Joey at the Bat


“Joey! C’mon, it’s just a game,” Regina shouted out, as Joey Dunning took a bat to a Gatorade water cooler. It obviously wasn’t to Joey. To Joey, it was an existential crisis to strike out three times in a company sponsored slow-pitch softball game. Companies organize these company functions, so we stupid people can have fun, and we were having fun until Joey took a bat to one of those insulated Gatorade coolers with a beverage dispenser. If Joey hits it once or twice, it’s a thing that draws attention. If he hits it as hard as he can, eight to nine times, it’s a human being imploding, and we watch with our mouths open, like this,” Barry said mimicking the expression. “We pretty much know life isn’t going the way Joey planned, and that this might be one of the worst days of Joey’s otherwise miserable life. What do we do? Do we laugh ourselves to tears? Not at the time. At the time, it’s shocking, kind of sad, and a little pathetic. We’re in tears later, replaying every second of it, every swear word he used, and replaying our reactions to it. One of my buddies actually took a picture of the Gatorade cooler after the it was all over, and he saved it. He didn’t know why he saved it, but the next time something bad happened to me, he texted that picture to me with a caption, “It could be worse.”

“Nothing excites the coward more than seeing a hero fall,” Dave Chapelle once said, “because it justifies their cowardly existence.” That doesn’t quite nail this scenario, because Joey wasn’t anyone’s hero. He was a good-looking guy, though, and a body-builder, who had none of the problems we did attracting women. So, did we kind of relish seeing the worst moment of such a man’s life? We did. All of us did.

The Germans have a term for laughing at another person’s pain. Schadenfreude. Leave it to the Germans to develop a term for laughing at the destruction of another person. And for any offended Germans out there, I’m part German, so I can say that. We laugh when someone trips and falls in the hall and leaves makeup on that carpeted wall. It’s funny, and we all know it. Even when we fall, we know it’s funny, no matter how painful and tragic it is. We know someone, somewhere will develop some material about it that they will share with their friends for years.

I laugh at other people’s pain, and I expect them to laugh at mine. Without knowing the exact definition of yin and yang, we all understand how nature balances itself out through opposite but interconnected forces. As long as it doesn’t involve something debilitating, we all enjoy seeing someone else fall. The bigger the better, and the level of emotional and physical pain one incurs corresponds to the comedic value of the situation. Some say it’s karma, and as a person who laughs at other people’s pain, I know I’m going to get mine, and you know you’re going to get yours. We know karma is going to reach around and bite us in some very tender areas.

We’ve all experienced some levels of karma, but something tells us that ain’t it. That’s just the tip. We’ve done a whole lot of laughing at others, and we know that there’s more to come. We know we’ll get ours. We know there will come a day when we’re old and decrepit, hooked up to some machine that sustains life, and some intern will come into our room, see us gasping for air, and he’ll find it hilarious.

We might expect a little sympathy from a hospital employee, but all institutions have good employees and poor ones. As death creeps up on us, the emotional hysteria will probably lead us to yell something like, “What are you laughing at? I’m dying here, for Cripes sakes!” When we cool down and recognize that we don’t have the strength to fight death anymore, we’ll either acknowledge that we deserve it for laughing so hard at so many others on the worst days of their life, or we might see the humor in it too. Seriously, are you so sick that you’ll probably be laughing with the orderly who’s laughing at your death mask?

“You should’ve seen your face,” that orderly will say, “You were all like …” Barry mimicked the orderly’s imitation of his desperate gasp for breath. 

‘I know,’ we say, chuckling, ‘but you gotta remember I am dying here. No, I’m not saying it’s not funny. I’m just saying that when you’re taking your last breath, it’s probably going to hurt, and if you’re wondering if it is your last breath, you’re probably going to make some embarrassing faces too.’

When that day comes, we might regret laughing so hard at a grown man beating a Gatorade cooler with such intense frustration, or we might not, depending on sadistic we are.

