Rilalities


Dad and sonTo buy or to buy not.  When I was younger my dad did not buy me everything I wanted, and I hated him for it (hated being the harmless, preteen definition of hate). A part of me still believes that of part of him enjoyed saying no to me. A part of me also thinks that the constant “No’s” I received from him coagulated into the psychosis that plagued me through my teens and twenties. Another part of me wonders what kind of man I would be today if he gave me everything I wanted. Would I be a spoiled brat? Would I have some sort of obnoxiousness about me that expected to be able to buy everything I wanted —to have everything I deserved— regardless if I had to go into debt to get it? Would I be one of these ‘I deserve it’ adult babies that permeate our culture? Another part of me knows that no matter who our parents are, and whatever psychosis they inflict on us, we’ll have to work through it, and we’ll probably end up in the exact same place we’re at now.

Under-Estimate Children! It might be better for our society if we take a collective step back and start under-estimating children again. Rather than express the joy we should that this young mind is able to use their collective knowledge to state something relatively profound, we now say, “We can learn a lot from our children.” If they say something about chemistry, we think they should pursue a career as a chemist. If they say something about the geography of Salina, Kansas, we think they might have a career as a geographer. How about, it’s a kid who had a serendipitous thought in an opportune moment. Some of the people I know re-characterize these moments with the suggestion that they might be smarter than us. To retain my sanity, I choose to believe this is nothing more than a grandiose compliment, for I can’t wrap my mind around the idea that they think children are smarter than adults. It is a neat thing to say that we can learn a lot from their unfiltered view, but I don’t think I’m going to turn to a kid as a life coach any time soon. Therefore, when they say, “Kids say the most amazing things, kids are so innocent, and kids see things without the heavily tinted sunglasses we do,” I take it with a grain of salt. I have had friends further these cliches and leave me with the idea that some part of them believes it (as a result, this humble observer, believes can only arrive after all the other parts have lost so many wars over the years that they’ve simply given up). Kids are sponges and balls of clay. They see things we don’t on occasion, and they’re unflinchingly honest about what they see, but they have very few original thoughts, and the few original thoughts they have are usually gibberish. They know nothing, except what they’re taught, and when they’re caught, and every kid I know now is just as malformed and uninformed as every kid I knew when I was a kid.

Freaks are people too ya’ know. There was a daily parade of freaks that worked with me on an overnight shift. When I watched this parade exit the building one day, it dawned on me that each of these freaks had a story that was aching to be told. Most of them did not want those stories told though. Most of them didn’t think they had stories, or the kind of stories I tell. Most of them suffered from the Pinocchio syndrome, a desire to be normal boys and girls. The further away from normal these people of varying ages were, the more convinced they were of their normalcy. Most people won’t hear their stories, however, because there’s a fear that you’re too normal, and you will judge them harshly from your vantage point. They only tell their stories to their own. Call it a gift, a curse, or a truth that I am as yet unaware of, but I convinced them that I am one of them.

Psychology fills the gap. How do politicians and writers manipulate their audience? They know their psychology, or they hire someone who does. I cannot imagine a writer, or a politician, succeeding in their craft without first knowing a lot about psychology. Maybe a politician can, due to the fact that they’re usually figureheads among an enormous staff that has a finger on who you are and what makes you tick, and they feed that information into the politician’s Tele-Prompter. A big town writer, writing small-time blogs, can’t get away with that though. They have to have an insatiable hunger for what makes humans tock, and tick, and a progression to psychology is a natural one, for in most cases the science of writing, and the science of psychology are much the same science.       

idealisticIrrational Idealism. I was irrationally idealistic. “I agree that America is the best country in the world, but who’s to say that we can’t all make it better?” was one of my favorite replies. Those currently of an idealistic mind approach me in a manner I used to approach traditional thinkers, with the mindset that this is the first, idealistic thought I’ve ever encountered. Most idealistic thinkers believe that their individualistic twist on an issue is one that has never been considered before. Most idealistic thinkers cannot conceive of the idea that they’re wrong, for they’ve conceived of the idea on their own, based upon their relative influences. Most idealistic thinkers believe that the only reason traditional thinkers stubbornly cling to traditional thinking is that they have never truly considered the idealistic thinkers open-minded ideals before. Most idealistic thinkers cannot fathom the idea that you’ve “been there, done that”, and that you don’t believe their ideas and ideals are effective based on your experiences in life.

