Krauthammer on Churchill: The Indispensable Man


One of the primary goals of every writer is to have those who read his work regard him brilliant. Another goal, and a far more difficult and impressive one, is to have the reader arrive at brilliant thoughts while reading that work. Whether or not Charles Krauthammer’s new book Things That Matter: Three Decades of Passions, Pastimes and Politics accomplishes the former is relative to the reader, but in my humble opinion, the book definitely accomplishes the latter.

Book%20Cover_0In the second chapter, following the requisite intro, and the requisite chapter describing the author’s days of youth –playing baseball– Charles Krauthammer posits the notion that Time Magazine got it wrong when they nominated Albert Einstein “Man of the Century”. “Einstein may have been vital,” argues Krauthammer, and he is “certainly the best mind of the century”, but Britain’s Prime Minister Winston Churchill “carried that absolutely required criterion: indispensability” in the 20th century, and to the 20th century.

One thought this reader had, while reading, is that provocative, bar stool discussion that no person had a more prominent effect on the 20th century than Adolf Hitler. While that is arguably true, a question to that provocative notion should be, were the lessons of Hitler’s evil transgressions more transcendent than Winston Churchill’s efforts to, as Krauthammer later describes it, “slay that dragon”?

Hitler is, of course, indispensable to any study of the 20th century, in that he illustrated much of what’s wrong with human nature, and he gave us a template for how we should treat countries after war (after World War I). Though evil can take many forms, Hitler provided students of history a model of unprecedented evil that we can now use as a guide to detect evil, based on the precedent he set. We will hopefully never allow an evil despot to rise to such levels of prominence in their country that they would be in a position to coerce its citizens to do such evil things to one another. With all these lessons and precedents regarding absolute evil, students of the 20th century say that Hitler has to be the man of that century.

It’s a provocative notion, and it would probably give Hitler the stature, and historical value, that he sought all along. How many men, and how many precedents of the 20th century, will be cited more often than those Hitler provided humanity for centuries to come? Young people, involved in bar stool discussions, love such provocative notions, for they provide all listeners the impression that the provocateur is intelligent with such shock and awe proclamations. Most of us love such impressions, when we’re younger. As we age, and move past the desire to be perceived as intelligent through provocation, we actually become more intelligent, and we realize that most provocative thoughts should go through careful examination and attempts to disprove. The final conclusions we reach may not be as provocative, or as memorable, but as we age, read, and learn to temper our temperament, we realize that being correct is more valuable than being memorable or provocative. There is no doubt that the lessons evil men leave behind are monumental in history, but too often these provocative conversations leave out the dragon slayers that should, at least, be considered as prominent, if not more so.

To say that Winston Churchill hasn’t already achieved a prominent place in history would be foolish, as most historians continue to rank him in their top five most prominent figures of the 20th century, and most left-leaning historians will rank him in their top twenty. Does he deserve even greater prominence than we’ve already allowed, however?

One of the reasons Churchill is not higher on the list, I would submit, is that hindsight has proven that he was so obviously correct in his doomsayer predictions about Hitler. The idea that all of his warnings were so obviously on the mark, however, makes it almost boring to declare him the most prominent person of the 20th century.  It’s an of-course statement that causes readers to yawn over the headline, when a more prominent listing of others, such as Einstein, prove more provocative, compelling, and newsworthy.

Churchill was, as Krauthammer writes, “A 19th century man parachuted into the 20th,” but “it took a 19th century man –traditional in habit, rational in thought, conservative in temper– to save the 20th century from itself.” Yawn. Such lines don’t play well on the cover of a magazine to suggest that Churchill was right about Hitler, and thus he should be nominated the Man of the Century for speaking out and saving Britain and most likely the rest of the world. Especially when compared to the exciting, and revolutionary, bullet points a writer can compile about Einstein’s accomplishments.