I don’t know how women would handle this situation, but when a guy strikes out three times at a slow-pitch company outing, in front of everyone he works with every day, forty hours a week, it’s our version of a Promethean hell. The story of Prometheus is that the gods wanted to find a creative way to punish him for introducing humans to fire. The gods decided to bind him to a rock and have an eagle eat the liver out of his body for the rest of eternity. Have you ever seen a bird eat? It’s not clean. Even a large eagle has a relatively small mouth, and they don’t have teeth. So, if they’re going to eat your liver out, they have to stick a talon in you to balance you, while they rip it out bit by tiny bit. Yeah, the gods knew how to bring the pain. As the tale of Prometheus tale goes, once this eagle is finally done carrying out that torturous punishment, Prometheus’ liver grows back the next day, and the eagle rips it out again, and again, for the rest of eternity. 

As horrific as that punishment is to picture, I’m willing to bet that most men in the audience here tonight would prefer that torturous afterlife, for the rest of eternity, to striking out three times in slow-pitch softball, in front of all of your friends and drinking buddies. Why, well, as with the repetitive torture Prometheus experienced, we will relive that moment over and over for the next thirty years. You might think it’s over, and you might finally reach a point where you’re no longer staring up at the ceiling at three in the morning, reliving it over and over, seeing all of the faces, hearing the silence that followed, and remembering that little kid giggling when you went Al Capone on the Gatorade cooler. If you have mean, sadistic friends like I do, you know they’re going to bring it up, and force you to go through your own version of Promethean hell.

What’s worse, physical pain or mentally reliving your worst day at-bat for the rest of your life. Now, if you’re a regular softball player, like I was, you’re going to mess up a lot. You’re going to make horrendous, humiliating errors, but you can try to erase it next week by making some good plays. Joey, to my knowledge, never played softball, or any other sports, after this game. My bet is that he remembers that moment from 10pm until 1AM, staring at the ceiling, listening to his wife snore, for the rest of his life, and then when he mercifully finds sleep, it invades his nightmares.

Joey was a big body builder type. Most of us go to the gym about two times a week. I’m betting Joey was a five-to-six-day-a-weeker, so we naturally thought the man was built for athletic domination. We could tell that Joey thought that too. He was on my team, and I was behind him in the batting order. I wanted him to do well, of course, because I wanted our team to win, but I didn’t want him to do so well that my little blooper singles would be an afterthought. The ropey muscles on this guy’s forearms made me think I was in trouble. The outfielders backed up for him. We all thought Joey was going to put on a clinic. He had brand new batting gloves that it looked like he purchased just for this company outing. He even had wrist bands. Who wears wrist bands to a company outing? Between pitches, he adjusted the fit of his gloves and fiddled with his wrist bands, just like Major Leaguers. It was so shocking to see him strike out on three pitches that first time that when the other team even ribbed him a little, in a good-natured way, we all kind of giggled. It was all polite and fun.

So, what’s the best resolution we might develop for the inability to hit a huge softball coming at you incredibly slow? Whenever we substitute a good solution with the best, most perfect solution, we often end up choosing the worst. Joey’s solution was to swing faster and harder? In his second at-bat, Joey swung so hard he fell down. Yikes! We could almost hear the nails going into the intangible walls of his nightmares, building a permanent fixture in there.

Seeing as how we were at a company function, and the sense of competition between our teams was fun more than anything else, the pitcher lofted the last two pitches up of Joey’s second at-bat, with the greatest of ease,” Barry said mimicking the soft toss. “The way we might pitch to a five-year-old who is having trouble hitting the ball, and in a scene that will probably play in Joey’s nightmares for the rest of his life, he missed both of them. Would you laugh at this man self-destructing right in front of you?” Barry paused for all the laughing yesses in the audience. “You would? While witnessing the worst moment in someone’s life?”