Money can Buy some Happiness. A 2010 study suggests that $75,000 a year is enough to make a person happy? Why? To be truly happy, the study suggests, a person needs only enough money to be able to afford certain products, a certain amount of freedom, and the ability to avoid worrying about bills. A person that makes $100,000 a year doesn’t necessarily have greater emotional well-being, and they have no extra day-to-day happiness, than a person that makes $80,000 when all of the individual variables are taken out to achieve a general rule. $75,000 appears to be the leveling off point, or what the researchers call a financiohappiness ceiling, at which an individual can afford all of the luxuries of life without worrying about bills. Or, as Henry David Thoreau once said, “A man is rich in proportion to the number of things which he can afford to let alone.”{1} Does this mean that a man should cease striving to be better, with more money in his pocket as a product of that increased stature, no, but the study suggests that his happiness will probably not increase in relation to his pocket book. While that is a provocative idea, some would suggest that contrary to everything Hollywood has ever told you, it is the striving to be better that makes one happy, and money is simply a happy byproduct that defines better. If your driving force in life is attaining more money, and buying certain products, you’ll probably not be happier with more.

The Pursuit of Happiness.  Hollywood movies teach us to never settle, and that we deserve better. Sports teach us to never be satisfied, and that we deserve more. The pursuit of happiness may break down to focusing on what we currently earn versus what we think we deserve. When asked if he felt he deserved a National Championship after all those years of near-misses, Nebraska Conhuskers coach, Dr. Tom Osborne, said: “There’s no such thing as deserve in college football. If a coach wins a National Championship, he has earned it in that particular year.” When one earns a dollar, there is often little question of its worth. The recipient may believe that they deserve more, but as the old saying goes, “You are only worth what someone is willing to pay.” With that in mind, we have a concretized grasp on that which we’re worth in life, but some part of us believes that we deserve more. Earned is something one works for and is rewarded upon receipt, and deserve is some existential definition of something we feel we should have based on the fact that we’re alive and trying. Controlling for variables in institutions of higher learning, and most union work, it is found that most institutions don’t pay one more for being alive another year. Most raises, given to those in the real world, are meritorious (i.e. earned).

When we see neighbors who don’t work as hard as we do, and we realize that they’re happier, we think we deserve to be happier too. We don’t know what it is that will make us happier, but we’re in a perpetual pursuit of it.  We’re usually unsatisfied with the result, because the relative definition of deserve is relative to that which we seek, which we don’t know and never will.  If a spouse questions this psychosis, we let them know that we aren’t the type to settle.  We also tell them that we deserve better, and we move onto those greener pastures.  In this selfish pursuit of a definition of happiness that we deserve, a definition usually steeped in stupid, self-serving decisions, we incidentally affect the ancillary victims (our kids) of our lives, so that they are perpetually unhappy in pursuit of this definition of happiness that we’ve passed onto them.

The Constraints of Monogamy. I used to claim that I would not conform to the constraints of monogamy, until I began defining myself within “my monogamy”. My monogamy is not your monogamy, and no one else can define it for me. Once I began defining my monogamy, I realized a degree of fulfillment that the single life could never achieve. Once I realized the inner core to my monogamy, I also realized something that couldn’t be defined by anyone else. That cliché that when you fall in love, you think you’re the only person that has ever been in love, is so true, because you get to define it month by month, day by day.

Why does this girl love me? I have no idea, but the inquiry challenges me. I, like most people my age, think of myself as a little, unruly child unworthy of love that will eventually be discovered once she unzips the zipper in the back of my neck to realize the monster that I really am. The truth is that she has defined me in certain ways, and I have evolved myself to meet a new standard. She has deprived me of that sense of emptiness I used to feel every day, that angst that drove me to write beautiful, provocative prose, but in its place is this sense of completion that only I can define.

I used to abhor holidays too, and though I didn’t go so far as to not participate in them, I saw all of them as false and conformist. I wanted something out of holidays and relationships that no one could give me … until I started giving to them. As they say, “It is far more rewarding to give than to receive.” Therein lies the key, once you start giving to a relationship, you start down the road to completion. Once you sacrifice that portion of yourself that used to define you as a strong, single, and rebellious person, you start to realize who you really are, and what you can be. The single life seems so rewarding in the rock star, Hollywood light, until that light begins to expose the underbelly of your empty existence.

I would never claim that my solutions are for everyone, but I can say that you’ll never know yourself completely until you are involved with another person long term. The “constraints” of monogamy actually freed me up more than anything else I’ve ever experienced. Trying to get another person to love me, every day, changed me in ways I couldn’t understand, until I began to experience them for myself. I realized that my definition of the constraints of monogamy were wrong once I began defining my monogamy with “the right person” to assist me through a life of consistency and normalcy.