Before dismissing the obviousness of Churchill’s warnings, one has to examine what he was up against while still in the British Parliament. Most of the British Parliament, and Prime Minister Neville Chamberlain, dismissed Churchill’s warnings. They did not want to view Hitler through Churchill’s simplistic, black and white lens. Churchill’s warnings were viewed as the impulsive, irrational, and the unreasonable views of a war hawk. Neville Chamberlain has been viewed, by right and left historians as one of the obvious fools of the 20th century, but is it a glaring headline that Churchill should be viewed as the most obvious hero of the 20th century, no, because it is just so obvious. It doesn’t require any creativity to back up. It just is what it is, as we now say.

Churchill suggested that the year’s delay between the Munich Pact and what he deemed an inevitable war worsened Britain’s position, in direct opposition to Chamberlain’s assessment. (Editor’s note: Chamberlain would later declare that that year allowed the British to bolster their troops, and that the British military was not prepared for war during the previous year.) In that year, between Munich and World War II, Chamberlain also exhausted the possibility of diplomacy with détente, blockades, and anything and everything the world could use to achieve “peace in our time”. To refute the Chamberlain claims, Churchill stated Hitler could have been removed from power by a grand coalition of European states to prevent World War II from happening in the year in question.

That suggestion, that in some cases waiting too long can worsen one’s position, would rear its ugly head before Hitler’s body even went cold, when U.S. General George S. Patton’s warned General Eisenhower about Russia. Eisenhower, presumably recognizing that Patton’s warnings were not unfounded, responded that Americans were simply too war-weary to make any moves against Russia. The suggestion would later haunt the world in the 21st century, with Iraq in 2003, in a manner some would suggest the reverse of the Churchill suggestion, saying that we acted too impulsively, and the suggestion will probably haunt nations around the world for many more, because the human instinct is to avoid war at all costs, no matter how black and white, and simplistic, and obvious the need for action becomes.

In later writings, “Churchill depicted Chamberlain as well-meaning but weak, blind to the threat posed by Hitler, and oblivious to the fact that (according to Churchill) Hitler could have been removed from power by a grand coalition of European states. Churchill suggested that the year’s delay between Munich and war worsened Britain’s position, and criticized Chamberlain for both peacetime and wartime decisions. In the years following the publication of Churchill’s books, few historians questioned his judgment.”{1}

It may appear redundant to call an historian a hindsight historian, since history is documented in hindsight, but some historians document the facts of an era while others provide hindsight commentary to historical events that were not as clear to the historical figures of the day. These historians provide the unlimited omniscience that hindsight provides. Hindsight historians may document Churchill’s warnings as obvious now, but most hindsight historians will not tell you how popular Neville Chamberlains “peace in our time” efforts were at the time.

Another question those who believe Hitler’s quest for power was so obvious that it’s now redundant to talk about, should ask themselves how obvious it was to Neville Chamberlain at the time. How obvious was it to the British Parliament, the isolationists in America, and the world at large? Much like today, Churchill was regarded as a war hawk, and presumably a fear monger when he spoke of what he believed to be Hitler’s aspirations. Some have said that Churchill is almost solely responsible for the meetings that occurred at Tehran, Yalta, and Potsdam with FDR and Stalin that eventually won the war for the allied forces. 

We’ve all read hindsight historians document that America shouldn’t have been “so stupid” as to allow the attack on Pearl Harbor, when so many signs pointed to its eventuality. It’s easy for them to look at the decade preceding the terrorist attack on September 11, 2001, to declare that we were obviously naïve in trying terrorists as criminals rather than wartime adversaries. It’s also easy for them to write that that the call to war in Iraq, in 2003, was impulsive based on our inability to find weapons of mass destruction in Iraq. What’s not so easy, however, is for those figures that were involved in the present tense of history to stick their neck out and speak out against the conventional wisdom of their day and declare that it’s “weak and blind” to continue to follow the conventional line of thinking. Hindsight historians now slightly diminish Churchill’s role in 20th century, because it is now so obvious that Hitler was the epitome of evil. To read through an objective telling of the history, however, it obviously wasn’t so obvious to some at the time.