We all say yes at a comedy club, three to four drinks in, but when it’s someone you know, someone you see at work every day, forty hours a week?” Barry paused to survey the crowd. “We all would. We all do, because we have grievances, petty personal and impersonal grievances. We have grievances against mother nature, God, and the world and everyone in it. If you don’t find failure funny, let me add this. After Joey’s second strikeout, there were groans all over the field on our team and the opposing one. Even the men who envied how easily Joey picked up women, dropped that grievance and began rooting for him. We were all cheering for him. Even though he fell on his ass after the third strike of his second at-bat, someone yelled out, “That’s all-right Joey! Get ‘em next time!” The other team was even saying stuff to cheer him on, being good sports and all. 

Now with the third and final strikeout, let me ask you what do you think would be the worst possible reaction you can think of following a third strikeout in slow-pitch softball? Try to put yourself in Joey’s shoes, and think what reaction might haunt you for the rest of your life?” Barry asked the audience. A few people shouted some reactions out. “More teasing? Laughter? Wrong. How about silence? If you asked me, prior to this display, I probably would’ve said more teasing and more laughter too, but that day taught me that silence, claustrophobic silence is the worst possible reaction you can give to someone striking out in slow-pitch softball. Why? Every other reaction gives us some direction for our anger. If Billy laughs, we can say, “How dare you laugh at me Billy, I was trying so hard, and that was so embarrassing, and you laugh? What is wrong with you? You cold-heartless bastard?” If someone tries to soften the blow, by encouraging us in some way, we can say, “Aw, shut it!” to their condescending sympathy, but silence? Silence causes you to eat the moment whole without lubricants or anything to aid in the digestion process, and it festers in some black hole in our innards for the rest of eternity, and the only outlet we can find is an inanimate object that can be used to retain the temperature of drink products.

As cold and sadistic as we are, we’re not even close to as cold and sadistic as children can be, because they don’t understand how to apply sympathy, and they haven’t experienced enough failure in life to be empathetic. They just think a guy going ballistic on a water cooler is hysterical. “Is he joking dad?” No, now look away.

We try to cover their eyes, but they fight it. This isn’t something they see every day, so they fight to watch it. “Why is he so mad, dad?” they ask far too loud. “Was he mad because he struck out?”

Yes, now for God’s sakes quit staring and join the rest of us, pretending this isn’t happening. The other parents in the audience don’t even laugh at our boy’s innocent, loud questions. They maintain the silence.

Kid won’t let stuff like this go either. “Why did Joey do that?” they ask on the car ride home.

“Joey had no idea he was common. He thought he was special. He thought he’d be a contender, a somebody, some kind of prodigy. Some part of him thought he might be Major League baseball material. He thought that when he was your age, we all did, but he doesn’t play recreational sports the way some of us do, so he never learned that he wasn’t special. He had no idea that by the time he was thirty, the only thing anyone would pay him for was data entry. Missing those slow-pitch softballs, told him that he’s no better than the rest of us, and that was quite shocking to him. 

“Some of us played sports when we were kids, and we played softball in recreational leagues when we aged out of most sports, and we all made horrible errors everyone enjoyed. Sweet little, old ladies laughed at us, “Idiot!” they’d say. Joey, obviously, never went through all that. We made errors that were so awful they were met with silence, and trust me nothing is worse than silence. They don’t even try to cheer us up after a while, because we’re so awful. They allow us to go back to the dugout in silent shame. After that, we realize that we aren’t half as good as we thought we were. Everyone who plays any sport goes through that, but Joey never did. Joey preferred sitting in the stands, laughing at us losers, thinking about his potential for greatness. That company softball game was his big chance, the moment he thought he’d realize all his hopes and dreams of being a prodigy that no one ever heard of before. Joey believed the mythology of Joey that Joey built, and he thought he had potential to be great at something, anything, but he didn’t really do anything about it. He believed something would come along, something would happen, and when it didn’t, when he realized that he was no better than those of us he laughed at for working so hard at stuff that came naturally to him, he took it out on a Gatorade cooler.”