The Search for Something Shocking. As our culture moves to a more permissive state, I can’t help but wonder if creativity will eventually become a casualty. Television programming is better now than it has ever been. I realize that every person believes in their own superlatives, but it’s my contention that there are numerous mid-level programs on the air now, that are superior in all ways to the top programs of the past generation. Is this a result of more competition, from internet programming and cable, or does it have something to do with the fact that the Federal Trade Commission (FTC) has loosened the standards on TV? Most TV watchers, of a given age, don’t think it’s even debatable that the FTC has allowed for more coarse language and more violence than they did in the 70’s. The question is if these shows are allowed to be more provocative in these ways, does that provide for more creative writing, or cover for the fact that the writing is not of the quality that existed at one time does it make the writing appear more creative, or is creativity not as necessary as it used to be when the FTC was more constrictive?

This leads us to the question the effect of something shocking. Is something shocking better? I don’t think many would debate that it is. As long as that something is not gratuitous, and it fits the frame of the story, something shocking can capture our attention better than the most creative writing in any venue, and it has us talking about the show the next day at work.  As provocateurs like George Carlin basically said, however, “Be careful what you wish for,” when it comes to tearing down all walls of constriction and small forms of censorship.  “Once they’re gone, they’re gone, and you’ll be left with nothing to rebel against.”  In other words, as the FTC allows for more and more shocking subject matter to be aired in the airwaves, something shocking may not be as shocking as it once was, and we find ourselves playing king of the mountain, until nothing seems as shocking as it once did.

Sprucing and Fluffing.  I got lucky, I say to those that wonder how I met my wife in an online dating forum. I would not say that my approach to her was any more skilled than anyone else’s. I would not say that I used my creative writing talents to appeal to her in anyway.  I would just say I got lucky.

“Just about every guy claims to be as adventurous as Bear Grylls, with Brad Pitt looks, and has a workout regimen that would cause Arnold Schwarzenegger to blanch,” says a friend of mine regarding some of online dating site profiles she’s viewed. She then goes onto provide hilarious examples of the attempts some guys have made to “spruce” up their profile. The import of her message was we’re all onto you fellas, and we think that you’re absolutely ridiculous. The jig is up, she basically says, so why are you continuing to make utter jackasses of yourselves? The answer: it works.

Why do politicians run negative ads every election cycle when everyone and their brother knows that negative ads don’t work. How many politicians say that one of the goals of their campaign is to avoid negative ads? How many polls state that “People don’t care for negative ads,” yet just about every political campaign runs them. How does the notion that “negative ads don’t work” persist? Perhaps it’s because losing politicians run negative ads too. Perhaps it’s because most election analysts don’t focus on the fact that our current leaders ran negative ads in their elections too, and perhaps that has something to do with the fact that we don’t like to be reminded about what that says about us. Some may say that this is a simplistic explanation of modern politics in America today, and it may be, but I would counterpoint with the question: “Which part of you are negative ads trained to appeal to? The complex??”

How many of us would tell a pollster that we want more infighting, more partisanship? What kind of person would say, “I love negative ads! I think that the polarization clarifies matters for me.” No, we prefer that that pollster consider us a wonderful person by saying, “I wish that we could end all this partisan bickering, and get back to creating jobs for the American people.”

How many of us have scrolled through Yelp postings to find what that one negative comment had to say? How many of us have read through positive reviews of products on Amazon.com with the mindset that all of the positive reviews seem to run together after a while, until we find that one negative one that seems to stand out? We all know that one negative comment is far more effective than one hundred positive ones, but when that pollster comes up to us and asks us what we think of one particular negative ad, we respond that we need to get them out of politics.

The point is that we want politicians to appeal to our better half, but other than the politician’s research team knowing that this is not a fundamental truth of human nature, they also know that positive ads can only take them so far, that they all begin to run together after a while, and negative ads about an opponent do provide an excellent distraction away from their politician’s limitations. Negative ads also feed into notion in the zeitgeist that going negative is being real and being more honest with the voters.

So, online dating girl, you go on believing that you know more about these unemployed, overweight guys that live in their mother’s basement posting positive ads about themselves that make them sound like Bear Grylls, and look like Brad Pitt, and they’ll go on posting these ads, because they work, and you will continue to fall for them. And the fact that you keep falling for them, and falling prey to the subject matter in negative ads, says more about you than it does them. The jig is not up, and as David McCraney said, “You’re not as smart as you think you are.”