As Krauthammer wrote in Things That Matter:

“And who is the hero of that story?  (The story of the 20th century’s ability to defeat totalitarianism, and leave it as a “cul-de-sac” in the annals of human history.) Who slew the dragon? Yes, it was the ordinary man, the taxpayer, the grunt who fought and won the wars. Yes, it was America and its allies. Yes, it was the great leaders: FDR, de Gaulle, Adenauer, Truman, John Paul II, Thatcher, Reagan. But above all, victory required one man without whom the fight would have been lost at the beginning. It required Winston Churchill.”{2}

Krauthammer, Charles.  Things That Matter: Three Decades of Passions, Pastimes and Politics.  New York, New York:  Random House, 2013.  Print.

The Creativity


Bill Cosby had a show called Kids say the Darndest Things, and they did say the darndest things on the show. We all did at that age, but we all knew that we would have to grow out of that if it was our goal to be taken serious. Those of us who wouldn’t, had to be institutionalized into the ways of human operations (i.e. school), if we ever hoped to mature properly. Some of us matured into good business assets, fathers, and occasional games men. For the most part, however, those fantastical ideas were required to be laid by the roadside in the pursuit of a quality, adult life.

Some of us remain trapped in a fantastical mindset, and while we led a good life, and had a good wife, we haven’t matured to the point that we can meld a serious life with a fantastical mindset. We all know people who cling a little too much to fantasy, and while we try not to think less of them, it can prove difficult to take them serious. These people are apt to have an unhealthy addiction to gaming, science fiction, vampires, and now zombies. These people, depending on the progression of their fantastical mind, often have little to nothing to offer corporate America.

sct star trek.jpgOthers have all the foolishness of unconventional thinking, and fantasy, behind them early on. They are often children of ultra-serious parents who want their children devoid of foolish thinking. These people eventually get so locked in on serious, or conventional, ways of thinking that they end up neglecting that part of their brain that indulges in fantasy, art, and creativity for so long that they ignore a huge ingredient of what it means to be human. They eventually veer so far into the serious side of life that they become disgusted by creative thinkers. They “don’t have time” for such silliness. They have developed the tunnel vision necessary to compete in the corporate world, and they can’t understand people that don’t have a master plan. These people usually have a mathematical equation for life.

They prefer the absolutes inherent in the Superman story over the cloudy interpretations offered by the Batman character. They prefer the concrete absolutes of standard music over any creative music that messes with the formula, and they prefer the more standard comedy of Everybody Loves Raymond over the comedic study of intangibles on Seinfeld. These are bottom line people who will tell you all you need to know in life to succeed are two words: “Yes and sir!”

At some point, this type usually crashes and burn under the weight of all that seriousness. The purchases they’ve made to substantiate their status begins to lose their luster, the family no longer interests them in a substantial manner, and the career they’ve worked their whole lives for has suddenly become meaningless to them. When they reach that point, they either seek the fantasy of an adulterous affair, a job change, a move to another state, or all of the above. At some point, the master plan loses value, and they become perpetually unsatisfied with their direction. These people can be just as unhappy as the fantastically minded, and neurologists say that the only thing keeping them from utter insanity is the fantasy they experience in the dream world while sleeping. Everyone tells artists to have something to fall back on, in case their creative pursuits never come to fruition, but you rarely hear anything like this directed at conventional thinkers that succeed in conventional ways with nothing fulfilling the side of their brain that contains healthy ingredients of play and fantasy.

KidThe healthiest mindset, and the one probably most difficult to achieve is the matured, creative mind. The matured, creative mind is one that has progressed beyond the fantastical thoughts of youth to a more practical hybrid of conventionally unconventional thinking. The problem they generally have is how to make their unconventional thoughts productive, practical and profitable, for as anyone who has worked in a corporation knows it’s not exactly a conducive climate for unconventional thinkers. In this equation, of course, the onus is on the creative mind to make their talents know to their bosses.