It was a meaningless slow-pitch softball game, at a company outing, and I’m sure that the twenty-something people who were there that day don’t even remember the day, the game, or the fact that we even had an outing. The joke here is that Joey remembers, or that he’ll never be able to forget it. The joke is that in some small way, this meaningless game ruined his life in some meaningful way. I’m almost positive it didn’t. I didn’t talk to Joey before this company outing, and I didn’t after it, so I don’t know the if, when, or how he worked through it. I don’t even know if Joey had to work through it, or if he’s the type to obsesses over such matters. Joey might have moved on as if nothing happened that day, but if he’s anything like me he dreads quiet moments, because they remind him of the silence, he heard that day after the third strike of his third at-bat. If he’s anything like me, those intermittent quiet moments have a tendency of popping up at the oddest times, and I’m sure Joey doesn’t even know why he now has a preference for some kind of noise, music, TV, or anything that makes noise in his background, because of what happened after that third and final strikeout at that company function. You’ve no doubt heard the cliché deafening silence. Yeah, that’s the type of silence that puts an exclamation point on top of one of the top ten worst moments of his life. It’s the type of silence that almost allows you to hear the facial muscles of the players, on both sides, twitch into a cringe.

It strains credulity to me to think that Joey doesn’t remember this day. If I ever asked him about it, and he said, “Huh, I don’t remember that we even had a company outing.” I’d immediately think he was lying. How could he forget falling on his keister the way he did, the way that pitcher lofted him pitches the way we would a five-year-old, the deafening silence that followed his third strikeout, and, of course, destroying a water cooler in frustration? (Even though he hit it eight, nine times, Joey didn’t damage the container, which either speaks to Gatorade’s sound construction of it, or Joey’s ineptitude as a batter, but Joey did offer the owner compensation for the cooler if there was any damage to it. The owner said it worked fine, and no compensation was necessary). If Joey is able to forget all that, because he is blessed with such a short-term memory that he only thinks about today and tomorrow, then all the power to him. It was such a meaningless game, as I wrote, that I don’t doubt that most of the players, and the people watching, have long forgotten about it.  If Joey was able to forget the specifics of his failure that day, or the day in general, it probably speaks to the sound construction of the brain, and its ability to just forget that which could, even in small, insignificant ways, plague us and diminish our quality of life. 

Rilalities VI


Lucky is the man who does not secretly believe that every possibility is open to him.” — Walker Percy

1) A Man on the Rise534382_543655018980917_1211806109_nWe all have a formula for success, but how flawed are they? How many inconsequential matters make it into our formula? I met a man who achieved a relative level of success in life. The only problem was he didn’t know how to set an alarm clock, so I showed him … numerous times. Frustrated and embarrassed by this revelation, he stopped me and said, “Just give me a damned wake up call!” He looked at me with a bemused smile that contained shades of embarrassment. The shades of embarrassment suggested that he knew he should know how to do this by this point in his life, if he wasn’t a senior citizen he was close. Beneath that subtle shade of embarrassment was a bold confidence that suggested this moment  didn’t bother him as much as I thought it should. I was so shocked that I could barely return a polite smile. I figured that someone, a mom, a wife, or a secretary obviously made sure his clocks ran on time. The man’s confidence, combined with this lack of knowledge, led me to share this moment with a number of people, until I finally ran into someone who knew who that feller was. “That man is the vice-president (VP) of one of the most prestigious companies in the world,” he said mentioning the name of the company in question.

It seemed unfair to me that a man who knows so much should achieve so little, while this near infant-of-a-man should rise to the upper reaches of our society. The difference between the two, life has taught me, is tunnel vision.

Long after meeting that VP, I met a man named Kelsey Anderson. As opposed to the specific knowledge that the VP gained, attained, and sustained, Kelsey was more of a generalist. “Okay, that man is just smart,” someone once said after spending some time in his company. “He is,” I said. “No doubt about that, but he has no direction. He’s never learned how to apply that knowledge in any productive way.” Kelsey and I spent about six months working next to each other in a big company, and my impression of him only strengthened over time.  