Today’s Music Ain’t Got the Same Soul


As a former AOP (album oriented person), I have finally come to realize that most songs, on most albums, by most artists, are crap.  It’s a tough admission for me to make, especially after decades of fighting against my “single-loving” friends on this very issue.

downloadThe Beatles may be one of the few exceptions to this rule. The Beatles made about five albums that were almost top to bottom perfect, but then again they had three bona fide songwriters in their group. Those three songwriters could usually write one to two great songs a piece for the albums The Beatles would release on an annual and biannual basis. When The Beatles broke up, these three artists continued that trend.  They would write one to two great songs on solo albums that they would usually release on a semi-annual basis. One of those songs would get extensive airplay on the radio, and we would all run out and buy the album. To our disappointment, there would probably be only one other song on their solo albums that could be enjoyed long-term. A couple of the other songs on those albums were self-indulgent, political rants, and the rest were just filler. Led Zeppelin may be one of the other another exceptions, but they sold their souls to the devil(!), and there’s Queen, but Queen had four solid songwriters in their band.

There are other exceptions to the rule of course, and I’m sure you have them in mind, but were those exceptions the first album your “my guys” made for a major label? If that’s the case, you have to ask yourself how many years of writing went into the making of that first album? If that’s the case, I submit that that first album was a compendium of all the years this artist(s) spent as a struggling, starving artist. Kurt Cobain once said that if he knew what he was doing, he would’ve spaced out all the songs on the album Nevermind, to presumably allow some of those single songs to appear as lead singles for forthcoming albums.

From what I understand of the business, and I understand very little, the first album usually generates little to no money for the artist. The reason for this is that the record company assumes all the financial risk for this unknown artist on first albums, and this unknown artist is usually so eager to sign with a major label that they forego most of their rights. Most new artists have little-to-no pull in the signing process, and most labels take advantage of them on that basis. Most labels are also hesitant to give a lot of money to a new artist, because they know that they will go out and ruin their minds and bodies on drugs and alcohol with all of their new found money. Other than the objective to make the most money they can off the artist, they might also want to keep the artists hungry enough to produce at least one more great album.

After the artist is raped by the label on the first contract for the first album, they’re usually bled dry by the lawyers who seek to rectify that first deal. This gives them the hunger necessary to complete a second album. This second album is usually rushed by the artist, the label, the lawyers, and all of those with their hands in the pot trying to cash in on the success of the first album. It usually sells well, based on the success of the first one, and the critics often label this effort “the sophomore jinx”. The second album usually contains the “could’ve beens” and “should’ve beens” that didn’t make the cut on the first album, and that album usually sounds rushed, sporadic, and often times sub par, but we can’t blame the artist too much for wanting some of the money they missed out on with the first album. If the artist was allowed some time to write a new single, and some time is usually reserved solely for studio time in the world of music –because most artists are not artistic on their time– we may get one marginal-to-good song on this record that would’ve been a better-than-average filler song on the first album.

“Wait one cotton-picking moment here,” you say. “The artist I listen to says that they don’t do it for the money.” That’s just good business. Very few artists, outside the for reals world of rap artists, would tell us that they’re in it for the money. If they believe it is about the money, and for some it is, then they’re probably not very good artists. For those who are quality artists, that love the art form, money is a happy byproduct that pays the rent and the grocery bills. Money allows the artist the free time necessary to concentrate on their craft, and that is important even if they won’t admit it. If an artist is in it solely for the money (or the fame), if they’re being for reals, they’re probably producing the schlock that comprises most of the Top 40. It is about the money though, for those artists who truly know something about business side. They know that that when a customer hands over dollars for product, they’re complimenting such products in a manner that allows the artist to keep producing said products.

Sting once said: “Anyone can write a hit, but it takes a true artist to write an album of excellent material.” 

If that’s the case, there just aren’t as many artists out there nowadays. Either that or my patience for half-hearted material has diminished, because there appears to have been a dearth of great albums in the last ten years. My guess is either there are fewer spectacular artists out there nowadays, or we have over-estimated these artists in the music field for decades. Perhaps these artists were never were as intelligent, or as brilliant, as rock journalists led us to believe. I’m not just taking about the members of ‘80’s hairbands in this critique, or the starlet that tries to show off her body parts to remain relevant.  I’m talking about our favorite artists. I’m talking about the seminal artists who have graced the covers of corporate magazines for decades. I’m talking about the artists that the marketing arms of these corporate magazines, and the corporate labels, have led us to believe were complicated geniuses. Maybe they were just better than most at crafting an image, maybe they are not as deep as we perceived them to be, and maybe we need re-evaluate our definition of the term “musical genius” based on the fact that they can’t come out with three decent songs every two years.

If we are to judge an artist based upon their albums, and not their singles, then we have to assume that they’re not very deep. The Beatles came out with nearly three albums a year in the 60’s, and they came out with some complete albums, top to bottom. With today’s artist, we’re lucky if they come out with an album every two years, and as I said those albums usually only produce two decent songs on average. Whatever the case is, I usually make my own albums out of all of the singles and some of the secondary songs released today. The rest of the songs released by these complicated artists are just drivel. Thanks iTunes and Spotify!