Some, like CEO Steve Jobs suggests that anyone unable to reach their creative peak, should try hallucinogenics. This statement made some creative types think that Steve Jobs wasn’t as creative as we had all been led to believe. It made some of us think that he views creative types from the same, jealous distance conventional thinkers view creative types. How many times have we heard non-creative types assign drug usage to creative types? “They had to be on something to make that,” they say. “No normal human could create something like that, sober.” Those of us who have flirted with creative thought encounter epiphanies on a much lower scale, know that the mind can be mined with constant work, and it can produce incredibly creative thoughts without artificial aid. Jobs’ comment was such a shock from such a creative mind that we wondered how creative he was. If he were that creative, why would he feed into that cliché?

Those who know the story of Apple, know that Steve Wozniak was the creative genius behind the Apple I and II, and he had a major influence on the Apple Macintosh. We didn’t know the instrumental role Jonathon Ive played as the chief architect of the iPod, and that he was a part of a team that included: Jon Rubenstein, Scott Forstall, Michael Dhuey, and Tony Fadell. We learned that while Jobs may have overseen the project, but we had no idea these names were the creative types behind the final product we know today.

Jobs’ role in the insurgence, and resurgence, of Apple is unquestioned, but the undue credit he received (see took) for the iPod outraged those on the creative team who sweat blood over it. Jobs was the leader of the company at the time, and he changed the company’s culture to “think different”, and he eliminated distractions to provide more focus. He may have been overly demanding with the aesthetics, the processes and the machinations, and he may have remained stubbornly unsatisfied with what he termed “unfinished” products. He may have gotten more out of his creatives than anyone in his market, and in the end he was the “guy in charge” of the company that created products that were unmatched in its field, but Steve Jobs did not deserve the amount of creative credit he took for the products it produced. And some creative types were partial to the complaints his creative teams made, after Steve Jobs said all creative types should take drugs to increase their creativity.

The primary reason it bothered us is that it’s the typical charge that all conventional thinkers make about creative types that create something conventional thinkers consider inhumanly creative. I don’t know if this “They had to have been on some wild drugs” cliché began with The Beatles, but it does appear to be one of the origins of the charge. The other reason that it bothered creative types is that it allowed non-creative types to feel more comfortable in their serious, mathematical world: “Well, I could’ve created something like that too, if I decided to take all those drugs.”

When it first came out that Led Zeppelin sold their souls to the devil, that made sense to a number of my friends, because, “No one could come up with that many great songs on their own.” When these friends grew out of such fantastical notions, they changed their minds on the subject saying that “corporate guys, or unaccredited songwriters, must have stepped in there and changed, mixed, altered, or finessed the final product, because there’s no way Page and Plant wrote all those songs alone.” Or, they say, “They must’ve been stoned out of their minds to think up things like these.” It bothers creative minds, because we know it’s possible to reach unbelievably creative planes without artificial substances, and those who have tried some artificial substances don’t see how an altered state of consciousness can lend itself to productive creativity.

It’s possible that mind-altering drugs can introduce thoughts to a brain, but how many of those thoughts are absolute nonsense? It’s possible that they can lead the brain to “Think different”, but my guess is that it takes a sober brain to sort through those different thoughts to help them make sense. I wonder if we were the tamper with the timeline and The Beatles never touched a drug, how much different would their discography be? As with using ‘save your hair’ products, it’s almost impossible to know if the mind-altering drugs did it, or if the drugs gave the mind the perception that they were free to do something wildly different than they ever tried before. It could be that continued use of hallucinogenic drugs teaches one to finesse creativity in an altered state, but most truly creative minds only experiment with altered states, and most of them found that it didn’t enhance their creativity. Unfortunately, in the case of The Beatles, and Led Zeppelin, it appears as if they either created, or fed into, this misconception.

That cliché was born, in my opinion, based on the frustration that non-creative types have for those that are excessively creative. These people can accept that a bunch of fellas could sit around and write Back in Black, or Eliminator, but “You’re trying to tell me that three guys (John Paul Jones) came up with Led Zeppelin IIZosoand Physical Graffiti? Sober? With their souls still intact? Come on!? There’s just no way.”