The question is who is smarter, who’s more successful, and who has the better game plan? The VP obviously focused his more limited resources in one particular area, until he eventually succeeded beyond 99 percent of most men. Kelsey was an impressive intellect who could’ve taken that alarm clock apart and rebuilt it. He was one of those guys who appears to know a surprising amount of something about everything, but he had no particular area of focus, no direction, and thus no arena in which to display his prowess. His potential to succeed was unbound, and we all knew it. He knew it. The vice-president had comparatively limited resources, but he obviously learned his limitations early on, and he learned how to hone those few strengths he had to become what we all deem successful.

We’ve all witnessed impressive people before, but how many people do we know that are so impressive that their listeners cannot contain themselves? Most people try to find the one thing that is not impressive about the impressive, so that they can feel more comfortable in their less than impressive lives. Most people do not say things like: “What’s he doing here?” … among us?

“If someone were to just give me half-a-(durned) chance … ” Kelsey would complain when I complimented him on his intelligence. The compliment I gave didn’t please him. It made him more angry about his station in life. “I just-I have so many ideas … ” he complained. He knew so much, about so much, that he was an intimidating force of a man, but he had learned so little in life that he never found out how to capitalize on it. Watching him, one was left to wonder how many learned men in history had so much trouble harnessing their ability that they were deemed a failure by those that knew them? And how many lesser men learned how to harness their limited ability, until they achieved a place in history we all know well?

Catchers and framing
Catchers and framing

2) Framing an Argument: Have you ever found out that an overwhelming number of people disagree with something you’ve believed in for so long that it’s now an ingrained truth to you? Is this issue something that you hold so close to your heart, that it pains you to learn that so many disagree with you? The disagreements you’ve heard aren’t simple disagreements either, they’re profound, substantive disagreements that cause you to question everything you once held dear.

The first question that your like-minded cohorts will ask you is what is wrong? Even moral issues are relative when looked at in a certain light. There are no absolutes, they will say. You may love that answer for it falls in line with your philosophy, but it doesn’t satisfy the internal dilemma you’re experiencing, because the contradictory information pouring in is penetrating.

You simply need a course in framing, your like-minded cohorts will say. The art of framing employs the soul of wit: brevity. If you can frame your issue in the form of a sound bite, a lyric, one frame of one cartoon, or a couple of pictures, the world will be your oyster. The particulars of the argument may damn you to the point of being wrong on this particular issue, but you need not worry about the particulars when you’re framing. Your goal, in this the age of 140 words, is to succinctly portray your position in a manner that can be repeated, and shared, until you’re as close to right as you can possibly be without saying the wrong thing, and your brokenhearted brethren will like you for it.

3) LANGUAGE: I’ve always had a passing interest in the French language. When it’s fluently spoken, it can sound so rhythmic and beautiful. I was so taken by the language that I decided to take a college course in French. It became clear to me (about a month in) how passing that fascination was. I still enjoyed hearing the language though, and I’ve even tried my hand at using some of the language’s more exotic words with all of the umlauts, graves, and aigues in place. It was my goal to speak the language in a manner absent the mundane, specific-to-America renderings. The French word for accessories, accouterments, got a hold of me once, and I began using it as often as I could. It made me feel exotic and a little worldly when my English speaking friends would say, “What?”

“It means accessories,” I would say with a subtle amount of smugness that bathed in the exotic juices of knowing a little French. I finally ran into a native French speaker some time later, and I couldn’t wait to give the word a test drive. I used it in proper context, and I thought I had my elocution down. I had also used the word for years at that point, so I felt confident in the idea that I could now say it without the effort those that had never heard the word used.

When my native French speaking friend said: “What?” I was a little taken aback.

“Isn’t that French for accessories?” I asked.

He asked me to repeat it, and when he was able to pick himself up off the floor, he informed me that most non-native French speakers should just stick with the American renderings.

elliwtch4) SELF-PROMOTION: Rarely will you read an author write, “I’d like to talk about myself now … ” They’re usually more creative than that, but some of them aren’t. Some of them should spend a little more time trying to creatively frame their indulgence a little better.

