationship. We look for any and every weakness. No sign of weakness is off limits. It’s what we do. It’s not personal. It’s harmless. It’s what we do. Perhaps the meanest insult I delivered, when Marty finally made his way out of the pool, was nothing. I couldn’t think of anything to say.

A Wave of the Past

How do you wave goodbye? We all have ways of waving hello and goodbye. Children, women, and men all have unique ways of interacting with one another. Over time, we develop codes of interaction. Most of these codes are unspoken agreements we have with one another, and we rarely recognize them for what they are, until someone violates one of them. I don’t remember ever learning how a man is supposed to wave goodbye to another man. It’s just something we pick it up along the way, through examples and repetition. A man named Craig apparently never learned this code.

Craig is a full-grown man who waves goodbye to me when we part. He doesn’t stick a hand out in the somewhat disinterested manner that 99% of full-grown men will. He waves. Craig’s send-offs involve putting a hand up and wiggling it so much that his tricep wiggles.

The first time he did it, I thought it was a joke. After our kids finished playing with one another, he said, “Bye Bye” to me, and he waved with child-like glee. I thought it was a joke. Our kids were playing together, and his presumed joke was that we wave to each other like little kids. I thought it was funny, and so over-the-top that I mimicked it. The next time he did it, I did nothing, but I think my eyebrow furrowed. When he established the pattern that suggested this is how he says goodbye, I wanted to say, “That ain’t it. That’s not how we men part.” We say, “See you,” “later,” or “all right, we’ll see you later,” or we stick a hand in the air. We can raise a closed fingered hand, we can even splay those fingers when we raise that hand, or even wave with one pump, but a series of waves makes us look silly, like a kid or Gilligan. Craig has a bright, shiny smile on his face when he waves too. It’s unnerving. I know this means he likes being around me, and he wants to punctuate that notion with a hearty wave and a nice, pleasant smile, because that sets children at ease.

It makes children happy to see a beaming smile and a wave, and that’s why we do it … to kids. “Bye Johnny!” we say, looking them in the eye. I want to tell Craig that grown men will not react well to this wave. They might think you’re a silly man, even simple-minded, but how do we tell another man that his send-offs are not manly enough? It might sound silly to say this, but when I saw Craig wave enough times to realize it wasn’t a joke, I realized the man had some mental deficiencies.