Some non-creative types make the same charge with Albert Einstein. They state that the autopsy performed on Einstein’s body showed traces of LSD, as well as Dimethyl-triptimene in his system. They also state that his heart exploding could’ve easily have been caused by years of cocaine use. This led all non-creative types to almost leap with joy, as it confirmed for them the fact that no one man could think all that stuff up, not sober, with his soul intact. As we all know, these opiates were common, at the turn of the century in medicines and painkillers, so the fact that they were in his body, at the time of his death, doesn’t necessarily indicate that Einstein used them recreationally, or to enhance his creativity. “It was still in his system,” non-creative types would argue, “and whether he took these opiates for medicine or recreationally, it’s possible that it affected him.” It’s also possible that it didn’t.

EinsteinHow many people looked up to the stars and tried to figure out the ways of the universe prior to Einstein? How many of them ingested the same opiates, whether or not it was deemed medicinal? How many of those same people had all of the same information on the abstract concepts, and couldn’t make meaning of them in the categorical manner Einstein did by picturing himself riding a light ray bareback? “By picturing himself riding a light ray bareback, you say? Yeah, he had to be on some serious stuff to think like that. That ain’t normal.”

Einstein also said that playing the violin helped him make sense of the universe by helping him make a connection with sense-experiences. Is that something a drug-user would say? Perhaps, but here’s something that could blow your mind, so if you’re not prepared for it read no further, but it’s possible, possible that a person could indulge in different thoughts so often, that they produce creative ideas that are unimaginable to those who have never indulged in creative thinking.

“Insanity is doing the same thing over and over again and expecting different results,” Einstein once said to define insanity. 

Einstein thought differently, and he thought so differently, so often, that he was able to approach the problems from so many different angles that he ended up approaching these problems in ways conventional thinkers couldn’t fathom. They still can’t fathom it, so they suggest that it had to be drugs.

Those of us who routinely think different know where the mine is. In our experience, it’s not chock full of illustrative colors. It’s just a mine. If you’re anything like me, you’ve been surface mapping and sampling that mine your whole life, so you know exploring and exploiting the mine will be worthwhile, because you know the ore and minerals in there, all you have to do now is drill deep to start the discovery phase, the development stage, until we reach the production stage. It’s not simple or immediate, but the hard work we put into excavation will produce results.

The results for the reader will be the highlight reels of all of our effort, as we learn to edit and delete until the effort is removed. The excised material is the nonsense we developed in childhood, and the whimsical inanities we created on mind-altering substances, be they drugs, beer, or other stimulants. Most of the time, we just write poor sentences, be they littered with errors, or those not as engaging as we originally thought. We’ve all unearthed bizarre ideas, sober and otherwise. An overwhelming majority of them, about 99%, are cast aside, but there are some valuable nuggets in that mine that needed to be cultivated and cleaned up. We won’t have fans in the stands who “were there” when the star was born, because most artistic endeavors occur in quiet corners when no one else is around. Most of it is finessed, staring at a poor sentence, trying to approach it in multiple ways to make it make sense, and most of the finished product, an article, essay, or novel is an assemblage of highlight reels that appears inhumanly creative. 

It would be foolish to say that some brilliant creative types don’t find refuge in mind-altering substances from The Beatles to Edgar Allen Poe, but did their alteration of choice enhance the thoughts or form them? It’s the 100 monkeys on typewriters joke that suggests one of them could accidentally write Hamlet. Anyone could write Sergeant Peppers or The Raven on the right drug. Everyone could be creative, brilliantly creative, if they had the time and resources necessary to devote time to it. I don’t know if it’s jealousy, or if most people have no idea how hard it is to create something beautiful, but I think we should all drop our ideas about shortcuts regarding the creative process and just recognize brilliance for what it is.     

Most creative people came about their matured creativity naturally, for creativity cannot be taught. It can be workshopped, and it can be finessed day by day and interaction by interaction, but no one can teach another person how to be brilliantly creative. For that reason, and for all the reasons listed above, creativity remains a largely unexplained phenomenon, but those of us who have spent most of our lives honing the science and math parts of our minds would much rather think mind-altering substances spawn that which separates them from creative brilliance.