I recently put a book down that contained the words: “They don’t want Harlan Ellison messing around with that.” Speaking in the third person can be funny, and some of the times it can be an affectation of funny that leaves the reader thinking that they’re about to go down an unusually funny, self-defecating (sic) path, but this particular fork in the road was not a veiled attempt at humor, nor was it eventually self-deprecating. This was pure self-promotion. This was Harlan Ellison telling the reader that the establishment regards him as a dangerous rascal that keeps on mucking up the status quo to a point that they believe he must be constrained to maintain their precious military, industrial complex. They’re afraid of what Harlan Ellison might tell you, Harlan basically writes. They do not want Harlan speaking out, because they know that his powerful words can cause unrest. Harlan also wants you to know that the establishment, the man, doesn’t appreciate him speaking out, because they’re afraid of his thoughts, and he’s much more powerful than you know (or perhaps than he even knows), but the man knows, and they have tried to find some way of shutting him up. Either that, or the cynic in me believes, that Harlan wants you to feel like an outsider that doesn’t know how truly rascally Harlan can be, so you may want to buy more of his books to find out. When we buy a book, we do want to find out what an author thinks, and we’ve been tantalized by his thoughts through some other medium that led us to being so interested in his thoughts that we wanted to purchase a compendium of them, but when that author qualifies his thoughts in a manner that suggests that he believes that his thoughts are extravagantly provocative, some of us simply tune him out.

5) Quote: Recalling the fifty year anniversary of the legislation, George Will writes of President Lyndon B. Johnson’s Great Society: “In 1964, 76 percent of Americans trusted government to do the right thing just about always or most of the time. Today, 19 percent do. The former number is one reason Johnson did so much; the latter is one consequence of his doing so.”

The Debilitating Fear of Failure


“The reason we struggle with insecurity,” notes Pastor Steven Furtick, “is because we compare our behind-the-scenes with everyone else’s highlight reel.”

Some quotes educate us on matters we know nothing about, but the ones that stick take a matter we know everything about and puts a clever twist on it that changes our perspective. We all know failure, or some level of it, at various points of our life. Some of those failures have shaped us in profound ways that we assume everyone remembers them the moment we enter a room, and some people will, but will they remember their own, or will they compare our failings to their highlight reels.

Pastor Steven Furtick
Pastor Steven Furtick

“Acknowledging failure,” Megan McArdles writes in the book The Up Side of Down: Why Failing Well is the Key to Success, “Is a necessary first step in learning from it.”

Some of us are old enough to remember the severe penalty for missing a rung on the monkey bars. An erroneous grab, at the very least, could land a victim center-of-attention status, as we attempted to find our feet. At worst, it would cause the pack of onlookers to send an emissary to the office with a call for assistance. These everyone-is-looking-at-you moments are so immersed in embarrassment, and pain, that few can see any benefit to them.

Most of those liable for such situations, have lowered the monkey bars, and made the ground so forgivable that one would have to fall from a skyscraper to receive any pain. Thanks to these and other technological advances, fewer children get hurt on playgrounds, fewer playground manufacturers get sued, and everyone is much happier. There is one casualty, however, the pain of failure.

No one wants to see a child cry, and we should do everything we can to prevent it, but pain teaches us.

After a near fall in a supermarket, the checker complimented me on the agility and nimbleness I displayed to avoid hitting the ground. “It could be that,” I returned, “or it could be said that only someone so well-practiced in the art of falling knows how to avoid it.”

I eventually did touch ground a short time later, at a family reunion. I also touched a parked car, and then I touched the ground again. Among the lessons I learned is that pain hurts. Had it been a simple fall, it would be hardly worth noting. This was one of those by-the-time-this-ends type of falls everyone will be looking, some will be concerned, and most will be laughing. I thought I corrected my trajectory a number of times, but I was moving too fast. By the time it was finally over, I silenced just about everyone in the vicinity. The kids around me laughed, as kids will do when anyone falls, and my age-denying (Not Defying!) brother laughed, but if the Greg Giraldo line, “You know you’re getting old when you fall down, no one laughs and random strangers come running over acting all concerned,” is true, then I am getting old.

Most lessons in life are learned the hard way, and they are often learned in isolation, in that even our closest friends and family members distance themselves from us in these moments, so that they have no association with them. These dissociations range from laughter to sympathy, but the latter can be just as dissociative as the former if it’s done a right. The point is, no matter how we deal with these moments of failure, we usually end up having to deal with them alone. 

The point is that the lessons learned through pain and embarrassment, are lessened by lowering the monkey bars, providing a forgiving ground, and instituting zero tolerance bully campaigns. The point is that those of us that see little-to-no benefit derived from bullying, or that any benefits are inconsequential when compared to the damage done by the bully may eventually see the fact that few lessons in life are learned by the individual, until those kids enter adult arenas.

A quote like Pastor Steven Furtick’s, also tells us the obvious fact that we’re not alone in having moments of failure, but that those that can deal with them in the proper perspective might actually be able to use them to succeed on some levels.

Artistic Creations

Any individual that attempts to create some form of art knows more about comparing another’s “highlight reels” to their “behind-the-scenes” efforts better than most.

How many times did Ernest Hemingway grow insecure when comparing his behind-the-scenes efforts to the shining lights that preceded him? How many times did he fail, how many times did he quit, and give up, under that personally assigned barometer, before finally finding a unique path to success?

Even in the prime of his writing career, Hemingway admitted that about 1 percent of what he wrote was usable. Think about that, 1 percent of what he wrote for The Old Man and the Sea, was publishable, worth seeing, and that which Hemingway considered worthy of the highlight reel that we know as the thin book called The Old Man and the Sea. The other 99 percent of what he wrote, proved to be unpublishable by Hemingway’s standards. Yet, this highlight reel of the Old Man and the Sea writing sessions are what has inspired generations of writers to write, and frustrated those that don’t consider all of the behind-the-scenes writing that never made it in the book’s final form.

mark-twain-6fa45e42400eea8cac3953cb267d66a33825a370-s6-c30Mark Twain

“Most of what Mark Twain wrote was dreck,” writes Kyle Smith.{1}

Most of us know Tom Sawyer and Huckleberry Finn, the highlight reels of Mark Twain’s writing. We know the infamous Twain quotes that occurred in the numerous speeches he gave, and the essays that he wrote, but it is believed that he wrote as many as 50,000 letters, 3,000 to 4,000 newspaper and magazine articles, and hundreds of thousands of words that were never published. Twain also wrote hundreds of literary manuscripts—books, stories, and essays—that he published, and then abandoned, or gave away. Almost all of it has been discovered over the last century, and placed in a home called The Mark Twain Papers.{2}

Very few of us are so interested in Mark Twain, or any of his writing, that we want to read his “dreck”. Very few of us are so fanatical about Twain that we want to know the material he, and his publishers, deemed unpublishable. Yet that “dreck” ended up fertilizing the foundation of his thought process so well that he churned out two highlight reels that many agree to be historic in nature. Similarly, very few would want to want to watch a Michael Jordan, or a Deion Sanders, practice through the years to tweak, and foster their athletic talent to a point that we now have numerous three to four second highlight reels of their athletic prowess. Their behind-the-scenes struggles may provide some interesting insight into their process, but they’ve become a footnote at the bottom of the page of their story that no one wants to endure in total.

nirvanain-365xXx80Kurt Cobain

When we hear the music contained on Nirvana’s Nevermind, we hear a different kind of genius at work. We hear their highlight reels. We don’t know, or care, about all of the “dreck” Kurt Cobain wrote in quiet corners. Most of us, don’t know, or care, about the songs that didn’t make it on Nevermind. Most of us don’t know, or care, about all the errors he committed, the refining, and the crafting that went into perfecting each song on the album, until the final form was achieved. We only want the final form, the highlight reels, and some of us only want one highlight reel: Smells Like Teen Spirit.

On an album prior to Nirvana’s Nevermind, called Bleach, Kurt Cobain penned a song called Floyd the Barber. “Where does the kernel of a song like that start?” Soundgarden’s Chris Cornell asked. Cornell may not have come from the exact same background as Cobain, and he may not have been influenced by the exact same artists as Cobain, but he presumably felt like his creative process was so close to Cobain’s that he couldn’t fathom how the man achieved such divergence from the norms of musical creation. Those familiar with Cobain’s story also know that he was heavily influenced by the music of Soundgarden, and that fact probably confused Cornell all the more.

Other than Soundgarden, Cobain also loved Queen, The Beatles, The Pixies, The Melvins, and a number of other lesser known bands. How much of his early works were so similar to those artists that no one took him seriously? As I wrote earlier, it’s a major part of the artistic process that every artist goes through to attempt to duplicate influential artists in some manner. It’s a step in the process of crafting original works. When that artist duplicates those that came before them often enough, the artist (almost accidentally) begins to branch off into building something different … if they have any talent for creation in the first place.

Divergence in the artistic process

Few artists can pinpoint that exact moment when they were finally been able to break the shackles of their influences, for it happens so progressively that it’s almost impossible to pinpoint. Most artists do remember that moment when that one, somewhat inconsequential person said that some aspect of their piece wasn’t half bad however. At that point, the artist becomes obsessed to duplicate, or replicate, that nugget of an idea. Once that nugget is added to another nugget, those nuggets become a bold idea that wasn’t half bad. Once that is achieved, another bold idea is added, until it all equals a “halfway decent” compendium of ideas that may form something good. At that point, the artist believes he has something that others may consider unique enough to be called an artistic creation in its own right. When enough unique, artistic creations are complete, the artist may eventually achieve their own highlight reels.

When did Cobain finally begin to branch off? How did he become divergent, and creative, and different on a level that made him an organic writer to be reckoned with? How many casual statements, spray paintings on walls, and other assorted personal experiences had to occur before Kurt Cobain had the lyrics for Nevermind? How many different guitar structures did Cobain and company work through, until he arrived at something usable? How many Nevermind lifted music or lyrics from other failed songs, casual strummings in a closet, and offshoots of other guitarists? What did Floyd the Barber, Come as You Are, and Pennyroyal Tea sound like in those moments when they first found their way from notepad to basement practice sessions? How many transformations did these songs go through in those practice sessions, until they were entirely original, and transformative, and legendary additions to the albums they were included on? If Cobain were alive to answer the question, would he acknowledge that Nevermind is a 1% highlight reel of about a decade of work? Most of us don’t care, we only want to hear the highlight reels, so we have something to tap our finger to on the ride home from work.

Cobain’s highlight reel, Nevermind, proved to be so popular that record execs, and fans, called for a B-list, in the form of the album Incesticide. That album proved Cobain’s B-list was better than most people’s A-list, but what about the D-list, and E-list songs that proved to be so embarrassing that no one outside his inner circle ever knew they existed?

The point is that some of us are so influenced by an artist’s highlight reels that we want to replicate it, and duplicate it, until we become equally as famous as a result, and when we don’t, we think that there is something wrong with us. The point is that the difference between a Mark Twain, a Hemingway, a Cobain, and those that compare their behind-the-scenes work to an influential artist’s highlight reels is that while these artists recognized that most of what they did was “dreck”, they also knew that their behind-the-scenes struggles could be used as fertilizer to feed some flowers.

So, the next time you sit behind behind-the-scenes of your computer keyboard, tattered spiral notebook, or whatever your blank canvas is, remember that all of those geniuses —who so inspired you to be doing what you are doing right now— probably spent as many hours as you do staring at a blank page, or a blinking cursor, trying to weed through all the “dreck”, that every artist creates, to create something different, something divergent from all those creations that inspired them to create. You now know that they succeeded in that plight, but you only know that because the only thing you want to see, hear, and read are their highlight reels.

{1}http://www.forbes.com/sites/kylesmith/2014/02/20/what-mark-twain-van-halen-and-dan-rather-teach-us-about-failure/

{2}http://www.marktwainproject.org/about_projecthistory.shtml